2008 – Gilmour’s tribute to Floyd star Roger Waters, Nick Mason, Syd Barrett and Richard Wright
Gilmour said Wright (right) was “gentle, unassuming and private”.
Pink Floyd guitarist David Gilmour has praised late bandmate Richard Wright for his “vitality, spark and humour”.
Writing on his website, Gilmour said he had “never played with anyone quite like” the keyboardist, who has died from cancer at the age of 65.
“In my view, all the greatest Pink Floyd moments are the ones where he is in full flow,” Gilmour added.
He hailed Wright for his songwriting talent, including on two tracks from 1973′s Dark Side of the Moon album.
Gilmour joined the band in 1968 – a year after the group’s first album, The Piper at the Gates of Dawn.
In the welter of arguments about who or what was Pink Floyd, Rick’s enormous input was frequently forgotten
David Gilmour
“No-one can replace Richard Wright – he was my musical partner and my friend,” Gilmour said.
“In the welter of arguments about who or what was Pink Floyd, Rick’s enormous input was frequently forgotten.
“He was gentle, unassuming and private but his soulful voice and playing were vital, magical components of our most recognised Pink Floyd sound.”
Gilmour said the blend of his and Wright’s voices, together with their “musical telepathy, reached their first major flowering” on 1971 track Echoes, which took up the whole of the second side of album Meddle.
Gilmour, Waters, Mason and Wright in 2005
The band performed together at Live 8 in 2005 for the first time in 24 years
Released in 1973, The Dark Side of the Moon went on to become one of the best-selling and most influential albums in rock history.
Wright helped write much of the album, but was responsible for two songs in particular, Gilmour said.
He added: “After all, without Us and Them, and The Great Gig in the Sky – both of which he wrote – what would The Dark Side Of The Moon have been?”
Gilmour has now pulled out of the premiere of a concert film, David Gilmour Live In Gdansk, in London on Tuesday.
But the guitarist has asked for the event to go ahead without him in memory of Wright, his spokesman said.
Joe Boyd, who produced the band’s early records, said Wright’s keyboards were “an integral part of the Pink Floyd sound”.
“He was a very nice and easy going person,” he said. “It’s very sad to hear of his untimely passing.”
‘Influential musician’
Neil Portnow, president of The Recording Academy, which organises the Grammy Awards in the US, added his tribute.
“Richard Wright was an exceptional instrumentalist, whose distinctive keyboard style was essential to the musicality of this world-renowned band,” he said.
“He also scored films and recorded his own instrumental compositions and solo albums.
“Our deepest sympathies go out to his family and fans at this difficult time, as we remember this influential musician.”
The group played at the Live 8 event in Hyde Park in London in 2005, when Roger Waters rejoined his bandmates for a one-off, more than two decades after they fell out.
The four musicians all also played at a tribute concert for Syd Barrett in 2007, with Waters playing a solo set and Wright, Gilmour and Nick Mason making a separate appearance.
Wright’s death was announced in a statement by his spokesman on Monday.
The spokesman said Wright died after “a short struggle with cancer” but declined to give further details.
2008 – Associated Press – LONDON – Richard Wright, a founding member of the rock group Pink Floyd, died today… this day in rock! He was 65.
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Pink Floyd’s spokesman Doug Wright, who is not related to the artist, said Wright died after a battle with cancer at his home in Britain. He says the band member’s family did not want to give more details about his death.
Wright met Pink Floyd members Roger Waters and Nick Mason in college and joined their early band, Sigma 6. Along with the late Syd Barrett, the four formed Pink Floyd in 1965.
The group’s jazz-infused rock and drug-laced multimedia “happenings” made them darlings of the London psychedelic scene, and their 1967 album, “The Piper at the Gates of Dawn,” was a hit.
In the early days of Pink Floyd, Wright, along with Barrett, was seen as the group’s dominant musical force. The London-born musician and son of a biochemist wrote songs and sang.
The band released a series of commercially and critically successful albums including 1973′s “Dark Side of the Moon,” which has sold more than 40 million copies. Wright wrote “The Great Gig In The Sky” and “Us And Them” for that album, and later worked on the group’s epic compositions such as “Atom Heart Mother,” “Echoes” and “Shine On You Crazy Diamond.”
But tensions grew between Waters, Wright and fellow band member David Gilmour. The tensions came to a head during the making of “The Wall” when Waters insisted Wright be fired. As a result, Wright was relegated to the status of session musician on the tour of “The Wall,” and did not perform on Pink Floyd’s 1983 album “The Final Cut.”
Wright formed a new band Zee with Dave Harris, from the band Fashion, and released one album, “Identity,” with Atlantic Records.
Waters left Pink Floyd in 1985 and Wright began recording with Mason and Gilmour again, releasing the albums “The Division Bell” and “A Momentary Lapse of Reason” as Pink Floyd. Wright also released the solo albums “Wet Dream” (1978) and “Broken China” (1996).
In July 2005, Wright, Waters, Mason and Gilmour reunited to perform at the “Live 8″ charity concert in London — the first time in 25 years they had been onstage together.
Wright also worked on Gilmour’s solo projects, most recently playing on the 2006 album “On An Island” and the accompanying world tour.
Richard William Wright (28 July 1943 – 15 September 2008) was a self-taught pianist and keyboardist best known for his long career with Pink Floyd. Though not as prolific a songwriter as his bandmates Syd Barrett, Roger Waters and David Gilmour, he did write significant parts of the music for classic albums such as Meddle, Dark Side of the Moon and Wish You Were Here, as well as for Pink Floyd’s final studio album The Division Bell. Wright’s richly textured keyboard layers have been a vital ingredient and a distinctive characteristic of Pink Floyd’s sound. In addition, Wright frequently sang background and occasionally lead vocals onstage and in the studio with Pink Floyd (most notably on the songs “Time,” “Echoes,” and on the Syd Barrett composition “Astronomy Domine”). Wright died on 15 September 2008, following a short battle with cancer.
Biography
Pink Floyd career
Wright was educated at the Haberdashers’ Aske’s School and the Regent Street Polytechnic College of Architecture, where he met fellow band members Roger Waters and Nick Mason. He was a founding member of The Pink Floyd Sound (as they were then called) in 1965, and also participated in its previous incarnations, Sigma 6 and The (Screaming) Abdabs.
In the early days of Pink Floyd, Wright was seen as a dominant musical force in the group (though not as much of one as Syd Barrett, the band’s chief songwriter and front man at the time) and he wrote and sang several songs of his own during 1967–68. While not credited as a singer on The Piper at the Gates of Dawn, he sung lead on Barrett-penned songs like “Astronomy Domine” and “Matilda Mother,” as well as notable harmonies on “Scarecrow” and “Chapter 24.” Examples of his early compositions include “Remember a Day”, “Paintbox” and “It Would Be So Nice”. As the sound and the goals of the band evolved, Wright became less interested in songwriting and focused primarily on contributing his distinctive style to extended instrumental compositions such as “Interstellar Overdrive”, “A Saucerful of Secrets”, “Careful with That Axe, Eugene”, “One Of These Days” and to musical themes for film scores (More, Zabriskie Point and Obscured by Clouds). He also made essential contributions to Pink Floyd’s long, epic compositions such as “Atom Heart Mother”, “Echoes” and “Shine On You Crazy Diamond”. His most commercially popular compositions are “The Great Gig in the Sky” and “Us and Them” from 1973′s The Dark Side of the Moon. He also contributed significantly to other mid-period Floyd classics like “Breathe” and “Time”.
Wright recorded his first solo project, Wet Dream, and released it in September 1978 with little fanfare. However, the album is regarded with some acclaim among Pink Floyd fans. Battling both personal problems and an increasingly rocky relationship with Roger Waters, he was forced to resign from Pink Floyd during The Wall sessions by Roger Waters, who threatened to pull the plug on the album’s tapes if Wright did not leave the band. However, he was retained as a salaried session musician during the subsequent live concerts to promote that album in 1980 and 1981. Ironically, Wright became the only member of Pink Floyd to profit from those hugely spectacular shows, since the net financial loss had to be borne by the three remaining “full-time” members. He was the only member of the band not to attend the 1982 première of the film version of The Wall. In 1983, Pink Floyd released the only album on which Wright does not appear with The Final Cut.
During 1984, Wright formed a new musical duo with Dave Harris (from the band Fashion) called Zee. They signed a record deal with Atlantic Records and released only one album, Identity, which was a commercial and critical flop. Wright rejoined Pink Floyd following Waters’ departure. Because of legal and contractual issues from his “hired gun” status during The Wall world tour, Wright’s photo was not included in the 1987 album A Momentary Lapse of Reason and his name was listed in smaller letters than Mason and Gilmour. By the time of the Momentary Lapse world tour and the 1988 live album The Delicate Sound of Thunder, Wright was contractually a member of Pink Floyd once again. In 1994, he co-wrote five songs and sang lead vocals on one song (“Wearing the Inside Out”) for the next Pink Floyd album, The Division Bell. This recording provided material for the double live album and video release P*U*L*S*E in 1995. Wright, like Nick Mason, has performed on every Pink Floyd tour.
Modern days
In 1996, inspired by his successful input into The Division Bell, Wright released his second solo album, Broken China, including contributions from Sinéad O’Connor on vocals, Pino Palladino on bass, Manu Katché on drums, Dominic Miller (known from his guitar work with Sting) and Tim Renwick, another Pink Floyd associate, on electric guitar. Broken China was considered to be a more focused and artistically successful work than Wet Dream and marked a new phase in Richard Wright’s modus operandi, with extensive use of computer-based recording and production techniques, assisted by Anthony Moore with whom he co-wrote the album’s lyrics.
On 2 July 2005, Wright, Gilmour, Mason were joined by Waters on stage for the first time since the Wall concerts for a short set at the Live 8 concert in London. Wright underwent eye surgery for cataracts in November 2005, preventing him from attending Pink Floyd’s induction into the UK Music Hall of Fame. Roger Waters, who was also unable to attend the band’s induction due to rehearsals for the opening of his opera Ça Ira in Rome, appeared in video link and stated, tongue-in-cheek:
“ Rick actually hasn’t had an eye operation, he and I have eloped to Rome and we’re living happily in a small apartment off the Via Venuti! ”
Wright contributed keyboards and background vocals to David Gilmour’s most recent solo album, On an Island, and performed with Gilmour’s touring band for over two dozen shows in Europe and North America in 2006 . On stage with Gilmour he performed piano, electric piano and synth leads with his Kurzweil K2600 workstation, Hammond organ and even his long-inactive Farfisa organ, which was resurrected especially for performing “Echoes” and a couple of Pink Floyd’s and Syd Barrett’s older numbers that Gilmour chose to revisit in his recent concerts. He also provided backing vocals and lead vocals (notably on “Echoes”, “Time”, “Comfortably Numb”, “Wearing the Inside Out” “Astronomy Domine” and “Arnold Layne” – the latter released as a live single). He declined an offer to join Roger Waters and Nick Mason on Waters’ The Dark Side of the Moon Live tour in order to spend more time working on an upcoming solo project (which may be an instrumental album released in 2008).
On 4 July 2006, Wright joined Gilmour and Mason for the official screening of the P•U•L•S•E DVD. Inevitably, Live 8 surfaced as a subject in an interview. When asked about performing again, Wright replied he would be happy on stage anywhere. He explained that his plan is to “meander” along and said about playing live:
“ …and whenever Dave wants me to play with him, I’m really happy to play with him. And you’ll play with me, right? ”
However, Wright stated that he had no desire to perform as part of an officially-reformed ‘Pink Floyd’ again, saying that the Live 8 concert was nice as a “one off.”
Wright had the lowest profile of any member of a band known for their lack of individual attention seeking. Unlike the three other surviving band members who have emerged as public figures, Wright rarely spoke in public. Wright was very rarely seen in the live footage from the Live 8 reunion performance; with a few exceptions he was only shown in wide shots. Some have suggested that the director of the broadcast did not know which musician was the fourth member of Pink Floyd until the very end when they got together for a group shot.
Personal
He married his first wife, Juliette Gale, in 1964 and they divorced in 1982 after having two children. He married his second wife Franka in 1984 and they divorced in 1994. Wright married his third wife Millie (to whom he dedicated his second solo album Broken China) in 1996; their one child is named Ben.
In 1996 Wright’s daughter Gala married Guy Pratt, a session musician who has played bass for Pink Floyd since Roger Waters’ exit.
Wright died on 15 September 2008 after a battle with cancer.
Influence
Wright’s style fuses jazz and neoclassical influences that complemented the simple harmonic structures of the more blues and folk-based songs written by Roger Waters and David Gilmour. As a keyboardist, he is more interested in complementing each piece with organ or synthesizer layers and tasteful piano or electric piano passages. Unlike his contemporaries Rick Wakeman, Tony Banks or Keith Emerson, only occasionally did he opt for solo playing, notably in “Atom Heart Mother”, “Echoes”, “Any Colour You Like”, “Shine On You Crazy Diamond” Parts 1-5 and 6-9, “Welcome to the Machine”, “Dogs”, “Run Like Hell” and “Keep Talking”. Another notable solo is the first solo in Syd Barrett’s song “Love Song”. Wright is known for his ghostly atmospheric textures such as the Leslie piano arpeggios at the beginning of “Echoes”, the echoed Farfisa Organ in the live versions of “Careful with That Axe, Eugene” and “Set the Controls for the Heart of the Sun”, the distinctive Minimoog solos in “Any Colour You Like” and, more famously, “Shine On You Crazy Diamond” and the jazzy electric piano passages in “Money”, “Time” and “Sheep”. In “A Saucerful of Secrets” and “Sysyphus” he experimented with ‘treated piano’. “Sysyphus” also made extensive use of Mellotron sounds, something of a rarity in the Pink Floyd canon. Wright also used Indian modal scales in “Set the Controls for the Heart of the Sun” and “Matilda Mother”. Although he is not often mentioned among the ‘synthesizer greats’, it is widely acknowledged that Wright’s inventive use of keyboards and synthesizers with Pink Floyd has been pioneering.
Equipment
In the early days of the band, Wright dabbled with brass before settling on the Farfisa organ as his main instrument onstage (in addition to piano and Hammond Organ in the studio). For a brief period in 1969, Wright played vibraphone on several of the band’s songs and in some live shows, and he even played trombone on “Biding My Time” (also dating from this experimental period). During the formative years of Pink Floyd with Syd Barrett, Wright relied heavily on his Farfisa organ, fed through a Binson Echorec platter echo, to achieve distinctive sounds that helped the band gain their “psychedelic rock” edge. He started using a Hammond organ regularly onstage thereafter, and a grand piano later became part of his usual live concert setup when “Echoes” was added to Pink Floyd’s regular set-list. For tours in the 1970s centering around The Dark Side of the Moon, Wish You Were Here, Animals and The Wall, the Farfisa was dropped (although it was brought back when Wright toured with David Gilmour on his On An Island tour), and an array of other instruments were added to the lineup, such as: Fender Rhodes, Wurlitzer and Hohner electric pianos, VCS 3, Minimoog, ARP String Ensemble and Prophet 5 synthesizers. Since 1987 Wright favoured Kurzweil digital synthesisers for reproducing his analogue synthesiser sounds, even though he still used his favourite Hammond C-3 organ. However, the one that he used with Pink Floyd at Live 8 and with David Gilmour was a “chopped” version (being stripped down of unnecessary weight and put into a more compact casing).
Discography
Further information: Pink Floyd discography
Solo albums
* Wet Dream – 15 September 1978
* Broken China – 26 November 1996
Zee albums
* Identity – 9 April 1984
With David Gilmour
* David Gilmour in Concert (DVD) – October, 2002
o Appears on two tracks: “Breakthrough” (Keyboard / Vocals) & “Comfortably Numb (With Bob Geldof)” (Keyboard)
* On an Island – 6 March 2006
o Appears on two tracks: “On an Island” (Hammond organ) & “The Blue” (Keyboards / Vocals)
* Remember That Night (DVD) – September, 2007
With Syd Barrett
* The Madcap Laughs – 3 January 1970
* Barrett – 14 November 1970
2001 – Hip-hop rockers Limp Bizkit and cartoon indie-beat band Gorillaz are the big winners at the eighth annual MTV Europe Music Awards. Limp Bizkit lands a one-two punch, winning in the group and album categories for their “Chocolate Starfish and the Hot Dog Flavored Water.”
2000 – A new song inspired by a soldier’s act of mercy in the Kosovo conflict is among 24 tracks included on ex-Pink Floyd principal Roger Waters’ new live album “In The Flesh.”
2000 – In an effort to raise awareness of the Clearwater Project Of Higher Ground For Humanity (HGH) Jewel makes a concert available for online streaming exclusively at the Netaid.org Web site. HGH is a non-profit organization founded by Jewel and her mother/manager, Lendra Carroll in 1999 to help bring safe, clean water to remote areas of the world.
1993 – George Harrison and David Crosby make guest appearances on the fifth season premiere of the Fox animated comedy series “The Simpsons.”
“Homer’s Barbershop Quartet” is the first episode of The Simpsons’ fifth season. It features the Be-Sharps, a fictional barbershop quartet founded by Homer, whose story roughly parallels that of The Beatles. The episode was written by Jeff Martin, directed by Mark Kirkland, while George Harrison and David Crosby guest starred as themselves, and The Dapper Dans as the singing voices of “The Be-Sharps”.
Episode no. 82
Prod. code 9F21
Orig. airdate September 30, 1993
Show runner(s) Al Jean & Mike Reiss
Written by Jeff Martin
Directed by Mark Kirkland
Chalkboard “I will never win an Emmy”
Couch gag A trio of couch gags: The family shatters into pieces, the family combine into a multicolored blob, and the family explode.
Guest star(s) George Harrison as himself
David Crosby as himself
The Dapper Dans as the singing voices of “The Be-Sharps”.
DVD
COMMENTARY
Matt Groening
Mike Reiss
Al Jean
Jeff Martin
Hank Azaria
Jon Lovitz
Mark Kirkland
Plot
At the Springfield Swap Meet, Bart and Lisa notice Homer’s face on an album cover. Homer explains that he, Principal Skinner, Barney, and Apu recorded a barbershop quartet album in 1985, which catapulted them to national fame.
This development came after an agent, Nigel, offered to be their representative on the condition they expel original member Chief Wiggum, who was “too Village People.” After rejecting many auditions for a fourth member, the barbershop trio returned downheartedly to Moe’s Tavern, where they recruited Barney after hearing him sing in a beautiful Irish tenor voice. The group considered “Handsome Homer Simpson Plus Three” (suggested by Nigel), finally calling themselves “The Be Sharps.” They had decided their name should be initially witty, yet become less funny each time you heard it.
Back in modern times, Homer brags that he sold a spare tire at the swap meet; unfortunately, on the way home their tire blows out. While Marge begins her long walk to a gas station, Homer continues the story. He tells Bart and Lisa that after Marge bought a “Baby On Board” sign, Homer wrote a song inspired by the fad. “Baby on Board” appeared on their first album, Meet the Be Sharps, and became a hit. The group performed the song at the Statue of Liberty’s centennial in 1986. The Be Sharps also won a Grammy for “Outstanding Soul, Spoken Word, or Barbershop Album of the Year”, and Homer met George Harrison. Meanwhile, Wiggum’s singing career (now dead) was being mocked by numerous talk show hosts.
At home, Homer explains that the Be Sharps were on merchandise (similar to the Beatlemania craze) – such as lunch boxes, mugs, posters, etc. When Lisa pulls out a bottle of Be Sharps Funny Foam, Homer says that it was pulled off the market when it was discovered to be poisonous. The name of their second album was Bigger than Jesus. While the Be Sharps were becoming popular, Marge was having problems raising the children, and the Be Sharps also had their own issues. Creative disputes arose when Barney began dating a Japanese conceptual artist, and Barney left the group in all but name. The two recorded a song in which his girlfriend repeatedly says “Number 8″ over tape loops of Barney’s belches (a nod to the Beatles song “Revolution 9″). Ultimately, the group realizes they had lost their popularity and were no longer hot, according to the latest issue of Us Weekly’s What’s Hot and What’s Not, and splits up. Principal Skinner returns to Springfield Elementary School, and Homer returns to the Springfield Nuclear Power Plant.
At the end of the episode, the group reunites to perform a concert on Moe’s roof singing their number one hit “Baby on Board”. Many passers-by stop to hear them sing their comeback concert, including George Harrison who remarks, “It’s been done.”
Deleted scenes
The following can be seen on the Season 5 DVD set:
* The group announces a new Record Label called “Donut Records” (in a parody of the Beatles’ creation of Apple Records) at an empty press conference. Homer then mentions a point when yodeling was threatening their popularity.
* After Homer mentions the band breaking up and going their separate ways, it originally cut to Principal Skinner returning to his mother’s home. She asks if he was with any women, and he replies no. She then horrifies him by asking him to give her a bath and laughs maniacally. The scene then cuts to the outside of their home, which resembles the Bates Motel from Psycho. This is one of several one-off jokes in early seasons to equate Mrs. Skinner to Norman Bates’ mother, before developing her into a full character later on.
Cultural allusions
Beatles references
* Moe’s Tavern has changed to Moe’s Cavern, a reference to the famous Cavern Club in Liverpool where The Beatles frequently performed in the late 1950s and early 1960s.
* When Barney first preforms with the group the audience chant “Wiggum forever, Barney never” in reference to when Ringo Starr replaced Pete Best, where the audience chanted “Pete forever, Ringo never.”
* Chief Wiggum’s replacement in the band by Barney is a parallel to Pete Best being replaced as The Beatles’ drummer by Ringo Starr. Apu Nahasapeemapetilon having to change his name to Apu de Beaumarchais may also be a reference to Ringo Starr having changed his name from Richard Starkey.
* Their name shares the same first syllable as the Beatles, and, like the Beatles, carries a double meaning.
* Homer having to cover up his marriage to Marge is a parody of John Lennon having to conceal the fact he was married to Cynthia Lennon and had a child in the early years.
* After consoling Marge about hiding her from the press, Homer says “It’ll only be until the end of our tour of Sweden”, in reference to when the Beatles went on their tour of Sweden, shortly after their English tour, and before their tour of America.
* After finishing their record “Baby on Board”, their manager Nigel tells them, “Gentlemen, you’ve just recorded your first number one record.” This is a direct reference to what the Beatles’ producer George Martin said after they recorded their second single, “Please Please Me”.
* The peaceful scenes during the airtime of “Baby on Board” is a reference to the allegation that there was no crime during the appearance of the Beatles on the Ed Sullivan Show.
* The first Be Sharps LP, Meet the Be Sharps, is a direct reference to The Beatles’ first American album Meet the Beatles!, featuring the quartet’s faces in black-and-white contrast on the cover.
* The press conference at the airport is a direct reference to the questions the American press asked the Beatles when they first arrived in New York.
* The cover of Bigger Than Jesus, the Be Sharps’ second album, features the group walking on water. It is a direct parody of the art on The Beatles’ album Abbey Road. At the end of the episode the back cover is revealed, on which we see Homer turned away from the camera, as opposed to the rest of the band. This is a parody of the Sgt. Pepper’s Lonely Hearts Club Band LP reverse, in which Paul McCartney is in the same position, allegedly as part of the “Paul Is Dead” hype. “Bigger than Jesus” is a reference to a controversial quote made by John Lennon in 1966. Bart references this by asking “What did you do ? Screw up like the Beatles and say you were bigger than Jesus?” to which Homer replies “All the time, that was the name of our second album”.
* According to Matt Groening in the DVD commentary, the shots of the band in the recording studio where they decide to break up were based on pictures from the Let It Be sessions.
* Barney’s Japanese conceptual artist girlfriend is a parody of Yoko Ono, and the two record a song which sounds similar to Lennon and Ono’s “Revolution 9″. Additionally, the scene in which Barney plays the song for Homer pays homage to a picture of Lennon, Ono, and McCartney in the studio.
* The group performing atop Moe’s Bar at the end of the episode is a parody of The Beatles’ impromptu concert on the Apple Corps rooftop during their Get Back recording sessions in 1969 — hence George Harrison’s line, “It’s been done.”
* Homer’s comment “I’d like to thank you on behalf of the group and I hope we passed the audition,” is the last piece of dialogue, said by John Lennon, on the Beatles Let It Be album, taken from the Apple rooftop concert.
* When Chief Wiggum fails his audition as Dr. Doolittle, he says, “This bird is going to fly,” which is similar to the Beatles song “Norwegian Wood (This Bird Has Flown).”
Other cultural references
* At the swap meet Homer rakes up a box with items that cost 5¢ each. These include the United States Declaration of Independence, a copy of Action Comics #1, a complete block of Inverted Jenny misprint postal stamps and a Stradivarius violin.
* When onlookers turn away from the Human Fly climbing up a building to watch the B-Sharps on top of Moe’s Tavern instead is a reference to the “Human Spider” Alain Robert.
* Principal Skinner tries on a prison mask with the number 24601, which is famous for being Jean Valjean’s prison number in Les Misérables.
* Homer buys Grampa a pink Cadillac, just as Elvis Presley did for his mother.
* This is the second consecutive appearance by David Crosby.
Music
* “Yankee Doodle Dandy” (sung by Melvin and the Squirrels, a spoof of Alvin and the Chipmunks)
* “Hello! Ma Baby”
* “Goodbye, My Coney Island Baby”
* “Old MacDonald Had a Farm” (sung by Grampa at the audition in the style of Frank Sinatra as he recorded it on his 1961 album All the Way)
* “Downtown” (sung by Groundskeeper Willie at the audition, whose title he pronounced as “Doon-Toon”)
* “Theme from A Summer Place” (sung by Jasper at the audition with lyrics he made up)
* “Talk to the Animals” (sung by Chief Wiggum at the audition disguised as Doctor Dolittle)
* “Too Ra Loo Ra Loo Ral” (sung by Barney in the bathroom at Moe’s)
* “Sweet Adeline”
* “Baby On Board”, a song written by Homer, who also attempted to write songs about the opening of Al Capone’s vault, Mr. T and then-Surgeon General C. Everett Koop.
1990 – Former Pink Floyd member Roger Waters stages a production of his rock opera, The Wall, in Berlin. Among the performers taking part in the benefit are Sinead O’Connor, Cyndi Lauper, Bryan Adams and Phil Collins. On pay-per-view you could watch Roger Waters’ production of The Wall. The concert at the Berlin Wall featured a host of guest performers like Van Morrison, Bryan Adams, and Sinead O’Connor singing the album, with the usual Pink Floyd-related films and inflatables.
1987 – Pink Floyd release A Momentary Lapse of Reason. The comeback album is the band’s first since the departure of Roger Waters and the subsequent lawsuit over the use of the band name.
A Momentary Lapse of Reason is Pink Floyd’s 1987 album, the band’s first release after the departure of Roger Waters from the band in 1985. The album reached #3 on both the U.S. and UK charts. It was released in the UK and the rest of Europe on EMI and on Columbia Records for the rest of the world.
Background
After Roger Waters had declared Pink Floyd ended in 1985, David Gilmour attempted to continue the band together with Nick Mason. A bitter dispute with Waters ensued, but Gilmour and Mason eventually settled out of court for the legal right to continue using the name Pink Floyd. In exchange, Waters dissolved his former management partnership with Steve O’Rourke and gained exclusive rights to some traditional Pink Floyd imagery, including the original flying pig design, almost all of The Wall concept and everything to do with The Final Cut. Richard Wright re-joined the band during the recording sessions for this album, but only as a salaried session musician.
The recording sessions started in October 1986 as a new David Gilmour project. Gilmour revealed on the Shine On and A Momentary Lapse of Reason episodes of In the Studio with Redbeard that it was almost his third solo album as the material initially sounded too weak to be a Pink Floyd album. He then went on to say that by Christmas of 1986 that he had enough confidence to turn the album into a Pink Floyd project.
The music press responded with mostly negative reviews of the album (though Rolling Stone claimed it portended “a Floyd with a future”), despite its heavy airplay rotation on video and radio music stations. Many fans regard this album a David Gilmour effort, rather than an actual Pink Floyd album. The allmusic review refers to it as a “Gilmour solo album in all but name”. Waters himself described it as “a pretty fair forgery or a good copy” of a Pink Floyd record; his most generous appraisal was that the album contained “a few bright moments when I heard something and thought, ‘Well, maybe I’d have done something with that’.” But Waters also commented that to him, Pink Floyd no longer existed.
Recording
The album was performed largely by David Gilmour and several session musicians. The most famous of these was Tony Levin (of Peter Gabriel and King Crimson fame), who played bass on most of the tracks. Nick Mason felt he was out of practice on drums, and thus many of the percussion parts were either programmed or delegated to others. For example, Carmine Appice played drums on “The Dogs of War” while Jim Keltner played on “On the Turning Away” and “One Slip”. The drum machine, used on “Sorrow”, was programmed by Gilmour.
Session keyboardist Jon Carin, whom Gilmour met and played with in Bryan Ferry’s band at Live Aid, went on to collaborate with both Pink Floyd and Roger Waters on subsequent albums and tours. Pink Floyd’s original keyboardist Richard Wright arrived during the sessions, but did not officially rejoin the band due to concerns about his severance contract with Waters (the initial album lists Pink Floyd as consisting of only Gilmour and Mason; however, later re-releases add his name). Wright can be heard playing on a few tracks, notably “Sorrow”, which features his background vocals. Most other keyboard parts on the album were played by Carin, Gilmour or Ezrin.
It has been rumoured that some of the songs on A Momentary Lapse of Reason were David Gilmour’s rejected contributions to The Final Cut. Early demos to songs like “The Dogs of War,” “Round and Around,” and the melody to “On the Turning Away” are the only known songs to be rejected.
The recording heard in the middle of “Learning to Fly” is of Mason talking to an air traffic control tower in his private aircraft (both he and Gilmour became enthusiastic pilots after conquering their mutual fear of flying).
A Momentary Lapse of Reason is Pink Floyd’s first fully digital recording; however, the acoustic drums and bass guitar tracks were recorded on analogue equipment.
Cover artwork
The cover shows 700 hospital beds placed on Saunton Sands, Devon. This effect was not achieved with trick photography; a team actually hauled the wrought iron beds over three hours from London to Devon and arranged them as seen on the finished design. When the team realised that the shoot would take more than one day, a single bed was left on the beach to see if the sea would have any effect on it over night. When they returned the following morning, the bed was nowhere to be found. Long-time Pink Floyd collaborator Storm Thorgerson produced the artwork.
The official Storm Thorgerson website actually covers a version of this story:
700, yes 700, wrought iron hospital beds separately made up and positioned on the beach. Madness to do it at all, but we had in fact to do it twice cos it rained suddenly the first time, dank grey dizzle, and we couldn’t see the distant half of the beds.
This was the first Pink Floyd studio album since Animals to feature his work (not counting a design for the compilation album A Collection of Great Dance Songs in 1981).
In the gatefold sleeve was a portrait of David Gilmour and Nick Mason making it the first time that a picture of the members of Pink Floyd appeared in a gatefold sleeve since 1971′s Meddle album (not counting a poster of the band members on stage that came with vinyl copies of The Dark Side of the Moon in 1973)
The vinyl copies had two picture labels. Side one depicted a black and white photo of a man rowing his boat. Side two depicted the beds from the front cover on a beach with the dogs of war running whilst a man is sitting on a bed and a female maid is standing up.
If you look closely, there is a person flying a Hang Glider, probably a reference to Learning to Fly.
Reissues and remastering
A re-mastered CD was released in the early 1990s for Europe, and in 1997 for the rest of the world. Another remastered version was released in the U.S. and Canada in October 2005 due to Columbia Records losing the production masters. James Guthrie and Joel Plante supplied the label with new masters, and thus the mastering credit was changed from Doug Sax to Guthrie and Plante. Also, a number of minor changes have been noted in the credits and legal text for this latest release, mostly reflecting changes in the band’s business situation since 1997 (including the death of their manager Steve O’Rourke).
It is also the only one of the post-Waters Pink Floyd albums to have a remastered EMI version. The Columbia version is now out of print and will be re-released by Capitol/EMI in the not too distant future.
Track listing
All lead vocals performed by David Gilmour except where noted.
1. “Signs of Life” (instrumental, spoken word by Nick Mason) (David Gilmour, Bob Ezrin) – 4:24
2. “Learning to Fly” (Gilmour, Anthony Moore, Ezrin, Jon Carin) – 4:53
3. “The Dogs of War” (Gilmour, Moore) – 6:05
4. “One Slip” (Gilmour, Phil Manzanera) – 5:10
5. “On the Turning Away” (Gilmour, Moore) – 5:42
6. “Yet Another Movie” (Gilmour, Patrick Leonard) / “Round and Around” (Gilmour) – 7:28
7. “A New Machine (Part 1)” (Gilmour) – 1:46
8. “Terminal Frost” (Gilmour) – 6:17
9. “A New Machine (Part 2)” (Gilmour) – 0:38
10. “Sorrow” (Gilmour) – 8:46
Live performances for the 1987–89 tours
1. “Signs of Life” (performed after “Shine On You Crazy Diamond (Parts 1–5)” or “Echoes”)
2. “Learning to Fly”
3. “Yet Another Movie”
4. “Round and Around”
5. “A New Machine (Part 1)”
6. “Terminal Frost”
7. “A New Machine (Part 2)”
8. “Sorrow”
9. “The Dogs of War”
10. “On the Turning Away” (ended the first half of the show)
11. “One Slip” (was the first encore on the 1987/88/89 tour)
The Momentary Lapse Tour, according to Tim Renwick, was only supposed to last 11 weeks. Originally the band would play a show at Wembley Stadium, tour the United States Of America, and finish back again at Wembley, much like what Roger Waters was doing on his Radio K.A.O.S tour. The tour began on 9 September 1987 at Lansdowne Park Ottawa, Canada, and finished at BC Place in Vancouver, Canada, on 10 December 1987. The World Tour began with the band’s first and only New Zealand performance at Western Springs in Auckland, New Zealand on 23 January 1988 and finished at the Nassau Coliseum, Long Island, on 23 August 1988. In the spring and summer of 1989, the band did another European leg of the tour, dubbing it Another Lapse. During the tour, the band played two consecutive nights in Chapel Hill, North Carolina at the Dean Smith Center, where one of the men who the band was named for, Floyd Council was born.
Personnel
* David Gilmour – vocals, guitars, keyboards, sequencers
* Nick Mason – drums, percussion, drum machine, sound effects
Additional personnel
* Richard Wright – keyboards, backing vocals
* Tony Levin – bass guitar, Chapman Stick
* Bob Ezrin – percussion
* Carmine Appice – drums
* Jim Keltner – drums
* Jon Carin – keyboards
* Tom Scott – alto and soprano saxophones
* Scott Page – tenor saxophone
* Patrick Leonard – synthesizers
* Bill Payne – Hammond organ
* Michael Landau – backing guitar
* John Helliwell – saxophone (mistakenly credited as John Halliwell)
* Darlene Koldenhaven, Carmen Twillie, Phyllis St. James, Donnie Gerrard – backing vocals
* Spherical sound by: Ken Caillat, Tom Jones, Sarah Nean Bruce
* Recorded by: Guy Charbonneau, Le Mobile, Los Angeles
* Additional sound effects by: Andrew Jackson
* General technical and musical instrument supervision: Phil Taylor
* Mastered at: Mastering Lab & Precision Lacquer
* Pink Floyd management: Steve O’Rourke, EMKA Productions, London
Sales certifications (U.S.)
The R.I.A.A. have certified the album:
* Gold and Platinum (in November 1987)
* Double Platinum (in January 1988)
* Triple Platinum (in February 1992)
* Quadruple Platinum (in August 2001)
Single releases
* “Learning to Fly (edit)”/”Terminal Frost” – Columbia 38-07363; released 15 September 1987
* “On the Turning Away”/”Run Like Hell (Live)” – Columbia 38-07660; released 24 November 1987
* “The Dogs of War”; April, 1988 (US radio only)
* “One Slip”/”Terminal Frost”; June 1988
Chart positions
Album
Year Chart Position
1987 UK album chart 3
1987 The Billboard 200 3
1987 Billboard CD Charts 1
1987 Norway’s album chart 2
Singles
Year Single Chart Position
1987 “Learning to Fly” Mainstream Rock Tracks 1
1987 “Learning to Fly” The Billboard Hot 100 70
1987 “Learning to Fly” UK Singles Charts 55
1987 “On the Turning Away” Mainstream Rock Tracks 1
1988 “The Dogs of War” Mainstream Rock Tracks 10
1988 “One Slip” Mainstream Rock Tracks 5
1988 “Sorrow” Mainstream Rock Tracks 36
Quotations
On the Momentary Lapse of Reason album, Nick’s belief in himself was pretty well gone, and Rick’s belief in himself was totally gone. And they weren’t up to making a record, to be quite honest about it Roger’s very good at belittling people, and I think over the years he managed to convince Rick completely that he was useless and more or less convinced Nick of the same thing.
– David Gilmour, Rock Compact Disc magazine, September 1992
I must say, that under the circumstances, it’s a superb title for a so-called Pink Floyd record.
– Roger Waters, Penthouse magazine, September 1988
Release of the LP
A Momentary Lapse of Reason was released on the same day in the UK as the LPs Bad by Michael Jackson and Actually by The Pet Shop Boys, both of which topped it at the first and second positions in the following week’s album charts. It debuted at No. 3 and never rose any higher although sales remained brisk helped by heavy airplay, the overall welcome reunion of Pink Floyd, and the world tour which lasted over a year.
The album debuted at #43 on the Billboard 200 and, like in the UK, rose to No. 3 in the United States as Michael Jackson’s Bad and Whitesnake’s Whitesnake ’87 occupied the top two spots respectively at numbers 1 and 2. The album remained on the US charts for over a year.
1987 – Roy Orbison, Smokey Robinson, Aretha Franklin, Jackie Wilson are among those inducted into the Rock and Roll Hall of Fame.
The Rock and Roll Hall of Fame inducts the late Jackie Wilson, the Coasters, Eddie Cochran, Bo Diddley, Aretha Franklin, Marvin Gaye, Bill Haley, B.B. King, Ricky Nelson, Roy Orbison, Carl Perkins, Smokey Robinson, T-Bone Walker, Muddy Waters, Hank Williams, Leonard Chess, Ahmet Ertegun, Louis Jordan, the songwriting team of Leiber and Stoller, Clyde McPhatter, producer Jerry Wexler and Big Joe Turner.
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