1955 – Van Halen bassist Michael Anthony is born in Chicago.
Michael Anthony Sobolewski (born June 20, 1954) is an American musician. He is best known as the former bassist and a founding member of the hard rock band Van Halen. Anthony joined the band in 1974 and was their official recording and performing bassist for most of their career until he was replaced by Wolfgang Van Halen, son of fellow founding member Eddie Van Halen, after the band’s 2004 tour.
Anthony is known for his stage antics, his effects-laden live solos, and his number of custom-made bass guitars including a Jack Daniel’s model shaped like a whiskey bottle. He also has a signature Yamaha bass guitar series. In total, Anthony is known to have in excess of 150 bass guitars. In addition to his musical career with Van Halen and other acts, Anthony markets a line of hot sauces and related products named Mad Anthony.
Anthony has been married to his wife Sue since 1981 and they have two daughters: Taylor (born 1991) and Elisha (born 1985). Anthony now lives in Glendora, California and can be frequently seen driving his prized hot rods.
Biography
Early life (1954–1966)
Anthony was born in Chicago, Illinois, USA to Polish immigrant parents, and was one of five siblings (Nancy, Michael, Steve, Robert and Dennis). He later moved to California where he attended Arcadia High School, graduating in 1972. He developed his interest in music in childhood, playing the trumpet. He became interested in playing mainly rock, blues, and jazz, taking after his father Walter.
Musical career begins (1967–1974)
While Anthony was a promising catcher in baseball, he also competed on the Dana Junior High School track team (long jump) and played in the marching band there from 1967–1969. He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony’s friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing its top two strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony modeled his bass playing after Led Zeppelin’s John Paul Jones mostly, but also admired Jack Bruce of Cream, and Harvey Brooks of Electric Flag. His main interest in life was music once he left high school. His first band was called Poverty’s Children. Other bands he played in included Black Opal, Balls and Snake. Although Anthony is naturally left-handed, he plays right-handed.
Snake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band Mike played in before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played a lot of the same types of gigs as did the Van Halen brothers’ band Mammoth. Snake even opened for Mammoth at a show at Pasadena High School one night. Mammoth’s PA failed that night, so Anthony lent them Snake’s PA.
While attending Pasadena City College, Mike pursued a degree in music. Alex Van Halen took classes there too and they would often see each other on campus. During this time, Mark Stone was kicked out of Mammoth and the Van Halens decided to audition Anthony to be their new bassist. Anthony was impressed by their skill during subsequent jam sessions even though he had seen the brothers play before. After the session, the Van Halen brothers asked Anthony to join the their band. He said he had to think about it and consulted Snake guitarist Tony Codgen who advised Anthony to go ahead with joining Van Halen. However, according to Michael Anthony’s web site, when asked if he wanted to join Van Halen, Anthony immediately said yes, that there was no consulting with anyone.
Van Halen (1974–1996)
Main article: Van Halen
In 1974, Eddie Van Halen, Alex Van Halen along with David Lee Roth and Michael Anthony became known as Van Halen, dropping the name Mammoth because they discovered that another local band was using that moniker. They were signed to Warner Brothers in 1977 and released their self titled debut album on February 8, 1978. Anthony’s bass lines and high vocal harmonies became a distinctive part of the Van Halen sound. The band released a total of ten studio albums from 1978–1995, along with a live album and a compilation CD in 1996 that featured two previously unreleased songs. Despite the Van Halen brothers falling out with both their vocalists frequently (David Lee Roth in 1985, 1996, 2000 and 2001 and Sammy Hagar in both 1996 and 2004), Anthony maintained positive relationships with all of the musicians.
Diminishing role with Van Halen and side projects (1996–2003)
As early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen. Despite claims to the contrary and his continued work with the band, these persisted until his final departure.
Anthony’s involvement in the 1998 album Van Halen III was less than for previous albums. Anthony performed on only three songs; Eddie Van Halen recorded the others. Anthony is credited as a songwriter for the album along with the rest of the band as is always the case for Van Halen albums. Anthony performed with the band for the 1998 tour, and was credited for messages from the band thereafter. He participated in the band’s three reunion attempts with David Lee Roth from 2000 through 2001. Anthony’s name was also credited in a few band newsletters during this time, and he appeared in band interviews. Sometime after this, however, Anthony disappeared from public view until the 2004 reunion.
In interviews, Eddie and Alex Van Halen suggested they were jamming and writing/recording new material during this time period but appeared to be working without Anthony.
Anthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of The Waboritas, Hagar’s band. During 2002′s David Lee Roth/Sammy Hagar tour, both Michael Anthony and ex-Van Halen vocalist Gary Cherone make guest appearances at concerts, sometimes together. Anthony never performed during Roth’s segment however.
In 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the “supergroup” Planet Us and Anthony began making more frequent performances at Sammy Hagar concerts. Planet US recorded two songs, one of which was intended for the Spider-Man soundtrack but ultimately did not make the album. The band did perform the unreleased song Vertigo on the Internet radio show RockLine.
Van Halen reunion (2003–2005)
Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was not to invite Anthony back. Hagar, however, refused to perform if Anthony did not rejoin, and Anthony agreed to play but on a reduced royalties contract. The contract drawn up was for the duration of the tour only, with his role within the band resting in the hands of the Van Halen brothers thereafter. Throughout this time, and during the Van Halen III period, the public was unaware of Anthony’s tenuous status within the band and was led to believe that he was still a full-time member.
In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs. Anthony did not participate in the writing and recording of the new songs and was not credited on the album for the new material.[1]
Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour. He has also speculated that since the brothers were not pleased with Hagar’s commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony’s hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band.[2]
Departure from Van Halen and recent projects (2006–present)
Anthony spent the Summer of 2006 touring as a member of The Other Half during a segment of the Sammy Hagar and the Waboritas tour. The Other Half featured Anthony and Hagar performing classic Van Halen songs from both the Roth and Hagar periods.
On September 8, 2006, Eddie Van Halen announced that his son, Wolfgang, was replacing Michael Anthony as Van Halen’s bass player. On February 2, 2007, it was announced that Van Halen was reuniting for a tour with original vocalist David Lee Roth. The tour began on September 27, 2007. Anthony commented that he heard about his replacement “on the Internet” and stated, “I’m a little miffed that they’re calling it a Van Halen reunion. If I was dead and they needed someone to play, that’s one thing, but to me this is not a reunion.”[3]
Anthony surprised his former bandmate and good friend Sammy Hagar on live national TV on February 25, 2007. During a pre-race performance for the California race on FOX television, the bassist jumped onstage and joined Sammy Hagar during a performance of “I Can’t Drive 55″. Hagar could only respond “Michael Anthony’s in the house.”
Michael Anthony and Sammy Hagar were the only members, former or current, to appear at Van Halen’s induction into the Rock and Roll Hall of Fame on March 12, 2007. Eddie Van Halen was in rehab at the time, and Alex Van Halen and David Lee Roth declined to appear.[4]
Anthony is currently developing a side project called “Chickenfoot” with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani, which will include a yet unnamed studio album release. He has also recently established a band named the Mad Anthony Xpress that will tour with Hagar in 2007 and 2008.
2008 – Alton Kelley, one of the founding members of the ’60s San Francisco rock scene, died Sunday June 1st, 2008 at his home in Petaluma after a long illness. He was 67.
Mr. Kelley will be remembered as the creator (with his artistic partner, Stanley Mouse) of hundreds of classic psychedelic rock posters, such as the famed “skull and roses” poster for a Grateful Dead show at the Avalon Ballroom. Mr. Kelley and Mouse created 26 posters for just the first year of the Avalon’s operation.
But Mr. Kelley was also one of four people who called themselves the Family Dog and decided to throw the world’s first psychedelic dance-concerts at Longshoreman’s Hall in September 1965, essentially starting the San Francisco scene. The quartet had just returned to the Bay Area after spending an LSD-drenched summer restoring a silver rush dancehall in Virginia City, Nev., called the Red Dog Saloon.
Mr. Kelley, a motorcycle enthusiast since his New England youth who painted pinstripes on bike gas tanks, designed the flyers advertising the original Family Dog shows, but lacked drafting ability. When he met Stanley Mouse, who had recently relocated from Detroit where he made a name for himself doing hot rod art, Mr. Kelley found the draftsman he needed. The two formed Mouse Studios and cranked out art together, Mr. Kelley’s drawing skills eventually improving to the point where left-handed Mr. Kelley would be working on one side of the easel, right-handed Mouse on the other.
“He had the most impeccable taste of anybody I knew,” said Mouse, “He would do the layouts, and I would do the drawing.”
They worked together steadily for 15 years and on and off thereafter. Their Mouse Studios was located in a converted Lower Haight firehouse where Janis Joplin first rehearsed with Big Brother and the Holding Company. They also opened a store called Pacific Ocean Trading Company (POT Co.), one of the first head shops in Haight-Ashbury. Recently, the two collaborated on the cover to the program for this year’s Rock and Roll Hall of Fame induction dinner.
Mouse said they could work for hours in silence. “We knew what to do,” he said. “We didn’t have to talk.”
During the heyday of the Avalon Ballroom, the pair would frequent the public library looking for images they could employ in their poster-making; Edward Curtis photographs of American Indians, illustrations from 19th century novels (the skull and roses was adapted from “The Rubaiyat of Omar Khayyam”), often laughing so loud at what they found the librarians would ask them to leave.
“They thought it was the funniest stuff in town,” said Paul Grushkin, author of “The Art Of Rock.
“The twinkle in Kelley’s eye – he knew it was all a giggle.”
“Stanley and I had no idea what we were doing,” Mr. Kelley told The Chronicle last year. “But we went ahead and looked at American Indian stuff, Chinese stuff, Art Nouveau, Art Deco, Modern, Bauhaus, whatever. We were stunned by what we found and what we were able to do. We had free rein to just go graphically crazy. Where before that, all advertising was pretty much just typeset with a photograph of something.”
The work of Mr. Kelley and Mouse has come to be recognized as a 20th century American counterpart to the French poster art of Henri de Toulouse Lautrec during the Belle Epoque, although the two psychedelic artists never imagined at the time they were creating anything of enduring value, anything more than another crazy poster for this week’s Avalon show.
“We were just having fun making posters,” said Mouse. “There was no time to think about what we were doing. It was a furious time, but I think most great art is created in a furious moment.”
Mr. Kelley continued to make posters all his life, although his artwork in the recent past concentrated on his air-brushed paintings of hot rods and custom cars that was both sold as fine art and reproduced on T-shirts.
He is survived by his wife, Marguerite Trousdale Kelley, and their children: Patty of San Diego, Yosarian of Seattle and China of Sacramento; two grandchildren; and his mother and sister.
Memorial plans are pending.
Contributions can be made to the Washington Mutual Western Street branch in Petaluma for a memorial bench in Sonoma County Park.
2006 – Veteran British singer Rod Stewart is among the music industry stalwarts feted in the Queen’s New Year Honours list. Stewart is made a Commander of the Order of the British Empire (CBE), for services to music.
2006 – Co-founder of Mercury Records Irving Green dies in Palm Springs, Calif. at the age of 90.
RIP – Irving Green
July 4, 2006
What do Sarah Vaughn, The Platters, Brook Benton, Patti Page,
The Diamonds, Del Vikings, James Brown, Dinah Washington,
Roger Miller, Jerry Lee Lewis, Frankie Laine, The Troggs,
Wayne Fontana, the Mindbenders, the Troggs, Leslie Gore, Blue
Cheer, Manfred Mann, Steam, Freddie and the Dreamers, Dusty
Springfield, Keith, Paul Mauriat, Jay and the Techniques,
David Bowie, The Blues Magoos, Spanky and Our Gang, Crispian
St. Peters, Jerry Butler, Bobby Hebb, Louie Armstrong. and
Rod Stewart all have in common?
They all recoraded for Irving Green, who owned Mercury Records,
a little indie who could… and did… become a major label!
He also owned Smash and distributed Phillips records and all
of their subsidiaries. He was one of the first champions of
Rock and Roll and Mercury was the first major company to
promote Black artists to crossover into the Pop mainstream.
It also was the first to have an African-American as Vice-
President of A+R, Quincy Jones.
Although he repeatedly asked me to call him Irv, I always
called him Mr. Green, out of respect for his daughter Kelli
Ross, who was my partner in Allouette Productions. Not many
people knew that Mr. Green was a silent partner in our
publishing and administration firm.
He was one of the few CEOS I’ve ever known who an artist
could talk to. Although he wasn’t a producer, I remember
when James Brown recorded briefly for Smash, he wouldn’t go
into the recording studio without Mr. Green being there.
From time to time he’d ask me to go “undercover” for him. In
the last days of Cameo-Parkway records, he asked me to
introduce him to my friends Neil Bogart, who was running the
label and Bob Reno, who was with the publishing company. He
wanted to get them to come over to Mercury, but Neil and Bob
wound up going to Buddah Records instead. A few years later,
Bob Reno did have a successful stint at Mercury, as head of
MRC publishing and later as head of A+R.
When the Lovin’Spoonful were about to re-sign with Kama-Sutra,
Mr.Green sent me to Wilkes-Barre to meet up with my old pals
and offer them a check for a million dollars to defect to
Mercury! When I mentioned to him that he hadn’t signed it, he
said, “When they sign a contract…I’ll sign the check!”
The last time I saw him it was 35 years ago hanging out at
Quincy’s house. He said he would leave the music buisness
when it stopped being fun. I guess it stopped being fun when
a big conglomorate bought him out. A few years later he went
into semi-retirement and moved to Palm Springs.
Although I’d heard he had become a top land developer, I will
always remember him as one of the greatest developers of pop
music and the human potential. Thank you for believing in me
and helping me to believe in myself.
2005 – U2, Alicia Keys, Garth Brooks, Paul Simon, Rod Stewart and the Dixie Chicks are among the artists that perform during a live telethon, “Shelter From the Storm: A Concert for the Gulf Coast.”
2005 – Eddie Montgomery _ half of the country duo Montgomery Gentry _ suffers extensive damage to his left wrist during a show in Asheville, N.C., falling to the arena floor after a speaker cabinet on which he steps gives way during the third song in the group’s set. Doctors later perform surgery, inserting titanium plates and rods to repair the damage.
2005 – Danny Sugerman, longtime manager of the Doors, dies in Los Angeles after a long battle with cancer. He is 50.
Daniel Stephen Sugerman (aka Danny; October 11, 1954 – January 5, 2005) was the second manager of the Los Angeles based rock band The Doors, and wrote several books about Jim Morrison and The Doors, including No One Here Gets Out Alive co-authored with Jerry Hopkins, and the autobiography Wonderland Avenue. Sugerman replaced the original Doors manager, Bill Siddons, shortly after Morrison’s death in 1971. He helped film director Oliver Stone with the production of the 1991 movie The Doors.
Sugerman began working with The Doors when he was 12 years old, starting with answering their fan mail. As stated by The Doors’ drummer John Densmore, Danny was “the manager and driving force behind The Doors” who “guided our career for over 30 years”. He lived his life keeping the legacy of The Doors alive.
Sugerman also managed Iggy Pop, and produced his song “Repo Man.” He also wrote Appetite For Destruction: The Days of Guns ‘N Roses in 1991.
Sugerman was married to the former Fawn Hall of Iran-Contra fame. They briefly met MP3.com cofounder Rod Underhill while Hall was employed as an administrative assistant at the San Diego headquarters of the original MP3.com. Underhill, the founding Music Director of MP3.com, stated that “Sugerman was very interesting. He had appeared to go out of his way to appear visually like Jim Morrison. Same type of haircut, similar clothing. The similarity was uncanny.”
Sugerman was interested in working out a distribution deal with MP3.com for a number of live Doors recordings that were yet unreleased. No deal was forthcoming, and Sugerman later determined that it would be practical to offer the recordings on CD to fans via the Doors’ own official website.
Sugerman was a recovering heroin addict who found solace in Buddhism. He died in 2005 after a prolonged struggle with lung cancer due to years of smoking, and was interred in the Westwood Village Memorial Park Cemetery in Los Angeles.
From:Rhino.
Danny Sugerman Dead at 50
Danny Sugerman, who first saw The Doors in concert in 1967 and landed a job at their West Hollywood office answering fan mail, eventually becoming the group’s manager, died last night, at the age of 50, after a long struggle with lung cancer. Born in L.A. in 1954, Sugerman attended Westchester High School and immediately became involved with The Doors. He co-wrote the 1981 N.Y. Times best-selling Jim Morrison biography, No One Here Gets Out Alive, with Jerry Hopkins, then followed up with the autobiographical Wonderland Avenue and books on Guns N’ Roses and The Doors. Sugerman also consulted Oliver Stone on his 1990 movie The Doors, which starred Val Kilmer as Morrison. Danny had been co-managing The Doors with Jeff Jampol and The Firm.
Said John Densmore, The Doors drummer, “Throughout his time with us that stretched from the 14-year-old kid who Jim Morrison suggested we hire to do our scrapbook, up until his passing on January 5th 2005, at age 50, Danny Sugerman has been the manager and driving force behind The Doors. He wrote a New York Times bestseller about the band and guided our career for over 30 years. I was with Danny a couple of hours before he passed, he knew he was going, and I only hope that when my time comes, I face it with as much courage and dignity as Danny did. He crossed over as a Bhodi Sattva.”
Sugerman is survived by a brother, Dr. Joseph, sister, Nan, and wife, the former Fawn Hall. A recovering addict, he was active with organizations like the Drug Policy Foundation, Musicians Assistance Program and NARAS’ MusiCares Foundation.
2004 – The third time is the charm for Rod Stewart, who with his third collection of standards sits at No. 1 on The Chart Toppers 200 for the first time in more than 25 years. The artist’s J Records release, “Stardust…The Great American Songbook, Vol. 3,” opened with first-week sales of 240,000 copies in the United States, according to Nielsen SoundScan. Stewart’s last chart-topping album was his 1978 set “Blondes Have More Fun,” which sat at the summit for three weeks.
2004 – John Peel, an English DJ whose eclectic taste and patronage was instrumental in launching the careers of T. Rex, Rod Stewart, The Smiths, The Undertones, The Fall, and countless others, dies of a heart attack in Peru. He was 65.
1999 – Rod Stewart was supposed to ring the opening bell at the New York Stock Exchange this morning. But he arrives late and decides to toss some soccer balls onto the trading floor instead.
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