2008 – The Times: The story in this morning’s paper is on the ruses various celebrities use to evade reporters outside the main criminal courthouse in Manhattan. Actor Rip Torn, for example, once led paparazzi through a park and past a gaggle of chanting construction workers before jumping into the cab of an occupied 18-wheeler, jumping out again, and rolling underneath the truck. Kirk Jones snuck in a side entrance while his driver successfully impersonated the rapper to photographers, sultry actress Uma Thurman enlisted the help of court officers and producer Sean Combs has a mini secret-service brigade. But the most fascinating courthouse celebrity by far is criminally insane singer Courtney Love, who sashays in and out of the building as though surrounded by adoring fans:
Courtney Love used the sidewalk like a red carpet, chatting and joking with reporters…
Sometimes celebrities do what they do best: bask in the attention. Ms. Love latched onto her lawyer, Scott B. Tulman, as they left the courthouse and gushed as if they were an item:
“Isn’t he handsome? Isn’t he beautiful?” Ms. Love then suggested she was pregnant with Mr. Tulman’s child.
“Are you out of your mind?” Mr. Tulman recalled telling her. “What are you doing?”
Another day outside the courthouse she finished off a partially smoked cigarette that she bummed from a passer-by.
“It’s like having a wild kid,” Mr. Tulman said. “After a while, you just shake your head.”
PR consultant Eric Dezenhall told the Times Love’s antics are fine, since “anything that extends the half-life of her career is probably a net positive.” Uh, sure. Maybe even get charged with more crimes like disorderly conduct and so forth and get spotted outside the glamorous criminal courthouse even more often, maybe!
1986 – Jerry Lee Lewis’ 23-year-old wife, Kerry, announces she is pregnant. Not so unusual, except the couple are in the process of getting divorced. They decide to stay together instead. The boy is later named Jerry Lee Lewis III.
1969 – Dave Grohl of Nirvana and the Foo Fighters is Born. Dave Grohl, drummer, singer, Nirvana, (1991 UK No.7 & 1992 US No.6 single Smells Like Teen Spirit’ from the 1991 album ‘Nevermind’ spent over 2 years on the UK chart & made US No.1 album chart in 1992). Foo Fighters, (1995 UK No.5 single ‘This Is A Call’, US No.5 single ‘All My Life’).
David Eric Grohl (born January 14, 1969) is an American rock musician, singer and songwriter. Grohl began his music career in the 1980s as the drummer for several Washington, D.C., area bands, including the hardcore punk band Scream. In 1990 he became the drummer for grunge group Nirvana. Following the death of Nirvana frontman Kurt Cobain in April 1994, Grohl formed Foo Fighters, where he emerged as a frontman and songwriter. In addition to leading Foo Fighters, Grohl has also been involved in other musical projects, including Queens of the Stone Age and his heavy metal side project Probot, and has performed session work for a variety of musicians, including Killing Joke, Tenacious D, Nine Inch Nails and, most recently, The Prodigy.
Biography
Early life
When Grohl was a young child, his family (father James Grohl, mother Virginia Wendt, and older sister Lisa) relocated from Warren, Ohio, to Alexandria, Virginia, a suburb of Washington, D.C. Three years later, his parents divorced, and Grohl moved in with best friend Jesse Richard Mueller.
At the age of twelve, Grohl began learning to play guitar. He eventually grew tired of lessons and instead played in bands with friends.
In Virginia, Grohl attended Thomas Jefferson High School as a freshman and sophomore. He was elected vice president of his freshman class and played bits of songs by bands like the Circle Jerks and Bad Brains over the school intercom before his morning announcements. During his junior year, Grohl and his mother decided that he should transfer to Bishop Ireton High School in Alexandria because his marijuana usage was affecting his grades. He attended Bishop Ireton as a freshman and a partial year as sophomore from 1984-1986.
While in high school, Grohl played in several local bands, including a stint on guitar in a band called Freak Baby. While playing in Freak Baby, Grohl had been teaching himself to play drums by banging on various items in his bedroom. When Freak Baby kicked out its bass player, Grohl decided to switch to drums, and the new band called themselves Mission Impossible.
Scream (band)
At the age of seventeen, Grohl scored an audition with local DC favorites Scream to fill the vacancy left by the departure of drummer Kent Stax. In order to try out for the audition, Grohl had lied about his age claiming he was 20. Over the next four years, Grohl toured extensively with the band, recording a couple of live albums and two studio albums, No More Censorship and Fumble, on which Grohl penned and sang vocals on the song “Gods Look Down”.
While playing in Scream, Grohl became a fan of The Melvins and eventually befriended the band. During a 1990 tour stop on the west coast, The Melvins’ Buzz Osborne took a couple of his friends, Kurt Cobain and Krist Novoselic, to see the band.
Nirvana (band)
A few months later, Scream unexpectedly disbanded following the departure of its bass player, and Grohl placed a phone call to Osborne for advice. Knowing how much Cobain and Novoselic liked Grohl’s drumming, Osborne gave Novoselic’s phone number to Grohl. Novoselic invited Grohl to Seattle, where Grohl attended Nirvana’s infamous show at the Motor Sports Garage, the one Nirvana show that featured Dan Peters on drums. (Grohl admitted to Rolling Stone in 2005 that he spent most of Nirvana’s set outside talking to a friend.) Grohl subsequently auditioned for the band, and soon joined them full-time.
At the time that Grohl joined Nirvana, the band had already recorded several demos for what would be the follow-up to their debut album Bleach, having spent time recording with producer Butch Vig in Wisconsin. Initially, the plans were to release the album on Sub Pop, but the band found itself receiving a great deal of major label interest based on the demos. Grohl spent the initial months with Nirvana travelling to various major labels as the band shopped for a deal, eventually signing with DGC Records. In the spring of 1991, the band entered the studio to record the album.
Upon its release, Nevermind exceeded all expectations and became a massive success, catapulting the band to worldwide stardom. At the same time, Grohl found himself fighting with his status in the band. While his drumming style was a significant element in the band’s success, Grohl saw himself as just another in a long line of drummers. In his mind, Nirvana was the band that recorded Bleach; his arrival had altered that sound dramatically, and, as he saw it, not necessarily in a positive way. Though Grohl had been writing songs for several years, he declined to introduce his songs to the band for fear of damaging the band’s chemistry. Instead, Grohl compiled his songs and recorded them himself, releasing a cassette called Pocketwatch in 1992 on indie label Simple Machines. Rather than using his own name, Grohl released the cassette under the pseudonym “Late!”.
In the later years of Nirvana, Grohl’s songwriting contributions increased. In Grohl’s initial months in Seattle, Cobain overheard him working on a song called “Color Pictures of a Marigold”, and the two ended up jamming on it. Grohl would later record the song for the Pocketwatch cassette. During the sessions for In Utero, he decided to re-record the song, and the band released this version as a b-side on the “Heart-Shaped Box” single, titled simply “Marigold”. Earlier, as the band worked on new material for In Utero, Grohl contributed the main guitar riff for what ended up becoming “Scentless Apprentice”. Cobain conceded in a late 1993 MTV interview that he initially thought the riff was “kind of boneheaded”, but was gratified at how the song developed (a process captured in part in a demo on the Nirvana box set With the Lights Out). Cobain noted that he was excited at the possibility of having Novoselic and Grohl contribute more to the band’s songwriting.
Prior to their 1994 European tour, the band decided to schedule session time at Robert Lang Studios in Seattle to work on demos. For most of the three-day session, Cobain was absent, so Novoselic and Grohl worked on demos of their own songs. The duo completed several of Grohl’s songs, including future Foo Fighters songs “Exhausted”, “Big Me”, “February Stars”, and “Butterflies”. On the third day of the session, Cobain finally arrived, and the band recorded a demo of a song later named “You Know You’re Right”. It was the band’s final studio recording.
Foo Fighters
Following Cobain’s death in April 1994, Grohl retreated, unsure of where to go and what to do with himself. In October 1994, Grohl scheduled studio time, again at Robert Lang’s Studio, and quickly recorded a fifteen-track demo. With the exception of a single guitar part on “X-Static” played by Greg Dulli of the Afghan Whigs, Grohl performed all of the instruments himself.
At the same time, Grohl wondered if his future might be in drumming for other bands. In November, Grohl took a brief turn with Tom Petty and the Heartbreakers, including a memorable performance on Saturday Night Live. Petty asked him to join permanently, but Grohl realized that his future lay elsewhere, and thus he declined the invitation. Grohl’s name was also rumored as a possible replacement for Pearl Jam drummer Dave Abbruzzese, and Grohl even performed with the band for a song or two at three shows during Pearl Jam’s March 1995 Australian tour. However, by then, Pearl Jam had already settled on Jack Irons, and Grohl had other solo plans in the works.
After passing the demo around, Grohl found himself with considerable major label interest. Nirvana’s A&R rep Gary Gersh had subsequently taken over as president of Capitol Records and lured Grohl to sign with the label. Grohl did not want the effort to be considered the start of a solo career so he recruited other band members: former Nirvana touring guitarist Pat Smear, and two members of the band Sunny Day Real Estate, William Goldsmith (drums) and Nate Mendel (bass). Rather than re-record the album, Grohl’s demo was given a professional mix by Rob Schnapf and Tom Rothrock and was released in July 1995 as Foo Fighters’ debut album.
At the end of 1995, Foo Fighters was asked to contribute a song to the soundtrack to the television show The X-Files. During a break between tours, the band entered the studio and recorded a cover of Gary Numan’s “Down in the Park”. In February of 1996, Grohl and his then-wife Jennifer Youngblood made a brief cameo appearance on the X-Files third season episode “Pusher”. (The two can be spotted walking in the FBI building, just after the Pusher character has put on his phony pass. Grohl pauses to look at his watch.)
After touring for the self-titled album for more than a year, Grohl returned home and began work on the soundtrack to the 1997 movie Touch. Grohl performed all of the instruments and vocals himself, save for vocals from Veruca Salt singer Louise Post on the title track, and vocals and guitar by X’s John Doe on “This Loving Thing (Lynn’s Song)”. Grohl completed the recording in two weeks, and immediately joined the Foo Fighters to work on their follow-up.
In the midst of the initial sessions for Foo Fighters’ second album, tension emerged between Grohl and Goldsmith. According to Goldsmith, “Dave had me do 96 takes of one song, and I had to do thirteen hours’ worth of takes on another one. … It just seemed that everything I did wasn’t good enough for him, or anyone else.” Goldsmith also believed that Capitol and producer Gil Norton wanted Grohl to drum on the album. to Los Angeles to re-record most of the album with Grohl behind the kit. After the sessions were complete, Goldsmith officially announced his departure from the band.
The effort was released in May 1997 as the band’s second album, The Colour and the Shape, which eventually cemented Foo Fighters as a staple of rock radio. The album spawned several hits, including “Everlong”, “My Hero”, and “Monkey Wrench”. Just prior to the album’s release, former Alanis Morissette drummer Taylor Hawkins joined the band on drums. The following September, Smear left the band, citing a need to settle down following a lifetime of touring. Smear was subsequently replaced by Grohl’s former Scream bandmate Franz Stahl. (Stahl departed the band prior to recording of the Foo’s third album and was replaced by touring guitarist Chris Shiflett, who later became a full-fledged member during the recording of One by One.)
Grohl’s life of non-stop touring and travel continued with Foo Fighters’ popularity. During his infrequent pauses he lived in Seattle and Los Angeles before returning to Alexandria, Virginia. It was there that he turned his basement into a recording studio where the 1999 album There Is Nothing Left to Lose was recorded.
In 2000, the band recruited Queen guitarist Brian May to add some guitar flourish to a cover of Pink Floyd’s “Have a Cigar”, a song which Foo Fighters previously recorded as a b-side. The friendship between the two bands resulted in Grohl and Taylor Hawkins being asked to induct Queen into the Rock and Roll Hall of Fame in 2001. Grohl and Hawkins joined May and Queen drummer Roger Taylor to perform “Tie Your Mother Down”, with Grohl standing in on vocals for Freddie Mercury. (May later contributed guitar work for the song “Tired of You” on the ensuing Foo Fighters album, as well as on an unreleased Foo Fighters song called “Knucklehead”.)
Near the end of 2001, Foo Fighters returned to the studio to work on their fourth album. After four months in the studio, with the sessions “finished”, Grohl accepted an invitation to join Queens of the Stone Age and helped them to record their 2002 album Songs for the Deaf. (Grohl can be seen drumming for the band in the video for the song “No One Knows”.) After a brief tour through North America, Britain and Japan with the band and feeling rejuvenated by the effort, Grohl recalled the other band members to completely re-record their album at his studio in Virginia. The effort became their fourth album, One by One. While initially pleased with the results, in another 2005 Rolling Stone interview, Dave Grohl admitted to not liking the record: “Four of the songs were good, and the other seven I never played again in my life. We rushed into it, and we rushed out of it.”
Grohl and Foo Fighters released their fifth album In Your Honor on June 14, 2005. Prior to starting work on the album, the band spent almost a year relocating Grohl’s home-based Virginia studio to a brand new facility, dubbed Studio 606, located in a warehouse near Los Angeles. Featuring collaborations with John Paul Jones of Led Zeppelin, Josh Homme of Queens of the Stone Age and Norah Jones, the album was a departure from previous efforts, and included one rock and one acoustic disc.
Foo Fighters’s sixth studio album Echoes, Silence, Patience & Grace was released on September 25, 2007. It was recorded during a three-month period between March 2007 and June 2007, and its release was preceded by the first single “The Pretender” on September 17. The second single, “Long Road to Ruin”, was released on December 3, 2007, followed by the third single, “Let It Die”, June 24, 2008.
Other projects
Apart from his main bands, Grohl has been involved in other music projects. In 1992, Grohl played drums on Buzz Osborne’s Kiss-styled solo-EP King Buzzo, where he was credited as Dale Nixon, a pseudonym that Greg Ginn adopted to play bass on Black Flag’s My War. Grohl also released the music cassette Pocketwatch under the pseudonym Late! on the now defunct indie label, Simple Machines.
In 1993, Grohl was recruited to help recreate the music of The Beatles’ early years for the movie Backbeat. Grohl played drums in an “all-star” lineup that included Greg Dulli of the Afghan Whigs, indie producer Don Fleming, Mike Mills of R.E.M., Thurston Moore of Sonic Youth, and Dave Pirner of Soul Asylum. A music video was filmed for the song “Money (That’s What I Want)” while Grohl was with Nirvana on their 1994 European tour, but footage of Grohl was filmed later and included.
Later in 1994, Grohl played drums on two tracks for Mike Watt’s Ball-Hog or Tugboat?. In early 1995, Grohl and Foo Fighters played their first US tour opening for Watt, and helped make up Watt’s supporting band. Nicknamed the “Ringspiel” tour, Watt’s band featured Grohl and William Goldsmith on drums, Eddie Vedder and Pat Smear on guitar, and Watt on bass.
Grohl at the Roskilde Festival in 2005
During the early 2000s, Grohl spent time in his basement studio writing and recording a number of songs for a “metal” project. Over the span of several years, Grohl recruited his favorite metal vocalists from the 1980s, including Lemmy of Motörhead, Conrad “Cronos” Lant from Venom, King Diamond, and Max Cavalera of Sepultura, to perform the vocals for the songs. The project was released in 2004 under the moniker Probot.
Also in 2003, Grohl stepped behind the kit to perform on Killing Joke’s second self-titled album. The move surprised some Nirvana fans, given that Nirvana had been accused of stealing the opening riff of “Come as You Are” from Killing Joke’s 1984 song “Eighties”. However, the controversy failed to create a lasting rift between the bands. Foo Fighters covered Killing Joke’s “Requiem” during the late 1990s, and were even joined by Killing Joke singer Jaz Coleman for a performance of the song at a show in New Zealand in 2003.
Grohl lent his drumming skills to other artists during the early 2000s. In 2000, Dave played drums and sang on a track, “Goodbye Lament”, from Tony Iommi’s album Iommi. In 2001, Grohl performed on Tenacious D’s debut album, and appeared in the video for lead single “Tribute” as a demon. He later appeared in the duo’s 2006 movie Tenacious D in: The Pick of Destiny as Beelzeboss and performed on its soundtrack. In 2002, Grohl helped Chan Marshall of Cat Power on the album You Are Free and also played with Queens of the Stone Age on their album Songs for the Deaf. In 2004, Grohl drummed on several tracks for Nine Inch Nails’ 2005 album With Teeth. He also drummed on the song “Bad Boyfriend” on Garbage’s 2005 album Bleed Like Me. Most recently, he recorded all the drums on Juliette and the Licks’s 2006 album Four on the Floor and the song “For Us” from Pete Yorn’s 2006 album Nightcrawler. Beyond drumming, Grohl contributed guitar to a cover of Neil Young’s “I’ve Been Waiting For You” on David Bowie’s 2002 album Heathen.
In June 2008, Grohl was Paul McCartney’s special guest for a concert at the Anfield football stadium in Liverpool, in one of the central events of the English city’s year as European Capital of Culture.
Personal life
Grohl has been married twice. He was first married to photographer Jennifer Youngblood from 1993 to 1997. After their divorce, Grohl had relationships with Louise Post from Veruca Salt, solo artist and Hole bassist Melissa Auf Der Maur, and pro-snowboarder Tina Basich.
He then went on to marry his second wife, Jordyn Blum on August 2, 2003, at their home in Los Angeles. Guests included Clive Davis, Jack Black, and former Nirvana bandmate Krist Novoselic. On April 15, 2006, Grohl and his wife welcomed their first child, daughter Violet Maye, in Los Angeles. She was named after Grohl’s maternal grandmother. Earlier that year, Foo Fighters bandmate Taylor Hawkins told MTV, “We’re going to be touring Europe in January and February, but we’ve got to be home by March, because Dave and his wife are having a baby,” he said, adding, “but I probably wasn’t supposed to tell you that.” Grohl said that he had been playing music to his unborn child, saying she “likes The Beatles. Doesn’t really get down to The Beach Boys. Digs Mozart.” On October 26, 2008, Grohl’s publicist confirmed to People Magazine that wife Jordyn was pregnant with the couple’s second child.
In May 2006, Grohl sent a note of support to the two trapped miners in the Beaconsfield mine collapse in Tasmania, Australia. In the initial days following the collapse, one of the men requested an iPod with Foo Fighters album In Your Honor, to be sent down to them through a small hole. Grohl’s note read, in part, “Though I’m halfway around the world right now, my heart is with you both, and I want you to know that when you come home, there’s two tickets to any Foos show, anywhere, and two cold beers waiting for yous. Deal?” The song, titled “Ballad of the Beaconsfield Miners,” appears on the Foo Fighters’ latest release Echoes, Silence, Patience & Grace, and features Kaki King.
Discography
With Freak Baby
* Demos
With Mission Impossible
* Demos
* 7″ split with Lunchmeat
With Dain Bramage
* Demos
* I Scream Not Coming Down
With Scream
* No More Censorship (1988)
* Live At Van Hall In Amsterdam (1989)
* Fumble (1993)
With Nirvana
* Nevermind (1991)
* Incesticide (1992)
* In Utero (1993)
* MTV Unplugged in New York (1994)
* From the Muddy Banks of the Wishkah (1996)
* Nirvana (2002)
* With the Lights Out (2004)
* Sliver: The Best of the Box (2005)
With Melvana
* live recording at the Crocodile Cafe 1-15-92 (1992)
As Late!
* Pocketwatch (1992)
With Buzz Osborne
* King Buzzo (1992)
With The Backbeat Band
* Backbeat (soundtrack) (1993)
With Mike Watt
* Ball-Hog or Tugboat? (1995)
With The Stinky Puffs
* Little Tiny Smelly Bit (1995)
With Foo Fighters
* Foo Fighters (1995)
* The Colour and the Shape (1997)
* There is Nothing Left to Lose (1999)
* One by One (2002)
* In Your Honor (2005)
* Skin And Bones (2006)
* Echoes, Silence, Patience & Grace (2007)
1949 – Bruce Springsteen is born in Freehold, N.J., which last time we looked was indeed still in the U.S.A.
Bruce Frederick Joseph Springsteen (born September 23, 1949) is an American songwriter, singer and guitarist. He has recorded and toured with the E Street Band. Springsteen is widely known for his brand of heartland rock infused with pop hooks, poetic lyrics, and Americana sentiments centered around his native New Jersey. His eloquence in expressing ordinary, everyday problems has earned him numerous awards, including eighteen Grammy Awards and an Academy Award, along with a notoriously dedicated and devoted global fan base. His most famous albums, Born to Run and Born in the U.S.A., epitomize his penchant for finding grandeur in the struggles of daily life. He has sold over 65 million albums in the U.S, and 120 million worldwide.
Springsteen’s lyrics often concern men and women struggling to make ends meet. He has gradually become identified with progressive politics. Springsteen is also noted for his support of various relief and rebuilding efforts in New Jersey and elsewhere, and for his response to the September 11, 2001 attacks, on which his album The Rising reflects.
Springsteen’s recordings have tended to alternate between commercially accessible rock albums and somber folk-oriented works. Much of his status stems from the concerts and marathon shows in which he and the E Street Band present intense ballads, rousing anthems, and party rock and roll songs, amongst which Springsteen intersperses long, whimsical or deeply emotional stories.
Springsteen has long had the nickname “The Boss”, a term which he was initially reported to hate but now seems to have come to terms with, as he sometimes jokingly refers to himself as such on stage. The nickname originated when a young Springsteen, playing club gigs with a band in the 1960s, took on the task of collecting the band’s nightly pay and distributing it amongst his bandmates.
Life and career
Early years
Springsteen was born at Monmouth Medical Center in Long Branch, New Jersey. He spent his childhood and high school years in Freehold Boro. He lived off South Street in Freehold Boro and attended Freehold Regional High School (today known as Freehold Borough High School). His father, Douglas Frederick Springsteen, was a bus driver of Dutch and Irish ancestry. His mother, Adele Ann Zirilli, was a legal secretary of Italian ancestry. He has an older sister, Virginia, and a younger sister, Pamela. Pamela Springsteen had a brief film career, but left acting to pursue still photography full time.
Raised a Roman Catholic,
In ninth grade he transferred to the public Freehold Regional High School, but did not fit in there either. He completed high school but felt so uncomfortable that he skipped his own graduation ceremony.
Springsteen had been inspired to take up music at the age of seven after seeing Elvis Presley on The Ed Sullivan Show. At 13, he bought his first guitar for $18; later, his mother took out a loan to buy the 16-year-old Springsteen a $60 Kent guitar, an event he later memorialized in his song “The Wish”.
In 1965, he went to the house of Tex and Marion Vinyard, who sponsored young bands in town. They helped him become the lead guitarist of The Castiles, and later lead singer of the group. The Castiles recorded two original songs at a public recording studio in Brick Township, New Jersey and played a variety of venues, including Cafe Wha? in Greenwich Village. Marion Vinyard said that she believed Springsteen when, as a young man, he said he was going to make it big.
Cities such as Asbury Park, New Jersey inspired the themes of ordinary life in Bruce Springsteen’s music.
Cities such as Asbury Park, New Jersey inspired the themes of ordinary life in Bruce Springsteen’s music.
In the late 1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey. From 1969 through early 1971, Springsteen performed around New Jersey with guitarist Steve Van Zandt, organist Danny Federici, drummer Vini Lopez, and later bassist Vinnie Roslin, in a band called Child, subsequently renamed Steel Mill (with the addition of guitarist Robbin Thompson). They went on to play the mid-Atlantic college circuit, and also briefly in California. During this time Springsteen also performed regularly at small clubs in Asbury Park and along the Jersey Shore, quickly gathering a cult following. Other acts followed over the next two years, as Springsteen sought to shape a unique and genuine musical and songwriting style: Dr Zoom & the Sonic Boom (early-mid 1971), Sundance Blues Band (mid 1971), and The Bruce Springsteen Band (mid 1971-mid 1972). With the addition of pianist David Sancious, the core of what would later become the E Street Band was formed, with occasional temporary additions such as horns sections, “The Zoomettes” (a group of female backing vocalists for “Dr Zoom”) and Southside Johnny Lyon on harmonica. Musical genres explored included blues, R&B, jazz, church music, early rock’n'roll, and soul. His prolific songwriting ability, with more words in some individual songs than other artists had in whole albums, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, and legendary Columbia Records talent scout John Hammond, who, under Appel’s pressure, auditioned Springsteen in May 1972.
Even after gaining international acclaim, Springsteen’s New Jersey roots reverberated in his music, and he routinely praised “the great state of New Jersey” in his live shows. Drawing on his extensive local appeal, he routinely sold out consecutive nights in major New Jersey and Philadelphia venues and, much like the Grateful Dead, had song lists that varied significantly from one night to the next. He also made many surprise appearances at The Stone Pony and other shore nightclubs over the years, becoming the foremost exponent of the Jersey Shore sound.
1972–1974
Springsteen signed a record deal with Columbia Records in 1972, with the help of John Hammond, who had signed Bob Dylan to the same record label a decade earlier. Springsteen brought many of his New Jersey-based colleagues into the studio with him, thus forming the E Street Band (although it would not be formally named as such for a couple more years). His debut album, Greetings from Asbury Park, N.J., released in January 1973, established him as a critical favorite, The track “Spirit in the Night” especially showed Morrison’s influence, while “Lost in the Flood” was the first of many portraits of Vietnam veterans and “Growin’ Up” his first take on the recurring theme of adolescence.
In September 1973 his second album, The Wild, the Innocent & the E Street Shuffle was released, again to critical acclaim but no commercial success. Springsteen’s songs became grander in form and scope, with the E Street Band providing a less folky, more R&B vibe and the lyrics often romanticizing teenage street life. “4th of July, Asbury Park (Sandy)” and “Incident on 57th Street” would become fan favorites, and the long, rousing “Rosalita (Come Out Tonight)” would rank among Springsteen’s most beloved concert numbers.
In the May 22, 1974 issue of Boston’s The Real Paper, music critic Jon Landau wrote after seeing a performance at the Harvard Square Theater, “I saw rock and roll future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.” head” that he couldn’t explain to the others in the studio. It was during these recording sessions that “Miami” Steve Van Zandt would stumble into the studio just in time to help Springsteen organize the horns section on “Tenth Avenue Freeze-Out,” (it is his only contribution written on the album,) and eventually led to his joining of the E Street Band. Van Zandt had been a long time friend of Springsteen and understood where he was coming from, which helped him to translate some of the sounds Springsteen was hearing. Still, by the end of the grueling recording sessions, Springsteen was not satisfied, and, upon first hearing the finished album, threw the record into the alley and told Jon Landau he would rather just cut the album live at The Bottom Line, a place he often played.
The woman in his life during this time was part-time live-in 20-year-old girlfriend Karen Darvin of Dallas, Texas who was in New York City pursuing a career in dancing.
1975–1981
On August 13, 1975, Springsteen and the E Street Band began a five-night, 10-show stand at New York’s Bottom Line club; it attracted major media attention, was broadcast live on WNEW-FM, and convinced many skeptics that Springsteen was for real. (Decades later, Rolling Stone magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.) With the release of Born to Run on August 25, 1975, Springsteen finally found success: while there were no real hit singles, “Born to Run”, “Thunder Road”, “Tenth Avenue Freeze-out” and “Jungleland” all received massive FM radio airplay and remain perennial favorites on many classic rock stations to this day. With its panoramic imagery, thundering production and desperate optimism, some fans consider this among the best rock and roll albums of all time and Springsteen’s finest work. It established him as a sincere and dynamic rock and roll personality who spoke for and in the voice of a large part of the rock audience. To cap off the triumph, Springsteen appeared on the covers of both Time and Newsweek in the same week, on October 27 of that year. So great did the wave of publicity become that Springsteen eventually rebelled against it during his first venture overseas, tearing down promotional posters before a concert appearance in London.
A legal battle with former manager Mike Appel kept Springsteen out of the studio for over two years, during which time he kept The E Street Band together through extensive touring across the U.S. Despite the optimistic fervor with which he often performed, the new songs he was writing and often debuting on stage had taken a more somber tone than much of his previous work. Reaching settlement with Appel in 1977, Springsteen finally returned to the studio, and the subsequent sessions produced Darkness on the Edge of Town (1978). Musically, this album was a turning point of Springsteen’s career. Gone were the rapid-fire lyrics, outsized characters and long, multi-part musical compositions of the first three albums; now the songs were leaner and more carefully drawn and began to reflect Springsteen’s growing intellectual and political awareness. Some fans consider Darkness Springsteen’s best and most consistent record; tracks such as “Badlands” and “The Promised Land” became concert staples for decades to come, while the track “Prove It All Night” received a significant amount of radio airplay (#33, Billboard Hot 100). Other fans would prefer the work of the adventurous early Springsteen. The cross-country 1978 tour to promote the album would become legendary for the intensity of its shows.
By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann’s Earth Band had achieved a U.S. number one pop hit with a heavily rearranged version of Greetings’ “Blinded by the Light” in early 1977. Patti Smith reached number 13 with her take on Springsteen’s unreleased “Because the Night” (which Smith co-wrote) in 1978, while The Pointer Sisters hit number two in 1979 with Springsteen’s also-unreleased “Fire”.
Springsteen in concert on The River Tour. Drammenshallen, Drammen, Norway, May 5, 1981.
Springsteen in concert on The River Tour. Drammenshallen, Drammen, Norway, May 5, 1981.
In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated setlist while premiering two songs from his upcoming album. The subsequent No Nukes live album, as well as the following summer’s No Nukes documentary film, represented the first official recordings and filmings of Springsteen’s fabled live act, as well as Springsteen’s first tentative dip into political involvement.
Springsteen continued to consolidate his thematic focus on working-class life with the 20-song double album The River in 1980, which finally yielded his first hit Top Ten single as a performer, “Hungry Heart”, but also included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads. The album sold well, and a long tour in 1980 and 1981 followed, featuring Springsteen’s first extended playing of Europe and ending with a series of multi-night arena stands in major cities in the U.S.
1982–1989
The River was followed in 1982 by the stark solo acoustic Nebraska. According to the Marsh biographies, Springsteen was in a depressed state when he wrote this material, and the result is a brutal depiction of American life. The title track on this album is about the murder spree of Charles Starkweather. The album actually started (according to Marsh) as a demo tape for new songs to be played with the E Street Band – but during the recording process, Springsteen and producer Landau realized they worked better as solo acoustic numbers; several attempts at re-recording the songs in the studio with the E Street Band led them to realize that the original recording, made on a simple, low-tech four-track tape deck in Springsteen’s home, were the best versions they were going to get. However, the sessions with the E Street Band were not all for naught, as the band recorded several new songs that Springsteen had written in addition to the Nebraska material, including Born in the U.S.A. and Glory Days. These new songs would not see release until 2 years later, forming the basis of Springsteen’s next album.
While Nebraska did not sell especially well, it garnered widespread critical praise (including being named “Album of the Year” by Rolling Stone magazine’s critics) and influenced later significant works by other major artists, including U2′s album, The Joshua Tree. It helped inspire the musical genre known as lo-fi music, becoming a cult favorite among indie-rockers. Springsteen did not tour in conjunction with Nebraska’s release.
Springsteen probably is best known for his album Born in the U.S.A. (1984), which sold 15 million copies in the U.S. alone and became one of the best-selling albums of all time with seven singles hitting the top 10, and the massively successful world tour that followed it. The title track was a bitter commentary on the treatment of Vietnam veterans, some of whom were Springsteen’s friends and bandmates. The song was widely misinterpreted as jingoistic, and in connection with the 1984 presidential campaign became the subject of considerable folklore. Springsteen also turned down several million dollars offered by Chrysler Corporation for using the song in a car commercial. (In later years, Springsteen performed the song accompanied only with acoustic guitar to make the song’s original meaning more explicitly clear. An acoustic version also appeared on Tracks, a later album.) “Dancing in the Dark” was the biggest of seven hit singles from Born in the U.S.A., peaking at No. 2 on the Billboard music charts. The music video for the song featured a young Courteney Cox dancing on stage with Springsteen, an appearance which helped kickstart the actress’s career. The song Cover Me was written by Springsteen for Donna Summer, but his record company persuaded him to keep it for the new album. A big fan of Summer’s work, Springsteen wrote another one for her, “Protection.” A number of the videos for the album were made by noted film directors Brian De Palma or John Sayles.
During the Born in the U.S.A. Tour he met actress Julianne Phillips. They were married in Lake Oswego, Oregon, on May 13, 1985 surrounded by intense media attention. Opposites in background, their marriage was not to be long-lived. Springsteen’s 1987 album Tunnel of Love described some of his unhappinesses in the relationship and during the subsequent Tunnel of Love Express tour, Springsteen took up with backup singer Patti Scialfa, as reported by many tabloids. Subsequently, Phillips and Springsteen filed for divorce in 1988. The divorce was finalized in 1989.
The Born in the U.S.A. period represented the height of Springsteen’s visibility in popular culture and the broadest audience demographic he would ever reach (this was further helped by releasing Arthur Baker dance mixes of three of the singles). Live/1975–85, a five-record box set (also released on three cassettes or three CDs), was released near the end of 1986 and also became a huge success, selling 13 million units in the U.S. and becoming the first box set to debut at No. 1 on the U.S. album charts. It is one of the best selling live albums of all time. It summed up Springsteen’s career to that point and displayed some of the elements that made his shows so powerful to his fans: the switching from mournful dirges to party rockers and back; the communal sense of purpose between artist and audience; the long, intense spoken passages before songs, including those describing Springsteen’s difficult relationship with his father; and the instrumental prowess of the E Street Band, such as in the long coda to “Racing in the Street”. Despite its popularity, some fans and critics felt the album’s song selection could have been better. Springsteen concerts are the subjects of frequent bootleg recording and trading among fans.
After this commercial peak, Springsteen released the much more sedate and contemplative Tunnel of Love (1987), a mature reflection on the many faces of love found, lost and squandered, which only selectively used the E Street Band. It presaged the breakup of his first marriage, to Julianne Phillips. Reflecting the challenges of love in Brilliant Disguise, Springsteen sang:
I heard somebody call your name, from underneath our willow. I saw something tucked in shame, underneath your pillow. Well I’ve tried so hard baby, but I just can’t see. What a woman like you is doing with me.
The subsequent Tunnel of Love Express tour shook up fans with changes to the stage layout, favorites dropped from the set list, and horn-based arrangements; during the European leg in 1988, Springsteen’s relationship with E Street Band backup singer Patti Scialfa became public. Later in 1988, Springsteen headlined the truly worldwide Human Rights Now! tour for Amnesty International. In the fall of 1989, he dissolved the E Street Band, and he and Scialfa relocated to California.
1990s
Springsteen married Scialfa in 1991; they have three children Evan James (b.1990), Jessica Rae (b.1991) and Sam Ryan (b.1994).
In 1992, after risking charges of “going Hollywood” by moving to Los Angeles (a radical move for someone so linked to the blue-collar life of the Jersey Shore) and working with session musicians, Springsteen released two albums at once. Human Touch and Lucky Town were even more introspective than any of his previous work. Also different about these albums was the confidence he displayed. As opposed to his first two albums, which dreamed of happiness, and his next four, which showed him growing to fear it, at points during the Lucky Town album, Springsteen actually claims happiness for himself.
Some E Street Band fans voiced (and continue to voice) a low opinion of these albums, (especially Human Touch), and did not follow the subsequent “Other Band” Tour. For other fans, however, who had only come to know Springsteen after the 1975 consolidation of the E Street Band, the “Other Band” Tour was an exciting opportunity to see Springsteen develop a working onstage relationship with a different group of musicians, and to see him explore the Asbury Park soul-and-gospel base in some of his classic material.
An electric band appearance on the acoustic MTV Unplugged television program (that was later released as In Concert/MTV Plugged) was poorly received and further cemented fan dissatisfaction. Springsteen seemed to realize this a few years hence when he spoke humorously of his late father during his Rock and Roll Hall of Fame acceptance speech:
“ I’ve gotta thank him because — what would I conceivably have written about without him? I mean, you can imagine that if everything had gone great between us, we would have had disaster. I would have written just happy songs – and I tried it in the early ’90s and it didn’t work; the public didn’t like it. ”
A multiple Grammy Award winner, Springsteen also won an Academy Award in 1994 for his song “Streets of Philadelphia”, which appeared in the soundtrack to the film Philadelphia. The song, along with the film, was applauded by many for its sympathetic portrayal of a gay man dying of AIDS. The music video for the song shows Springsteen’s actual vocal performance, recorded using a hidden microphone, to a prerecorded instrumental track. This was a technique developed on the “Brilliant Disguise” video.
In 1995, after temporarily re-organizing the E Street Band for a few new songs recorded for his first Greatest Hits album (a recording session that was chronicled in the documentary Blood Brothers), he released his second (mostly) solo guitar album, The Ghost of Tom Joad, inspired by “Journey to Nowhere: The Saga of the New Underclass,” a book by Pulitzer Prize-winning writer Dale Maharidge. This was generally less well-received than the similar Nebraska, due to the minimal melody, twangy vocals, and political nature of most of the songs, although some praised it for giving voice to immigrants and others who rarely have one in American culture. The lengthy, worldwide, small-venue solo acoustic Ghost of Tom Joad Tour that followed successfully featured many of his older songs in drastically reshaped acoustic form, although Springsteen had to explicitly remind his audiences to be quiet during the performances.
Following the tour, Springsteen moved back to New Jersey with his family. In 1998, another precursor to the E Street Band’s upcoming re-birth appeared in the form of a sprawling, four-disc box set of out-takes, Tracks. In 1999, Springsteen and the E Street Band officially came together again and went on the extensive Reunion Tour, lasting over a year. Highlights included a record sold-out, 15-show run at Continental Airlines Arena in East Rutherford, New Jersey to kick off the American leg of the tour.
2000s
Springsteen’s Reunion Tour with the E Street Band ended with a triumphant ten-night, sold-out engagement at New York City’s Madison Square Garden in mid-2000 and controversy over a new song, “American Skin (41 Shots)”, about the police shooting of Amadou Diallo. The final shows at Madison Square Garden were recorded and resulted in an HBO Concert, with corresponding DVD and album releases as Bruce Springsteen & the E Street Band: Live in New York City.
In 2002, Springsteen released his first studio effort with the full band in 18 years, The Rising, produced by Brendan O’Brien. The album, mostly a reflection on the September 11 attacks, was a critical and popular success. The title track gained airplay in several radio formats, and the record became Springsteen’s best-selling album of new material in 15 years. Kicked off by an early-morning Asbury Park appearance on The Today Show, The Rising Tour commenced, barnstorming through a series of single-night arena stands in the U.S. and Europe to promote the album in 2002, then returning for large-scale, multiple-night stadium shows in 2003. While Springsteen had maintained a loyal hardcore fan base everywhere (and particularly in Europe), his general popularity had dipped over the years in some southern and midwestern regions of the U.S. But it was still strong in Europe and along the U.S. coasts, and he played an unprecedented 10 nights in Giants Stadium in New Jersey, a ticket-selling feat to which no other musical act has come close. During these shows Springsteen thanked those fans who were attending multiple shows and those who were coming from long distances or another country; the advent of robust Bruce-oriented online communities had made such practices more common. The Rising Tour came to a final conclusion with three nights in Shea Stadium, highlighted by renewed controversy over “American Skin” and a guest appearance by Bob Dylan.
During the 2000s, Springsteen became a visible advocate for the revitalization of Asbury Park, and he’s played an annual series of winter holiday concerts there to benefit various local businesses, organizations and causes. These shows are explicitly intended for the devoted fans, featuring numbers such as the unreleased (until Tracks) E Street Shuffle outtake “Thundercrack”, a rollicking group-participation song that would mystify casual Springsteen fans. He also frequently rehearses for tours in Asbury Park; some of his most devoted followers even go so far as to stand outside the building to hear what fragments they can of the upcoming shows. The song “My City of Ruins” was originally written about Asbury Park, in honor of the attempts to revitalize the city. Looking for an appropriate song for a post-Sept. 11 benefit concert honoring New York City, he selected “My City of Ruins,” which was immediately recognized as an emotional highlight of the concert, with its gospel themes and its heartfelt exhortations to “Rise up!” The song became associated with post-9/11 New York, and he chose it to close “The Rising” album and as an encore on the subsequent tour.
At the Grammy Awards of 2003, Springsteen performed The Clash’s “London Calling” along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double The River and the triple Sandinista!.
Springsteen and the Sessions Band performing in Milan in 2006
Springsteen and the Sessions Band performing in Milan in 2006
In 2004, Springsteen announced that he and the E Street Band would participate in a politically motivated “Vote for Change” tour, in conjunction with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, Dave Matthews Band, Jackson Browne and other musicians. All concerts were to be held in swing states, to benefit America Coming Together and to encourage people to register and vote. A finale was held in Washington, D.C., bringing many of the artists together. Several days later, Springsteen held one more such concert in New Jersey, when polls showed that state surprisingly close. While in past years Springsteen had played benefits for causes in which he believed – against nuclear energy, for Vietnam veterans, Amnesty International and the Christic Institute – he had always refrained from explicitly endorsing candidates for political office (indeed he had rejected the efforts of Walter Mondale to attract an endorsement during the 1984 Reagan “Born in the U.S.A.” flap). This new stance led to criticism and praise from the expected partisan sources. Springsteen’s “No Surrender” became the main campaign theme song for John Kerry’s unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.
Devils & Dust was released on April 26, 2005, and was recorded without the E Street Band. It is a low-key, mostly acoustic album, in the same vein as Nebraska and The Ghost of Tom Joad although with a little more instrumentation. Some of the material was written almost 10 years earlier during, or shortly after, the Ghost of Tom Joad Tour, a couple of them being performed then but never released. The title track concerns an ordinary soldier’s feelings and fears during the Iraq War. Starbucks rejected a co-branding deal for the album, due in part to some sexually explicit content but also because of Springsteen’s anti-corporate politics. The album entered the album charts at No. 1 in 10 countries (United States, Austria, Switzerland, Sweden, Denmark, Italy, Germany, the Netherlands, the United Kingdom and Ireland). Springsteen began the solo Devils & Dust Tour at the same time as the album’s release, playing both small and large venues. Attendance was disappointing in a few regions, and everywhere (other than in Europe) tickets were easier to get than in the past. Unlike his mid-1990s solo tour, he performed on piano, electric piano, pump organ, autoharp, ukulele, banjo, electric guitar and stomping board, as well as acoustic guitar and harmonica, adding variety to the solo sound. (Offstage synthesizer, guitar and percussion also are used for some songs.) Unearthly renditions of “Reason to Believe”, “The Promised Land”, and Suicide’s “Dream Baby Dream” jolted audiences to attention, while rarities, frequent set list changes, and a willingness to keep trying even through audible piano mistakes kept most of his loyal audiences happy.
In November 2005, New Jersey Senators Frank Lautenberg and Jon Corzine sponsored a U.S. Senate resolution to honor Springsteen on the 30th anniversary of the release of his Born to Run album. In general, resolutions honoring native sons are passed with a simple voice vote. For unstated reasons, this resolution was killed in committee. Also in November 2005, Sirius Satellite Radio started a 24-hour, seven-day-a-week radio station on Channel 10 called “E Street Radio.” This channel featured commercial-free Bruce Springsteen music, including rare tracks, interviews and daily concerts of Bruce Springsteen & the E Street Band recorded throughout their career.
In April 2006, Springsteen released We Shall Overcome: The Seeger Sessions, an American roots music project focused around a big folk sound treatment of 15 songs popularized by the radical musical activism of Pete Seeger. It was recorded with a large ensemble of musicians, including only Patti Scialfa, Soozie Tyrell, and The Miami Horns from past efforts. In contrast to previous albums, this was recorded in only three one-day sessions, and frequently one can hear Springsteen calling out key changes live as the band explores its way through the tracks. The Bruce Springsteen with The Seeger Sessions Band Tour began the same month, featuring the 18-strong ensemble of musicians dubbed the Seeger Sessions Band (and later shortened to the Sessions Band). Seeger Sessions material was heavily featured, as well as a handful of (usually drastically rearranged) Springsteen numbers. The tour proved very popular in Europe, selling out everywhere and receiving some excellent reviews, By the end of 2006, the Seeger Sessions tour toured Europe twice and toured America for only a short span. Bruce Springsteen with The Sessions Band: Live in Dublin, containing selections from three nights of November 2006 shows at the The Point Theatre in Dublin, Ireland, was released the following June.
Springsteen’s most recent album, titled Magic, was released on October 2, 2007. Recorded with the E Street Band, it featured 10 new Springsteen songs plus “Long Walk Home,” performed once with the Sessions band, and a hidden track (the first included on a Springsteen studio release), “Terry’s Song,” a tribute to Springsteen’s long-time assistant Terry Magovern who died on July 30, 2007.
An accompanying tour with the E Street Band began at the Hartford Civic Center with the album’s release and was routed through North America and Europe. Springsteen and the band performed live on NBC’s Today Show in advance of the opener.
Longtime E Street Band organist Danny Federici had taken a leave of absence from touring in November 2007 due to melanoma.
In April 2008, Springsteen announced his endorsement of U.S. Senator Barack Obama in his 2008 presidential campaign.
On June 18, 2008 Springsteen appeared live from Europe at the Tim Russert tribute at the Kennedy Center in Washington, D.C. to play one of Russert’s favorite songs, “Thunder Road,” at which Springsteen dedicated the song to Russert, who was “one of Springsteen’s biggest fans.”
Springsteen will reportedly serve as the halftime performance at Super Bowl XLIII on February 1, 2009.
Personal life
Bruce Springsteen
Born September 23, 1949 (1949-09-23) (age 59)
Long Branch, New Jersey
Spouse(s) Julianne Phillips (1985-1989)
Patti Scialfa (1991-present)
Bruce was the second of three children born to Douglas Frederick Springsteen (1925-1998) and Adele Ann Zirilli (born 1925). He has an older sister named Virginia (born ca. 1948) and a younger sister Pamela Springsteen (born February 8, 1962) a former actress and photographer. He grew up as the youngest child up until the age of 12, when Pamela was born.
Springsteen was a bachelor until the age of 35, when he married Julianne Phillips (born May 6, 1960). They married on May 13, 1985 the groom was nearly 36 and the bride had just turned 25 one week prior. The marriage helped her acting career flourish. They were opposites in background and his traveling took its toll on the marriage. The final blow came when Bruce began an affair with Patti Scialfa (born July 29, 1953). Phillips and Springsteen separated in September 1988 and on August 30, 1988 Julianne filed for divorce. The Springsteen/Phillips divorce was finalized on March 1, 1989.
Patti Scialfa (born July 29, 1953) and Springsteen had dated briefly in 1984 shortly after she joined the band, but the relationship ended shortly thereafter. The couple started an affair in the late-1980s, around 1987-1988; the affair was the final blow to Springsteen’s already troubled marriage. After his wife filed for divorce he began living with Scialfa in 1988. They had a son, Evan James Springsteen (born July 25, 1990). Bruce and Patti married June 8, 1991 when she was pregnant with their second child, daughter Jessica Rae (born December 30, 1991). The couple had their youngest child Sam Ryan (born January 5, 1994). The family lives in Colts Neck, New Jersey.
E Street Band
The E Street Band is considered to have started in October 1972, even though it was not officially known as such until September 1974. The E Street Band was inactive from the end of 1988 through early 1999, except for a brief reunion in 1995. The Magic tour came to a close at Milwaukee’s Roadhouse at the Lakefront on August 30, 2008, the tour’s 100th show.
Current members
* Bruce Springsteen – lead vocals, guitar, harmonica, piano
* Garry Tallent – bass guitar, tuba
* Clarence “Big Man” Clemons – saxophone, percussion, backing vocals, larger-than-life persona and Springsteen foil
* Max Weinberg – drums, percussion (joined September 1974)
* Roy Bittan – piano, synthesizer (joined September 1974)
* Steven Van Zandt – lead guitar, backing vocals, mandolin (officially joined July 1975 after playing in previous bands; left in 1984 to go solo; rejoined in early 1995, however made appearances during the “Other Band” Tour).
* Nils Lofgren – guitar, pedal steel guitar, backing vocals (replaced Steven Van Zandt in June 1984; remained in group after Van Zandt returned)
* Patti Scialfa – backing and duet vocals, acoustic guitar, percussion (joined June 1984; became Springsteen’s wife in 1991; they have a daughter and two sons)
* Soozie Tyrell – violin, acoustic guitar, percussion, backing vocals (joined 2002, occasional appearances before that)
* Charles Giordano – organ, accordion Giordano, originally a Sessions Band member, joined the E-Street Band on a temporary basis in late 2007 during the illness of Danny Federici. He continued playing with The E-Street Band after Federici died in April 2008.
Former members
* Vinnie “Mad Dog” Lopez – drums (inception through February 1974, when asked to resign)
* David Sancious – keyboards (June 1973 to August 1974)
* Ernest “Boom” Carter – drums (February to August 1974)
* Suki Lahav – violin, backing vocals (September 1974 to March 1975)
* Danny Federici – organ, accordion, glockenspiel (died April 17, 2008 after a struggle with melanoma)
Film connections
Springsteen’s music has long been intertwined with film. It made its first appearance in the 1983 John Sayles’ film Baby, It’s You, which featured several songs from Born to Run. The relationship Springsteen established with Sayles would re-surface in later years, with Sayles directing videos for songs from Born in the U.S.A. and Tunnel of Love. The song “(Just Around the Corner to the) Light of Day” was written for the early Michael J. Fox/Joan Jett vehicle Light of Day. His work has been used in films (winning him an Oscar for his song “Streets of Philadelphia”). Additionally his 1995 song “Secret Garden” appeared on the soundtrack for the Tom Cruise film Jerry Maguire, the song “My City of Ruins”, from the 2002 album The Rising, appeared in the film Jersey Girl, and “The Fuse” (also from The Rising) was featured during the closing credits of The 25th Hour (2002).
In turn, films have been inspired by his music, including The Indian Runner, written and directed by Sean Penn, which Penn has specifically noted as being inspired by Springsteen’s song “Highway Patrolman”. He was nominated for a second Oscar for “Dead Man Walkin’”, from the movie Dead Man Walking. In addition, “Lift Me Up” ran over the credits for the John Sayles film Limbo.
Springsteen also made a cameo appearance in the John Cusack film High Fidelity. In the film, Cusack’s character, Rob, imagines Springsteen giving him advice on his fractured love life.
In the 1997 film The Wedding Singer “Hungry Heart” is used.
In the 1999 Adam Sandler film Big Daddy, Growin’ Up is used.
In the 2000 Japanese film Battle Royale, main character Shuya Nanahara styles his hair to look like Springsteen’s. His favorite song is “Born To Run”, which plays in his mind throughout the 1999 novel Battle Royale upon which the film is based.
Discography
Main article: Bruce Springsteen discography
Major studio albums:
* 1973: Greetings from Asbury Park, N.J.
* 1973: The Wild, the Innocent & the E Street Shuffle
* 1975: Born to Run
* 1978: Darkness on the Edge of Town
* 1980: The River
* 1982: Nebraska
* 1984: Born in the U.S.A.
* 1987: Tunnel of Love
* 1992: Human Touch
* 1992: Lucky Town
* 1995: The Ghost of Tom Joad
* 2002: The Rising
* 2005: Devils & Dust
* 2006: We Shall Overcome: The Seeger Sessions
* 2007: Magic
Samples
* Download sample of “Thunder Road” from Born to Run.
* Download sample of “Dancing in the Dark” from Born in the U.S.A.
Awards and recognition
Grammy Awards
Springsteen has won 18 Grammy Awards, as follows (years shown are the year the award was given for, not the year in which the ceremony was held):
* Best Rock Vocal Performance, Male, 1984, “Dancing in the Dark”
* Best Rock Vocal Performance, Male, 1987, “Tunnel of Love”
* Song of the Year, 1994, “Streets of Philadelphia”
* Best Rock Song, 1994, “Streets of Philadelphia”
* Best Rock Vocal Performance, Solo, 1994, “Streets of Philadelphia”
* Best Song Written Specifically for a Motion Picture or Television, 1994, “Streets of Philadelphia”
* Best Contemporary Folk Album, 1996, The Ghost of Tom Joad
* Best Rock Album, 2002, The Rising
* Best Rock Song, 2002, “The Rising”
* Best Male Rock Vocal Performance, 2002, “The Rising”
* Best Rock Performance by a Duo or Group with Vocal, 2003, “Disorder in the House” (with Warren Zevon)
* Best Solo Rock Vocal Performance, 2004, “Code of Silence”
* Best Solo Rock Vocal Performance, 2005, “Devils & Dust”
* Best Traditional Folk Album, 2006, The Seeger Sessions: We Shall Overcome
* Best Long Form Music Video, 2006, “Wings For Wheels: The Making Of Born to Run”
* Best Solo Rock Vocal Performance, 2007, “Radio Nowhere”
* Best Rock Song, 2007, “Radio Nowhere”
* Best Rock Instrumental Performance, 2007, “Once Upon A Time In The West”
Only one of these awards has been one of the cross-genre “major” ones (Song, Record, or Album of the Year); he has been nominated a number of other times for the majors, but failed to win.
Academy Awards
* Academy Award for Best Song, 1993, “Streets of Philadelphia” from Philadelphia
Emmy Awards
* The Bruce Springsteen & the E Street Band: Live In New York City HBO special won two technical Emmy Awards in 2001.
Other recognition
* Polar Music Prize in 1997.
* Inducted into the Rock and Roll Hall of Fame, 1999
* Inducted into the Songwriters Hall of Fame, 1999
* Inducted into the New Jersey Hall of Fame. 2007
* “Born to Run” named “The unofficial youth anthem of New Jersey” by the New Jersey state legislature (something Springsteen always found to be ironic, considering that the song “is about leaving New Jersey”)
* The minor planet 23990, discovered Sept. 4 1999 by I. P. Griffin at Auckland, New Zealand, was officially named in his honor
* Banner hung from the rafters of New Jersey’s Izod Center, honoring his 15 nights of sold-out shows there in one stand in 1999
* Banner hung from the rafters of Philadelphia’s Wachovia Center in the colors of the Philadelphia Flyers, honoring Springsteen’s 45 Philadelphia sold-out shows.
* Ranked #23 on Rolling Stone Magazine’s list of the 100 Greatest Artists of All Time, 2004.
* In October 2007, Eye Weekly ran a cover-story that dubbed Springsteen ‘Indie-Rock Icon of the Year’.
* In May of 2008, Springsteen was 1 of 15 of the first class to be inducted into the New Jersey Hall of Fame.
* Made TIME Magazine’s 100 Most Influential People Of The Year 2008 list.
Web domain dispute
In November 2000, Springsteen filed legal action against Jeff Burgar which accused him of registering the domain brucespringsteen.com (along with several other celebrity domains) in bad faith to funnel web users to his Celebrity 1000 portal site. Once the legal complaint was filed, Burgar pointed the domain to a Springsteen biography and message board. Burgar claims to be running a Springsteen fan club.
In February 2001, Springsteen lost his dispute with Burgar. A WIPO panel ruled 2 to 1 in favor of Burgar.
Sirius Radio
The E Street Band currently has their own channel on Sirius Satellite Radio.
1947 – Keith Moon of the Who is born in Wembley, England. He dies on Sept. 7, 1978 at age 32, from an overdose of the sedative Heminevrin.
Keith John Moon (August 23, 1946 – September 7, 1978) was the drummer of the rock group The Who. He gained notoriety for exuberant drumming and his destructive lifestyle. Moon joined The Who in 1964, replacing Doug Sandom. He played on all albums from their debut, 1965′s My Generation, to 1978′s Who Are You, which was released two weeks before his death.
Moon is known for innovative, dramatic drumming, often eschewing basic back beats for a fluid, busy technique focused on fast, cascading rolls across the toms and cymbal crashes. Moon was one of the first to play drums as a lead instrument in an era when drums were supposed only to keep the back beat. He is regarded as one of the greatest and most distinctive rock drummers.
Biography
Keith John Moon lived in Wembley as a boy, was hyperactive, and had a restless imagination. As a youth, one thing that could hold his attention was music. A report from his secondary modern school was not encouraging – his art teacher commented: ‘Retarded artistically. Idiotic in other respects.’[2] Teacher Aaron Sofocleous praised his music skills and encouraged his chaotic style, even if one school report noted “He has great ability, but must guard against a tendency to show off.” Moon failed his eleven plus exam and left school in 1961.
On 17 March 1966, Moon married his pregnant girlfriend Kim Kerrigan in secrecy. Their daughter Amanda was born on 12 July. In 1973, Kerrigan left Moon. In 1974 he began dating Swedish model Annette Walter-Lax. The next year he and Kerrigan divorced.
Early musical career
At 12, Moon joined his local Sea Cadet Corps band as a bugle player but traded his position to be a drummer.[3] Moon started drums at 14 after his father bought him a kit. He received lessons from one of the loudest drummers at the time, Carlo Little, paying him 10 shillings a lesson.[4] During this time he joined his first serious band “The Escorts”.[2] He later spent 18 months as the drummer for “The Beachcombers”, a London cover band notable for renditions of songs by Cliff Richard.[5]
Moon initially played in the style of American surf rock, jazz, with a mix of reggae and R&B drummers, utilising grooves and fills of those genres, particularly Hal Blaine of Wrecking Crew. However, he played faster and louder, with more persistence and authority. Moon’s favourite musicians were jazz greats Gene Krupa, who inspired him to be the showman he was, and Sonny Rollins.
The Who
At 17, Moon joined The Who (in April 1964), a replacement for Doug Sandom. Sandom had left less than a month earlier after Moon had a disagreement with Sandom. A police report states Moon assaulted Sandom with a cattle prod repeatedly which left him unconscious. After the episode, without a drummer the remaining members hired a session drummer to fulfill shows they had agreed to play. Moon attended one of these shows. Pete Townshend described him as looking like a “ginger man” with his hair dyed ginger and wearing ginger-coloured clothes. As stated in Amazing Journey: The Story of The Who, Moon looked up to Roger Daltrey during the show and said “I hear you’re looking for a drummer. Well, I’m much better than the one you’ve got.”[6] The band knew they needed Moon after seeing him practically smash the drum kit to pieces.[2]
Moon started on various three or five-piece kits but moved to a double bass kit, made by Premier, in late 1965. Moon took two kits and put them together. This widened his playing; he abandoned his hi-hat cymbals almost entirely and started basing his grooves on a double bass ostinato with eighth note flams, and a wall of white noise created by riding a crash or ride cymbal. On top of this he played fills and cymbal accents. This became his trademark.
Moon’s Classic Premier setup comprised two 14×22-inch bass drums, three 8×14 (Tuna Can) mounted toms, two 16×16 floor toms, a 5×14 metal snare (usually a Ludwig Supraphonic), and one extra floor tom of different sizes but mainly 16×18 or 16×16. Moon’s classic cymbal setup consisted of two Paiste 18″ crashes and one 20″ ride. In 1973, Moon added a second row of tom-toms (first four, then six) and, in 1975, two more timbales. These huge kits became well known, notably the amber set in the films, Tommy and Stardust, and in footage shot by the BBC at Charlton in 1974. The 1975/76 white kit with gold fittings was given by Moon to a young Zak Starkey, son of Ringo Starr. His final kit, a dark metallic one, is seen in the footage from The Kids Are Alright at Shepperton in 1978.
Early in The Who’s career, live sets culminated in “auto destruction”, members destroying their equipment in elaborate fashion, an act that was imitated by other bands and artists including Jimi Hendrix in his breakout performance at the 1967 Monterey Pop Festival. Moon showed a zeal for this, kicking and smashing his drums. During the Smothers Brothers Comedy Hour television show, he loaded a drum with explosives which detonated during the finale of “My Generation,” singeing Townshend’s hair and embedding a piece of cymbal in his arm (this has been speculated as starting Townshend’s tinnitus). Another time, he filled clear acrylic drums with water and goldfish, playing them for a television appearance. When an audience member asked “What happens with your goldfish?” he replied with a grin, “Well I mean, you know…even the best drummers get hungry.”[7] Antics like these earned him the nickname “Moon the Loon.”
His determination to add his voice to Who songs led other members to banish him from the studio when vocals were recorded. This led to a game, Moon sneaking in to join the singing. At the end of “Happy Jack,” Townshend can be heard shouting “I saw you!” It is said that he noticed Moon trying to join in[citation needed] Moon can be heard singing on several tracks, including a section of “A Quick One While He’s Away” (A Quick One, 1966), “Armenia City in the Sky” (The Who Sell Out, 1967), “Bell Boy” (Quadrophenia, 1973), “Pictures of Lily” (1967), “Instant Party Mixture” (My Generation Deluxe Edition, 1965), “Bucket T” and “Barbara Ann” (Ready Steady Who EP, 1966).
He was credited as composer of “I Need You,” which he also sang, and the instrumental “Cobwebs and Strange” (from A Quick One, 1966), the single B-sides “In The City” (co-written by Moon and Entwistle), “Dogs Part Two” (1969) (sharing credits with Townshend’s and Entwistle’s dogs, Towser and Jason) and “Wasp Man” (1972), and “Girl’s Eyes” (from The Who Sell Out sessions; featured on Thirty Years of Maximum R&B and a 1995 re-release of The Who Sell Out). He also co-composed the instrumental “The Ox” (from the debut album “My Generation”) with Townshend, Entwistle and pianist Nicky Hopkins. “Tommy’s Holiday Camp” (from Tommy) was credited to Moon, who suggested the action should take place in a holiday camp. The song was written by Townshend, and although many think Moon sings on the track, the version on the album is Townshend’s demo. However Moon did sing it live and on the Tommy film. He also produced “Baba O’Riley”‘s violin solo (which he had suggested), and was recorded by Dave Arbus, a friend.
Daltrey said Moon’s drumming style held the band together; that Entwistle and Townshend “were like needles… and Keith was the wool.”
A reputation for destruction
Moon was destructive. He laid waste to hotel rooms, the homes of friends, even his own home, throwing furniture out of high windows and destroying the plumbing with fireworks.[8] He frequently flushed powerful fireworks (Cherry bombs) down the toilet and enjoyed detonating toilets for personal amusement. The acts, though often fueled by drugs and alcohol, were his way of expressing his eccentricity, as well as the joy he got from shocking the public.[9] In Moon’s biography, Full Moon, Dougal Butler observed, “He would do anything if he knew that there were enough people around who didn’t want him to do it.”
Moon’s pranks bear a similarity to those of Australian comedian Barry Humphries, who affected the same maniacal stare as Moon. A darker side to Moon’s behaviour, tentatively diagnosed as caused by a Borderline Personality Disorder in Fletcher’s biography, was physically violent towards three women in his life: his wife Kim, girlfriend Annette, and only daughter Mandy. He was also prepared to pay someone to break his ex-wife’s second husband’s fingers out of jealousy. Annette Walter-Lax described his Mr Hyde-like change into a growling, uncontrollable beast as something out of a horror movie. She begged Malibu neighbour Larry Hagman to check Moon into a clinic to dry out, but when doctors recorded Moon’s intake at breakfast (a full bottle of champagne along with Courvoisier ), they concluded there was no hope.[10] Alice Cooper remembers his drinking club, The Hollywood Vampires, commenting that Moon (‘the Puck of Rock ‘n’ Roll”) used to enter dressed up as the Pope. [11] Joe Walsh has recorded chats with Moon, finding it remarkable how witty and alert the inebriated drummer managed to stay, ad-libbing his way through surrealistic fantasy stories à la Peter Cook.
Although his behaviour was outrageous, it was in the humorous vein[12] as his friend Vivian Stanshall, of the Bonzo Dog Band claimed. Moon produced Stanshall’s version of Elvis Presley’s Suspicious Minds.
According to Townshend, Moon’s reputation for erratic behaviour was something he cultivated. Once, on the way to an airport, Moon insisted they return to their hotel, saying , “I forgot something. We’ve got to go back!” When the limo returned, Moon ran to his room, grabbed the TV while it was plugged in, threw it out the window and into the pool. He then jumped back into the limousine, sighing “I nearly forgot.”
On January 4, 1970, Moon was involved in a car-pedestrian death outside the Red Lion pub in Hatfield, Hertfordshire. Trying to escape hostile skinheads from the pub who had begun to attack his Bentley, Moon ran over and killed his friend and bodyguard, Neil Boland. Although the coroner said Boland’s death was an accident, and Moon was given an absolute discharge having been charged with driving offences, those close to him said Moon was haunted by the accident for the rest of his life. Boland’s daughter investigated and suggested that Moon may not have been driving.[13]
Moon’s penchant for the wild life was detrimental to his drumming and his reliability as a band member. On the 1973 Quadrophenia tour, at the Cow Palace in Daly City, California, Moon took a large mixture of tranquilizers and brandy. He passed out during “Won’t Get Fooled Again” and again in “Magic Bus.” Townshend asked the audience, “Can anyone play the drums? – I mean somebody good.” An audience member, Scot Halpin, filled in for the rest of the show. Guitarist Pete Townshend later said in an interview that Moon had consumed large tranquilizer pills, meant to be shot at animals, with the brandy.[14] During the band’s recording sabbatical between 1975 and 1978, Moon put on a great deal of weight.
Moon’s close friend and legendary drummer Ringo Starr was seriously concerned about his ‘Rock Star’ lifestyle and told Moon that if he kept going the way he was he would eventually kill himself. Moon simply replied ‘Yeah, I know.’[citation needed]
Moon owned a lilac-coloured Rolls-Royce, painted with house paint. On Top Gear,[15] Daltrey commented that Moon liked to take upper-class icons and make them working class. The car is now owned by Middlebrook Garages (based in Nottinghamshire, England).
Work outside The Who
Although Moon’s work with The Who dominated his career, he participated in minor side projects. In 1966, he teamed with Yardbirds guitarist Jeff Beck, session man Nicky Hopkins, and future Led Zeppelin members Jimmy Page and John Paul Jones to record an instrumental, “Beck’s Bolero,” released as a single-double later that year. He also played timpani on another track, “Ol’ Man River” (credited on the back of the album as “You Know Who”).
Moon is said to have named Led Zeppelin. When an early version of the band was being discussed that would have had himself, John Entwistle on bass, Jimmy Page on guitar, and an undecided vocalist, he stated the potential group would “go down like a lead zeppelin.” He joined Zeppelin on stage and drummed with John Bonham for encores in a show on 23 June 1977 at the L.A. Forum (recorded on Led Zeppelin bootlegs, For Badgeholders Only/SGT Pages Badgeholders Club).
In 1974 Track Records/MCA released a solo single: “Don’t Worry, Baby” b/w “Teenage Idol”, the former a reflection of his love of The Beach Boys.
In 1975 he released his only solo album, pop covers entitled Two Sides of the Moon. Although this featured Moon’s singing, much drumming was left to other artists including Ringo Starr, session musicians Curly Smith and Jim Keltner and actor/musician Miguel Ferrer (Twin Peaks and Crossing Jordan). Moon played drums on only three tracks.
In late 1975, he played drums on the track “Bo Diddley Jam” on Bo Diddley’s The 20th Anniversary of Rock ‘n’ Roll all-star album.
In 1971 he had a cameo role in Frank Zappa’s film 200 Motels. He acted in drag as a nun fearful of death from overdosing on pills. In 1973 he appeared in That’ll Be the Day, playing J.D. Clover, the drummer at a holiday camp during the early days of British rock ‘n’ roll. Moon reprised the role for the sequel Stardust in 1974. The film co-starred Moon’s friend Ringo Starr of the Beatles. He appeared as “Uncle Ernie” in Ken Russell’s 1975 film adaptation of Tommy. In a bar about 1975, he asked Graham Chapman and Bernard McKenna to do a “treatment” for a “mad movie”. They asked a thousand pounds, Moon pulled the cash from his pocket and gave it to them. This was the start of the project that would become the movie Yellowbeard. Moon wanted to play the lead but the movie took many years to develop, and by that time he was in physically poor shape, and unsuitable.[16] In 1976, he covered the Beatles’ “When I’m Sixty-Four” for the soundtrack of the documentary All This and World War II. He impersonated a camp fashion designer in Sextette (1978), starring Mae West. He was to have a part in Monty Python’s Life of Brian and stayed in the Caribbean with the six Python members as they wrote the script. He died before filming. The published edition of the screenplay to Life of Brian is dedicated to Moon.
Moon once owned a hotel, The Crown and Cushion in Chipping Norton.
Death
Moon was Paul McCartney’s guest at a film preview of The Buddy Holly Story on the evening of 6 September 1978. After dining with Paul and Linda McCartney, Moon and his girlfriend, Annette Walter-Lax, returned to a flat on loan from Harry Nilsson in Curzon Place, London (near Shepherd Market), where Moon died of an overdose of Clomethiazole (Heminevrin). The medication was a sedative he had been prescribed to alleviate his alcohol withdrawal symptoms as he tried to go dry on his own at home; he was desperate to get clean, but was terrified of another stay in the psychiatric hospital for in-patient detoxification. However, Clomethiazole is specifically contraindicated for unsupervised home detox due to its addictiveness, tendency to rapidly induce drug tolerance, and dangerously high risk of death when mixed with alcohol.[17] The pills were also prescribed by a new doctor, Dr. Geoffrey Dymond, who was unaware of Moon’s recklessly impulsive nature and long history of prescription sedative abuse. He had given Moon a full bottle of 100 pills, and instructed him to take one whenever he felt a craving for alcohol (but not more than 3 per day). The police determined there were 32 pills in his system, many times the lethal amount, 26 of which were still undissolved when he died.[18] Moon died in the room in which Cass Elliot of The Mamas & the Papas had died four years earlier.
On the audio DVD commentary to The Criterion Collection’s release of the Monty Python film Life of Brian, Eric Idle talks about the dinner party. Idle relates that Moon was excited about his role as a prophet in the movie. After launching into his speech for the film, Idle and Moon exchanged a “big, warm hug,” with Idle commenting that “he was just such a wonderful enthusiast.”
Moon died a couple of weeks after the release of Who Are You. On the album cover, Moon is seated on a chair back-to-front to hide the weight gained over three years (as discussed in Tony Fletcher’s book “Dear Boy”). The chair is labeled “NOT TO BE TAKEN AWAY.”
Moon was cremated. His ashes were scattered in the Gardens of Remembrance at Golders Green Crematorium in London.
Events after his death
While Moon was alive, The Who performed with four members. Afterwards, he was replaced by Small Faces/Faces drummer Kenney Jones and later Simon Phillips. The Who also added keyboardist John “Rabbit” Bundrick to the live band. The Who’s drum position is currently occupied by Zak Starkey, son of Ringo Starr. Starkey was taught by Moon and referred to him as Uncle Keith.
Daltrey recorded a song, “Under a Raging Moon”, as a tribute to Moon and the “middle bar” in the London Astoria is named after him.
A biography was written about Moon by Tony Fletcher, entitled Dear Boy: The Life of Keith Moon. “Dear Boy” became a catchphrase of Moon’s when he started affecting a pompous English accent around 1969, particularly when ordering drinks.[19]
In early 2006, Moon’s signature Pictures of Lily drum kit was reissued by Premier Percussion under the name Spirit of Lily.
Moon’s ex-wife, Kim, was married to Ian McLagan of the Faces in 1978, the year that Moon died. She was killed in a traffic collision near Austin, Texas on August 2, 2006.
Moon’s daughter, Mandy, is married to a graphic artist. She has two daughters and lives in Southern California.
Daltrey is producing a biopic about Moon called See Me Feel Me: Keith Moon Naked for Your Pleasure, which will be released in 2009. Comedian Mike Myers will play the main role.
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