Rock History

2004 – One of the worst kept secrets in rock becomes a secret no longer when Motley Crue announce they are reforming for their first tour in five years.

2008 – Armstrong and Getty: Cleavelend’s ‘Rock -n- Roll Hall of fame’ annouces ‘Run DMC’, famed for ‘Walk this way’(written by Aerosmith), will be inducted into the hall of fame.  Excluded from the nominees are Stevie Ray Vaughn and Bon Jovi to name but a few.

Morning talk show hosts ‘Armstrong and Getty’ displayed their dismay of the announcement reffering to it as the ‘RECTUM OF FAME’ and intimating that Cleveland itself isn’t really the city you think of when you think ‘Rock-n-Roll’.  Although, it is argued to be the birthplace of rock because of the DJ who first played it… well why not where it was first recorded… is that Memphis… or Los Angeles… I dunno…

This editor thinks they are greatly in the right by saying so. I think they should make a pre-requistie that you have to know how to play ‘Johnny B. Goode’ on the guitar before you can be nominated.

Run DMC before Stevie Ray Vaughn… it should be called the ‘Hall of Shame’.

Stu-

2008 – With the Chicago Cubs two wins (or Milwaukee Brewers losses) away from clinching a playoff spot, Pearl Jam’s Eddie Vedder has penned a song in honor of the baseball team.

“All The Way,” which Vedder performed last month at a solo show in Chicago, has already popped up in Chicago sports bars and radio stations, with a download coming “in the next few days,” according to the Pearl Jam site. The song features lyrics like “Our heroes wear pinstripes / pinstripes in blue / give us a chance to feel like heroes too” and “We are one with the Cubs / with the Cubs we’re in love / we are not fair-weather but foul-weather fans.” We’re disappointed Vedder couldn’t find a rhyme for “Kosuke Fukudome.”

Cubs great Ernie Banks reportedly asked Vedder to write the song as the Cubbies attempt to win their first World Series since 1908. Meanwhile, us Mets fans still have songs like this.

2008 – Behold, the video for AC/DC’s “Rock N’ Roll Train.” It has all the ingredients of an AC/DC video: Angus Young in a schoolboy outfit, fire, sweat and Brian Johnson wearing a vest, with footage of train crashes added for thematic continuity. “Rock N’ Roll Train” is the first single from the band’s upcoming Black Ice, due out in Wal-Marts on October 21st. The album will be followed by a tour, with AC/DC implementing the new paperless ticketing technology for select seats. The paperless tickets will “help ensure fan club members and fans purchasing designated seats will be able to secure tickets at face value,” Ticketmaster said in a statement. Both Tom Waits and Metallica have embraced the new ticketing program, which requires buyers to show identification when arriving at the venue.

2008 – Unreleased material Jimi Hendrix wrote and recorded with twin brothers Arthur and Albert Allen — a.k.a. the Ghetto Fighters — may finally be released through software/multimedia company we-R-you. The Allen brothers, who now go under the names TaharQa and Tunde Ra Aleem, first met Jimi in the mid-60s and worked with Hendrix on recordings that would ultimately wind up on posthumous releases like Rainbow Bridge, War Heroes and Cry Of Love. Among the material the Aleem brothers have unearthed is previously unheard recordings, a feature screenplay and a cartoon drawing of Hendrix drawn by Hendrix himself. “Jimi was a true visionary whose creativity went far beyond music,” says TaharQa Aleem. “He saw the future and while he may not have understood computers or known about digital technology and virtual worlds, he knew that things like this were coming and created material that would work in that world.” The unearthed material will be released through we-R-you in segments, as “each element needs to be released in its own time and way,” says the company’s chief branding and marketing officer Allen DeWinter.

2008 – Gilmour’s tribute to Floyd star Roger Waters, Nick Mason, Syd Barrett and Richard Wright
Gilmour said Wright (right) was “gentle, unassuming and private”.

Pink Floyd guitarist David Gilmour has praised late bandmate Richard Wright for his “vitality, spark and humour”.

Writing on his website, Gilmour said he had “never played with anyone quite like” the keyboardist, who has died from cancer at the age of 65.

“In my view, all the greatest Pink Floyd moments are the ones where he is in full flow,” Gilmour added.

He hailed Wright for his songwriting talent, including on two tracks from 1973′s Dark Side of the Moon album.

Gilmour joined the band in 1968 – a year after the group’s first album, The Piper at the Gates of Dawn.

In the welter of arguments about who or what was Pink Floyd, Rick’s enormous input was frequently forgotten
David Gilmour

“No-one can replace Richard Wright – he was my musical partner and my friend,” Gilmour said.

“In the welter of arguments about who or what was Pink Floyd, Rick’s enormous input was frequently forgotten.

“He was gentle, unassuming and private but his soulful voice and playing were vital, magical components of our most recognised Pink Floyd sound.”

Gilmour said the blend of his and Wright’s voices, together with their “musical telepathy, reached their first major flowering” on 1971 track Echoes, which took up the whole of the second side of album Meddle.

Gilmour, Waters, Mason and Wright in 2005
The band performed together at Live 8 in 2005 for the first time in 24 years

Released in 1973, The Dark Side of the Moon went on to become one of the best-selling and most influential albums in rock history.

Wright helped write much of the album, but was responsible for two songs in particular, Gilmour said.

He added: “After all, without Us and Them, and The Great Gig in the Sky – both of which he wrote – what would The Dark Side Of The Moon have been?”

Gilmour has now pulled out of the premiere of a concert film, David Gilmour Live In Gdansk, in London on Tuesday.

But the guitarist has asked for the event to go ahead without him in memory of Wright, his spokesman said.

Joe Boyd, who produced the band’s early records, said Wright’s keyboards were “an integral part of the Pink Floyd sound”.

“He was a very nice and easy going person,” he said. “It’s very sad to hear of his untimely passing.”

‘Influential musician’

Neil Portnow, president of The Recording Academy, which organises the Grammy Awards in the US, added his tribute.

“Richard Wright was an exceptional instrumentalist, whose distinctive keyboard style was essential to the musicality of this world-renowned band,” he said.

“He also scored films and recorded his own instrumental compositions and solo albums.

“Our deepest sympathies go out to his family and fans at this difficult time, as we remember this influential musician.”

The group played at the Live 8 event in Hyde Park in London in 2005, when Roger Waters rejoined his bandmates for a one-off, more than two decades after they fell out.

The four musicians all also played at a tribute concert for Syd Barrett in 2007, with Waters playing a solo set and Wright, Gilmour and Nick Mason making a separate appearance.

Wright’s death was announced in a statement by his spokesman on Monday.

The spokesman said Wright died after “a short struggle with cancer” but declined to give further details.

2008 – In just a three-day sales window, Metallica’s “Death Magnetic” skates close to the half million mark and will lead The Billboard 200 when Nielsen SoundScan releases its charts tomorrow morning (Sept. 17).

The band’s first studio album since 2003 moved 490,000 copies in its abbreviated frame, scheduled off-cycle on a Friday to accommodate a worldwide release date.

It marks the biggest number the chart has seen since five weeks ago, when the Jonas Brothers’ “A Little Bit Longer” scaled the list with 525,000 copies with a traditional Tuesday release date.

The total for Metallica’s first Warner Bros. album after spending its career with Elektra outdistances the opening sum of its last studio set, “St. Anger,” which sold 418,000 copies in a similarly shorter-than-normal window.

Originally set for a Tuesday release, “Anger” was rush released to an off-cycle Thursday start amid concerns over Internet leaks. The last Metallica album to stage a larger opener than “Magnetic” was 1996′s “Load,” which rolled 680,000 units in its first frame.

2008 – Motown producer and songwriter Norman Whitfield, who helped craft some of the Detroit label’s biggest hits, died Tuesday at Los Angeles’ Cedars-Sinai Hospital. He was 65. While an exact cause of death wasn’t revealed, Whitfield reportedly suffered ailments from diabetes. Whitfield started out at Motown as a tambourine player before writing some early hits for Marvin Gaye with lyricist Barrett Strong. One of those songs, “I Heard It Through the Grapevine,” ended up topping multiple charts and became the label’s biggest hit of the ’60s. Whitfield also worked with the Temptations, co-writing their hits “Ain’t Too Proud to Beg” as well as “Papa Was a Rollin’ Stone,” which won Motown its first Grammy. Whitfield left Motown in 1973, forming his own Whitfield Records. The label released the Rose Royce hit “Car Wash,” and later won Whitfield another Grammy in 1977 for the Car Wash soundtrack.

2008 – Associated Press – LONDON – Richard Wright, a founding member of the rock group Pink Floyd, died today… this day in rock! He was 65.
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Pink Floyd’s spokesman Doug Wright, who is not related to the artist, said Wright died after a battle with cancer at his home in Britain. He says the band member’s family did not want to give more details about his death.

Wright met Pink Floyd members Roger Waters and Nick Mason in college and joined their early band, Sigma 6. Along with the late Syd Barrett, the four formed Pink Floyd in 1965.

The group’s jazz-infused rock and drug-laced multimedia “happenings” made them darlings of the London psychedelic scene, and their 1967 album, “The Piper at the Gates of Dawn,” was a hit.

In the early days of Pink Floyd, Wright, along with Barrett, was seen as the group’s dominant musical force. The London-born musician and son of a biochemist wrote songs and sang.

The band released a series of commercially and critically successful albums including 1973′s “Dark Side of the Moon,” which has sold more than 40 million copies. Wright wrote “The Great Gig In The Sky” and “Us And Them” for that album, and later worked on the group’s epic compositions such as “Atom Heart Mother,” “Echoes” and “Shine On You Crazy Diamond.”

But tensions grew between Waters, Wright and fellow band member David Gilmour. The tensions came to a head during the making of “The Wall” when Waters insisted Wright be fired. As a result, Wright was relegated to the status of session musician on the tour of “The Wall,” and did not perform on Pink Floyd’s 1983 album “The Final Cut.”

Wright formed a new band Zee with Dave Harris, from the band Fashion, and released one album, “Identity,” with Atlantic Records.

Waters left Pink Floyd in 1985 and Wright began recording with Mason and Gilmour again, releasing the albums “The Division Bell” and “A Momentary Lapse of Reason” as Pink Floyd. Wright also released the solo albums “Wet Dream” (1978) and “Broken China” (1996).

In July 2005, Wright, Waters, Mason and Gilmour reunited to perform at the “Live 8″ charity concert in London — the first time in 25 years they had been onstage together.

Wright also worked on Gilmour’s solo projects, most recently playing on the 2006 album “On An Island” and the accompanying world tour.

Richard William Wright (28 July 1943 – 15 September 2008) was a self-taught pianist and keyboardist best known for his long career with Pink Floyd. Though not as prolific a songwriter as his bandmates Syd Barrett, Roger Waters and David Gilmour, he did write significant parts of the music for classic albums such as Meddle, Dark Side of the Moon and Wish You Were Here, as well as for Pink Floyd’s final studio album The Division Bell. Wright’s richly textured keyboard layers have been a vital ingredient and a distinctive characteristic of Pink Floyd’s sound. In addition, Wright frequently sang background and occasionally lead vocals onstage and in the studio with Pink Floyd (most notably on the songs “Time,” “Echoes,” and on the Syd Barrett composition “Astronomy Domine”). Wright died on 15 September 2008, following a short battle with cancer.

Biography

Pink Floyd career

Wright was educated at the Haberdashers’ Aske’s School and the Regent Street Polytechnic College of Architecture, where he met fellow band members Roger Waters and Nick Mason. He was a founding member of The Pink Floyd Sound (as they were then called) in 1965, and also participated in its previous incarnations, Sigma 6 and The (Screaming) Abdabs.

In the early days of Pink Floyd, Wright was seen as a dominant musical force in the group (though not as much of one as Syd Barrett, the band’s chief songwriter and front man at the time) and he wrote and sang several songs of his own during 1967–68. While not credited as a singer on The Piper at the Gates of Dawn, he sung lead on Barrett-penned songs like “Astronomy Domine” and “Matilda Mother,” as well as notable harmonies on “Scarecrow” and “Chapter 24.” Examples of his early compositions include “Remember a Day”, “Paintbox” and “It Would Be So Nice”. As the sound and the goals of the band evolved, Wright became less interested in songwriting and focused primarily on contributing his distinctive style to extended instrumental compositions such as “Interstellar Overdrive”, “A Saucerful of Secrets”, “Careful with That Axe, Eugene”, “One Of These Days” and to musical themes for film scores (More, Zabriskie Point and Obscured by Clouds). He also made essential contributions to Pink Floyd’s long, epic compositions such as “Atom Heart Mother”, “Echoes” and “Shine On You Crazy Diamond”. His most commercially popular compositions are “The Great Gig in the Sky” and “Us and Them” from 1973′s The Dark Side of the Moon. He also contributed significantly to other mid-period Floyd classics like “Breathe” and “Time”.

Wright recorded his first solo project, Wet Dream, and released it in September 1978 with little fanfare. However, the album is regarded with some acclaim among Pink Floyd fans. Battling both personal problems and an increasingly rocky relationship with Roger Waters, he was forced to resign from Pink Floyd during The Wall sessions by Roger Waters, who threatened to pull the plug on the album’s tapes if Wright did not leave the band. However, he was retained as a salaried session musician during the subsequent live concerts to promote that album in 1980 and 1981. Ironically, Wright became the only member of Pink Floyd to profit from those hugely spectacular shows, since the net financial loss had to be borne by the three remaining “full-time” members. He was the only member of the band not to attend the 1982 première of the film version of The Wall. In 1983, Pink Floyd released the only album on which Wright does not appear with The Final Cut.

During 1984, Wright formed a new musical duo with Dave Harris (from the band Fashion) called Zee. They signed a record deal with Atlantic Records and released only one album, Identity, which was a commercial and critical flop. Wright rejoined Pink Floyd following Waters’ departure. Because of legal and contractual issues from his “hired gun” status during The Wall world tour, Wright’s photo was not included in the 1987 album A Momentary Lapse of Reason and his name was listed in smaller letters than Mason and Gilmour. By the time of the Momentary Lapse world tour and the 1988 live album The Delicate Sound of Thunder, Wright was contractually a member of Pink Floyd once again. In 1994, he co-wrote five songs and sang lead vocals on one song (“Wearing the Inside Out”) for the next Pink Floyd album, The Division Bell. This recording provided material for the double live album and video release P*U*L*S*E in 1995. Wright, like Nick Mason, has performed on every Pink Floyd tour.

Modern days

In 1996, inspired by his successful input into The Division Bell, Wright released his second solo album, Broken China, including contributions from Sinéad O’Connor on vocals, Pino Palladino on bass, Manu Katché on drums, Dominic Miller (known from his guitar work with Sting) and Tim Renwick, another Pink Floyd associate, on electric guitar. Broken China was considered to be a more focused and artistically successful work than Wet Dream and marked a new phase in Richard Wright’s modus operandi, with extensive use of computer-based recording and production techniques, assisted by Anthony Moore with whom he co-wrote the album’s lyrics.

On 2 July 2005, Wright, Gilmour, Mason were joined by Waters on stage for the first time since the Wall concerts for a short set at the Live 8 concert in London. Wright underwent eye surgery for cataracts in November 2005, preventing him from attending Pink Floyd’s induction into the UK Music Hall of Fame. Roger Waters, who was also unable to attend the band’s induction due to rehearsals for the opening of his opera Ça Ira in Rome, appeared in video link and stated, tongue-in-cheek:
“     Rick actually hasn’t had an eye operation, he and I have eloped to Rome and we’re living happily in a small apartment off the Via Venuti!     ”

Wright contributed keyboards and background vocals to David Gilmour’s most recent solo album, On an Island, and performed with Gilmour’s touring band for over two dozen shows in Europe and North America in 2006 . On stage with Gilmour he performed piano, electric piano and synth leads with his Kurzweil K2600 workstation, Hammond organ and even his long-inactive Farfisa organ, which was resurrected especially for performing “Echoes” and a couple of Pink Floyd’s and Syd Barrett’s older numbers that Gilmour chose to revisit in his recent concerts. He also provided backing vocals and lead vocals (notably on “Echoes”, “Time”, “Comfortably Numb”, “Wearing the Inside Out” “Astronomy Domine” and “Arnold Layne” – the latter released as a live single). He declined an offer to join Roger Waters and Nick Mason on Waters’ The Dark Side of the Moon Live tour in order to spend more time working on an upcoming solo project (which may be an instrumental album released in 2008).

On 4 July 2006, Wright joined Gilmour and Mason for the official screening of the P•U•L•S•E DVD. Inevitably, Live 8 surfaced as a subject in an interview. When asked about performing again, Wright replied he would be happy on stage anywhere. He explained that his plan is to “meander” along and said about playing live:
“     …and whenever Dave wants me to play with him, I’m really happy to play with him. And  you’ll play with me, right?     ”

However, Wright stated that he had no desire to perform as part of an officially-reformed ‘Pink Floyd’ again, saying that the Live 8 concert was nice as a “one off.”

Wright had the lowest profile of any member of a band known for their lack of individual attention seeking. Unlike the three other surviving band members who have emerged as public figures, Wright rarely spoke in public. Wright was very rarely seen in the live footage from the Live 8 reunion performance; with a few exceptions he was only shown in wide shots. Some have suggested that the director of the broadcast did not know which musician was the fourth member of Pink Floyd until the very end when they got together for a group shot.

Personal

He married his first wife, Juliette Gale, in 1964 and they divorced in 1982 after having two children. He married his second wife Franka in 1984 and they divorced in 1994. Wright married his third wife Millie (to whom he dedicated his second solo album Broken China) in 1996; their one child is named Ben.

In 1996 Wright’s daughter Gala married Guy Pratt, a session musician who has played bass for Pink Floyd since Roger Waters’ exit.

Wright died on 15 September 2008 after a battle with cancer.

Influence

Wright’s style fuses jazz and neoclassical influences that complemented the simple harmonic structures of the more blues and folk-based songs written by Roger Waters and David Gilmour. As a keyboardist, he is more interested in complementing each piece with organ or synthesizer layers and tasteful piano or electric piano passages. Unlike his contemporaries Rick Wakeman, Tony Banks or Keith Emerson, only occasionally did he opt for solo playing, notably in “Atom Heart Mother”, “Echoes”, “Any Colour You Like”, “Shine On You Crazy Diamond” Parts 1-5 and 6-9, “Welcome to the Machine”, “Dogs”, “Run Like Hell” and “Keep Talking”. Another notable solo is the first solo in Syd Barrett’s song “Love Song”. Wright is known for his ghostly atmospheric textures such as the Leslie piano arpeggios at the beginning of “Echoes”, the echoed Farfisa Organ in the live versions of “Careful with That Axe, Eugene” and “Set the Controls for the Heart of the Sun”, the distinctive Minimoog solos in “Any Colour You Like” and, more famously, “Shine On You Crazy Diamond” and the jazzy electric piano passages in “Money”, “Time” and “Sheep”. In “A Saucerful of Secrets” and “Sysyphus” he experimented with ‘treated piano’. “Sysyphus” also made extensive use of Mellotron sounds, something of a rarity in the Pink Floyd canon. Wright also used Indian modal scales in “Set the Controls for the Heart of the Sun” and “Matilda Mother”. Although he is not often mentioned among the ‘synthesizer greats’, it is widely acknowledged that Wright’s inventive use of keyboards and synthesizers with Pink Floyd has been pioneering.

Equipment

In the early days of the band, Wright dabbled with brass before settling on the Farfisa organ as his main instrument onstage (in addition to piano and Hammond Organ in the studio). For a brief period in 1969, Wright played vibraphone on several of the band’s songs and in some live shows, and he even played trombone on “Biding My Time” (also dating from this experimental period). During the formative years of Pink Floyd with Syd Barrett, Wright relied heavily on his Farfisa organ, fed through a Binson Echorec platter echo, to achieve distinctive sounds that helped the band gain their “psychedelic rock” edge. He started using a Hammond organ regularly onstage thereafter, and a grand piano later became part of his usual live concert setup when “Echoes” was added to Pink Floyd’s regular set-list. For tours in the 1970s centering around The Dark Side of the Moon, Wish You Were Here, Animals and The Wall, the Farfisa was dropped (although it was brought back when Wright toured with David Gilmour on his On An Island tour), and an array of other instruments were added to the lineup, such as: Fender Rhodes, Wurlitzer and Hohner electric pianos, VCS 3, Minimoog, ARP String Ensemble and Prophet 5 synthesizers. Since 1987 Wright favoured Kurzweil digital synthesisers for reproducing his analogue synthesiser sounds, even though he still used his favourite Hammond C-3 organ. However, the one that he used with Pink Floyd at Live 8 and with David Gilmour was a “chopped” version (being stripped down of unnecessary weight and put into a more compact casing).

Discography

Further information: Pink Floyd discography

Solo albums

* Wet Dream – 15 September 1978
* Broken China – 26 November 1996

Zee albums

* Identity – 9 April 1984

With David Gilmour

* David Gilmour in Concert (DVD) – October, 2002
o Appears on two tracks: “Breakthrough” (Keyboard / Vocals) & “Comfortably Numb (With Bob Geldof)” (Keyboard)
* On an Island – 6 March 2006
o Appears on two tracks: “On an Island” (Hammond organ) & “The Blue” (Keyboards / Vocals)
* Remember That Night (DVD) – September, 2007

With Syd Barrett

* The Madcap Laughs – 3 January 1970
* Barrett – 14 November 1970

2008 – PR reports: Metallica have just released the first single off their upcoming album, Death Magnetic.

The epic track is entitled “The Day That Never Comes” and it’s now available through iTunes and is streaming on the band’s site.

The band recently filmed a video for the track with Danish film director Thomas Vinterberg which will premiere soon. Check out the track which is now streaming on – Metallica.com

1955 – Van Halen bassist Michael Anthony is born in Chicago.

Michael Anthony Sobolewski (born June 20, 1954) is an American musician. He is best known as the former bassist and a founding member of the hard rock band Van Halen. Anthony joined the band in 1974 and was their official recording and performing bassist for most of their career until he was replaced by Wolfgang Van Halen, son of fellow founding member Eddie Van Halen, after the band’s 2004 tour.

Anthony is known for his stage antics, his effects-laden live solos, and his number of custom-made bass guitars including a Jack Daniel’s model shaped like a whiskey bottle. He also has a signature Yamaha bass guitar series. In total, Anthony is known to have in excess of 150 bass guitars. In addition to his musical career with Van Halen and other acts, Anthony markets a line of hot sauces and related products named Mad Anthony.

Anthony has been married to his wife Sue since 1981 and they have two daughters: Taylor (born 1991) and Elisha (born 1985). Anthony now lives in Glendora, California and can be frequently seen driving his prized hot rods.

Biography

Early life (1954–1966)

Anthony was born in Chicago, Illinois, USA to Polish immigrant parents, and was one of five siblings (Nancy, Michael, Steve, Robert and Dennis). He later moved to California where he attended Arcadia High School, graduating in 1972. He developed his interest in music in childhood, playing the trumpet. He became interested in playing mainly rock, blues, and jazz, taking after his father Walter.

Musical career begins (1967–1974)

While Anthony was a promising catcher in baseball, he also competed on the Dana Junior High School track team (long jump) and played in the marching band there from 1967–1969. He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony’s friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing its top two strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony modeled his bass playing after Led Zeppelin’s John Paul Jones mostly, but also admired Jack Bruce of Cream, and Harvey Brooks of Electric Flag. His main interest in life was music once he left high school. His first band was called Poverty’s Children. Other bands he played in included Black Opal, Balls and Snake. Although Anthony is naturally left-handed, he plays right-handed.

Snake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band Mike played in before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played a lot of the same types of gigs as did the Van Halen brothers’ band Mammoth. Snake even opened for Mammoth at a show at Pasadena High School one night. Mammoth’s PA failed that night, so Anthony lent them Snake’s PA.

While attending Pasadena City College, Mike pursued a degree in music. Alex Van Halen took classes there too and they would often see each other on campus. During this time, Mark Stone was kicked out of Mammoth and the Van Halens decided to audition Anthony to be their new bassist. Anthony was impressed by their skill during subsequent jam sessions even though he had seen the brothers play before. After the session, the Van Halen brothers asked Anthony to join the their band. He said he had to think about it and consulted Snake guitarist Tony Codgen who advised Anthony to go ahead with joining Van Halen. However, according to Michael Anthony’s web site, when asked if he wanted to join Van Halen, Anthony immediately said yes, that there was no consulting with anyone.

Van Halen (1974–1996)

Main article: Van Halen

In 1974, Eddie Van Halen, Alex Van Halen along with David Lee Roth and Michael Anthony became known as Van Halen, dropping the name Mammoth because they discovered that another local band was using that moniker. They were signed to Warner Brothers in 1977 and released their self titled debut album on February 8, 1978. Anthony’s bass lines and high vocal harmonies became a distinctive part of the Van Halen sound. The band released a total of ten studio albums from 1978–1995, along with a live album and a compilation CD in 1996 that featured two previously unreleased songs. Despite the Van Halen brothers falling out with both their vocalists frequently (David Lee Roth in 1985, 1996, 2000 and 2001 and Sammy Hagar in both 1996 and 2004), Anthony maintained positive relationships with all of the musicians.

Diminishing role with Van Halen and side projects (1996–2003)

As early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen. Despite claims to the contrary and his continued work with the band, these persisted until his final departure.

Anthony’s involvement in the 1998 album Van Halen III was less than for previous albums. Anthony performed on only three songs; Eddie Van Halen recorded the others. Anthony is credited as a songwriter for the album along with the rest of the band as is always the case for Van Halen albums. Anthony performed with the band for the 1998 tour, and was credited for messages from the band thereafter. He participated in the band’s three reunion attempts with David Lee Roth from 2000 through 2001. Anthony’s name was also credited in a few band newsletters during this time, and he appeared in band interviews. Sometime after this, however, Anthony disappeared from public view until the 2004 reunion.

In interviews, Eddie and Alex Van Halen suggested they were jamming and writing/recording new material during this time period but appeared to be working without Anthony.

Anthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of The Waboritas, Hagar’s band. During 2002′s David Lee Roth/Sammy Hagar tour, both Michael Anthony and ex-Van Halen vocalist Gary Cherone make guest appearances at concerts, sometimes together. Anthony never performed during Roth’s segment however.

In 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the “supergroup” Planet Us and Anthony began making more frequent performances at Sammy Hagar concerts. Planet US recorded two songs, one of which was intended for the Spider-Man soundtrack but ultimately did not make the album. The band did perform the unreleased song Vertigo on the Internet radio show RockLine.

Van Halen reunion (2003–2005)

Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was not to invite Anthony back. Hagar, however, refused to perform if Anthony did not rejoin, and Anthony agreed to play but on a reduced royalties contract. The contract drawn up was for the duration of the tour only, with his role within the band resting in the hands of the Van Halen brothers thereafter. Throughout this time, and during the Van Halen III period, the public was unaware of Anthony’s tenuous status within the band and was led to believe that he was still a full-time member.

In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs. Anthony did not participate in the writing and recording of the new songs and was not credited on the album for the new material.[1]

Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour. He has also speculated that since the brothers were not pleased with Hagar’s commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony’s hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band.[2]

Departure from Van Halen and recent projects (2006–present)

Anthony spent the Summer of 2006 touring as a member of The Other Half during a segment of the Sammy Hagar and the Waboritas tour. The Other Half featured Anthony and Hagar performing classic Van Halen songs from both the Roth and Hagar periods.

On September 8, 2006, Eddie Van Halen announced that his son, Wolfgang, was replacing Michael Anthony as Van Halen’s bass player. On February 2, 2007, it was announced that Van Halen was reuniting for a tour with original vocalist David Lee Roth. The tour began on September 27, 2007. Anthony commented that he heard about his replacement “on the Internet” and stated, “I’m a little miffed that they’re calling it a Van Halen reunion. If I was dead and they needed someone to play, that’s one thing, but to me this is not a reunion.”[3]

Anthony surprised his former bandmate and good friend Sammy Hagar on live national TV on February 25, 2007. During a pre-race performance for the California race on FOX television, the bassist jumped onstage and joined Sammy Hagar during a performance of “I Can’t Drive 55″. Hagar could only respond “Michael Anthony’s in the house.”

Michael Anthony and Sammy Hagar were the only members, former or current, to appear at Van Halen’s induction into the Rock and Roll Hall of Fame on March 12, 2007. Eddie Van Halen was in rehab at the time, and Alex Van Halen and David Lee Roth declined to appear.[4]

Anthony is currently developing a side project called “Chickenfoot” with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani, which will include a yet unnamed studio album release. He has also recently established a band named the Mad Anthony Xpress that will tour with Hagar in 2007 and 2008.

From Wikipedia

1950 – Ann Wilson of Heart is born in San Diego this day in rock history!

Biography

When she was a child, Wilson’s family moved around because her father was a Marine Corps colonel. The family eventually settled in Bellevue, a suburb of Seattle, Washington. Shy due to a stutter, Wilson turned to music, and in the early 1970s she joined a local band, Whiteheart, which, in 1974, changed its name to Heart.

Ann adopted her daughter Marie in 1991 and her son Dustin in 1998. She underwent a weight-loss surgery called Adjustable gastric band in January 2002 after what she calls “a lifelong battle” with her weight.

Recording career

In 1974, Ann’s younger sister Nancy joined Heart. The band moved to Canada, and cut their first album Dreamboat Annie in Vancouver in 1975; it was released in the United States in 1976. In 1977, Little Queen was released. Ann also sang the duet “Almost Paradise” with Mike Reno in the movie Footloose. She also had a hit with “Surrender To Me” in 1989, a duet with Cheap Trick singer Robin Zander, which reached #6 in the U.S.

Ann and Nancy started a recording studio, Bad Animals, in Seattle in the mid-1990s. They formed a side band, The Lovemongers, which performed Battle of Evermore on the soundtrack to brother-in-law Cameron Crowe’s 1992 movie Singles, and later released a four-song EP. The Lovemongers’ debut album Whirlygig was released in 1997.

Solo career

In 2006, Ann began recording her first solo album, Hope & Glory, produced by Ben Mink, and released by the Rounder (Zoe) Music Group on September 11, 2007. Hope & Glory features guest appearances from Elton John, k.d. lang, Alison Krauss, Gretchen Wilson, Shawn Colvin, Rufus Wainwright, Wynonna Judd and Deana Carter. Ann’s sister, Nancy, also contributed.

The Hope & Glory version of Led Zeppelin’s “Immigrant Song” is available on Ann’s Official My Space page, and charted as “the #9 most podcasted song of 2007″ on the PMC Top10′s annual countdown.

In June 2007 she sang with the group Sed Nove and Ian Gillan in the Festival of Music in Paris.