2008 – GUNS N’ ROSES: ‘Chinese Democracy’ Track Listing Slightly Revised – Oct. 17, 2008
A slightly revised track listing for the new GUNS N’ ROSES album, “Chinese Democracy”, has now been posted at BestBuy.com, which will exclusively carry the album in the U.S. starting on November 23. A pre-order page for the long-delayed release was posted at the site on Wednesday (October 15), although the pre-order option was later taken off. The page lists 14 song titles for the record, 11 of which have either been played live or leaked online over the past few years. The Pulse of Radio reports that one of those, “Street of Dreams”, was previously known as “The Blues”, while three titles, “Scraped”, “Sorry” and “Prostitute”, have not been heard anywhere.
According to Billboard.com, sources who have heard the album say that it opens with a “blood-curdling Axl Rose scream.”
Two different covers will apparently be available, along with CD and vinyl versions. What appears to be one of the covers has been posted at the Best Buy site, showing what seems to be a bicycle with a basket perched on it.
There has still not been an official announcement regarding the November 23 arrival date for the record.
“Chinese Democracy” has been in the works since the mid-’90s, with speculation and mystery surrounding the album’s 13-year journey, ever-changing roster of players and spiraling recording costs.
Revised “Chinese Democracy” track listing:
01. Chinese Democracy
02. Shackler’s Revenge
03. Better
04. Street Of Dreams
05. If The World
06. There Was A Time
07. Catcher N’ The Rye
08. Scraped
09. Riad N’ The Bedouins
10. Sorry
11. I.R.S.
12. Madagascar
13. This I Love
14. Prostitute
2008 – With the Chicago Cubs two wins (or Milwaukee Brewers losses) away from clinching a playoff spot, Pearl Jam’s Eddie Vedder has penned a song in honor of the baseball team.
“All The Way,” which Vedder performed last month at a solo show in Chicago, has already popped up in Chicago sports bars and radio stations, with a download coming “in the next few days,” according to the Pearl Jam site. The song features lyrics like “Our heroes wear pinstripes / pinstripes in blue / give us a chance to feel like heroes too” and “We are one with the Cubs / with the Cubs we’re in love / we are not fair-weather but foul-weather fans.” We’re disappointed Vedder couldn’t find a rhyme for “Kosuke Fukudome.”
Cubs great Ernie Banks reportedly asked Vedder to write the song as the Cubbies attempt to win their first World Series since 1908. Meanwhile, us Mets fans still have songs like this.
1955 – Van Halen bassist Michael Anthony is born in Chicago.
Michael Anthony Sobolewski (born June 20, 1954) is an American musician. He is best known as the former bassist and a founding member of the hard rock band Van Halen. Anthony joined the band in 1974 and was their official recording and performing bassist for most of their career until he was replaced by Wolfgang Van Halen, son of fellow founding member Eddie Van Halen, after the band’s 2004 tour.
Anthony is known for his stage antics, his effects-laden live solos, and his number of custom-made bass guitars including a Jack Daniel’s model shaped like a whiskey bottle. He also has a signature Yamaha bass guitar series. In total, Anthony is known to have in excess of 150 bass guitars. In addition to his musical career with Van Halen and other acts, Anthony markets a line of hot sauces and related products named Mad Anthony.
Anthony has been married to his wife Sue since 1981 and they have two daughters: Taylor (born 1991) and Elisha (born 1985). Anthony now lives in Glendora, California and can be frequently seen driving his prized hot rods.
Biography
Early life (1954–1966)
Anthony was born in Chicago, Illinois, USA to Polish immigrant parents, and was one of five siblings (Nancy, Michael, Steve, Robert and Dennis). He later moved to California where he attended Arcadia High School, graduating in 1972. He developed his interest in music in childhood, playing the trumpet. He became interested in playing mainly rock, blues, and jazz, taking after his father Walter.
Musical career begins (1967–1974)
While Anthony was a promising catcher in baseball, he also competed on the Dana Junior High School track team (long jump) and played in the marching band there from 1967–1969. He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony’s friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing its top two strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony modeled his bass playing after Led Zeppelin’s John Paul Jones mostly, but also admired Jack Bruce of Cream, and Harvey Brooks of Electric Flag. His main interest in life was music once he left high school. His first band was called Poverty’s Children. Other bands he played in included Black Opal, Balls and Snake. Although Anthony is naturally left-handed, he plays right-handed.
Snake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band Mike played in before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played a lot of the same types of gigs as did the Van Halen brothers’ band Mammoth. Snake even opened for Mammoth at a show at Pasadena High School one night. Mammoth’s PA failed that night, so Anthony lent them Snake’s PA.
While attending Pasadena City College, Mike pursued a degree in music. Alex Van Halen took classes there too and they would often see each other on campus. During this time, Mark Stone was kicked out of Mammoth and the Van Halens decided to audition Anthony to be their new bassist. Anthony was impressed by their skill during subsequent jam sessions even though he had seen the brothers play before. After the session, the Van Halen brothers asked Anthony to join the their band. He said he had to think about it and consulted Snake guitarist Tony Codgen who advised Anthony to go ahead with joining Van Halen. However, according to Michael Anthony’s web site, when asked if he wanted to join Van Halen, Anthony immediately said yes, that there was no consulting with anyone.
Van Halen (1974–1996)
Main article: Van Halen
In 1974, Eddie Van Halen, Alex Van Halen along with David Lee Roth and Michael Anthony became known as Van Halen, dropping the name Mammoth because they discovered that another local band was using that moniker. They were signed to Warner Brothers in 1977 and released their self titled debut album on February 8, 1978. Anthony’s bass lines and high vocal harmonies became a distinctive part of the Van Halen sound. The band released a total of ten studio albums from 1978–1995, along with a live album and a compilation CD in 1996 that featured two previously unreleased songs. Despite the Van Halen brothers falling out with both their vocalists frequently (David Lee Roth in 1985, 1996, 2000 and 2001 and Sammy Hagar in both 1996 and 2004), Anthony maintained positive relationships with all of the musicians.
Diminishing role with Van Halen and side projects (1996–2003)
As early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen. Despite claims to the contrary and his continued work with the band, these persisted until his final departure.
Anthony’s involvement in the 1998 album Van Halen III was less than for previous albums. Anthony performed on only three songs; Eddie Van Halen recorded the others. Anthony is credited as a songwriter for the album along with the rest of the band as is always the case for Van Halen albums. Anthony performed with the band for the 1998 tour, and was credited for messages from the band thereafter. He participated in the band’s three reunion attempts with David Lee Roth from 2000 through 2001. Anthony’s name was also credited in a few band newsletters during this time, and he appeared in band interviews. Sometime after this, however, Anthony disappeared from public view until the 2004 reunion.
In interviews, Eddie and Alex Van Halen suggested they were jamming and writing/recording new material during this time period but appeared to be working without Anthony.
Anthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of The Waboritas, Hagar’s band. During 2002′s David Lee Roth/Sammy Hagar tour, both Michael Anthony and ex-Van Halen vocalist Gary Cherone make guest appearances at concerts, sometimes together. Anthony never performed during Roth’s segment however.
In 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the “supergroup” Planet Us and Anthony began making more frequent performances at Sammy Hagar concerts. Planet US recorded two songs, one of which was intended for the Spider-Man soundtrack but ultimately did not make the album. The band did perform the unreleased song Vertigo on the Internet radio show RockLine.
Van Halen reunion (2003–2005)
Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was not to invite Anthony back. Hagar, however, refused to perform if Anthony did not rejoin, and Anthony agreed to play but on a reduced royalties contract. The contract drawn up was for the duration of the tour only, with his role within the band resting in the hands of the Van Halen brothers thereafter. Throughout this time, and during the Van Halen III period, the public was unaware of Anthony’s tenuous status within the band and was led to believe that he was still a full-time member.
In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs. Anthony did not participate in the writing and recording of the new songs and was not credited on the album for the new material.[1]
Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour. He has also speculated that since the brothers were not pleased with Hagar’s commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony’s hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band.[2]
Departure from Van Halen and recent projects (2006–present)
Anthony spent the Summer of 2006 touring as a member of The Other Half during a segment of the Sammy Hagar and the Waboritas tour. The Other Half featured Anthony and Hagar performing classic Van Halen songs from both the Roth and Hagar periods.
On September 8, 2006, Eddie Van Halen announced that his son, Wolfgang, was replacing Michael Anthony as Van Halen’s bass player. On February 2, 2007, it was announced that Van Halen was reuniting for a tour with original vocalist David Lee Roth. The tour began on September 27, 2007. Anthony commented that he heard about his replacement “on the Internet” and stated, “I’m a little miffed that they’re calling it a Van Halen reunion. If I was dead and they needed someone to play, that’s one thing, but to me this is not a reunion.”[3]
Anthony surprised his former bandmate and good friend Sammy Hagar on live national TV on February 25, 2007. During a pre-race performance for the California race on FOX television, the bassist jumped onstage and joined Sammy Hagar during a performance of “I Can’t Drive 55″. Hagar could only respond “Michael Anthony’s in the house.”
Michael Anthony and Sammy Hagar were the only members, former or current, to appear at Van Halen’s induction into the Rock and Roll Hall of Fame on March 12, 2007. Eddie Van Halen was in rehab at the time, and Alex Van Halen and David Lee Roth declined to appear.[4]
Anthony is currently developing a side project called “Chickenfoot” with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani, which will include a yet unnamed studio album release. He has also recently established a band named the Mad Anthony Xpress that will tour with Hagar in 2007 and 2008.
1960 – Steve Vai: Widdlywiddlywiddlywiddlywiddlywiddlywiddly-SCREECH! Yes, it’s happy birthday to Steve Vai, born today in Long Island, N.Y. this day in rock Guitar God History!
Steven “Steve” Siro Vai (born June 6, 1960 in Carle Place, New York) is an American instrumental rock guitarist, songwriter, vocalist and producer.
After starting his professional career as a music transcriptionist for Frank Zappa, Vai would also record and tour in Zappa’s backing band starting in 1980. The guitarist began a solo career starting in 1984 and has released 13 solo albums as of 2008. Apart from his work with Frank Zappa, Vai has also recorded and toured with numerous musical artists including Alcatrazz, David Lee Roth and Whitesnake. Vai has been a regular touring member of the G3 Concert Tour which began in 1996. In 1999 Vai started his own record label Favored Nations with the intent to showcase, as Vai describes: “…artists that have attained the highest performance level on their chosen instruments.”.
Career
1970s and 1980s
In 1974, Vai took guitar lessons from guitarist Joe Satriani, and played in numerous local bands. He has acknowledged the influence of many guitarists including Jeff Beck and fusion guitarist Allan Holdsworth. Vai then attended the Berklee College of Music.
Vai mailed Frank Zappa a transcription of Zappa’s “The Black Page”, an instrumental song written for drums, along with a tape with some of Vai’s guitar playing. Zappa was so impressed with the abilities of the young musician that he hired him in 1979 to do work transcribing several of his guitar solos, including many of those appearing on the Joe’s Garage album and the Shut Up ‘n’ Play Yer Guitar series. These transcriptions were published in 1982 in The Frank Zappa Guitar Book.
Subsequent to being hired as a transcriber, Vai did overdubs on many of the guitar parts for Zappa’s album You Are What You Is. Thereafter he became a full-fledged band member, going on his first tour with Zappa in the Autumn of 1980. One of those early shows with Vai on guitar, recorded in Buffalo was released in 2007. While touring with Zappa’s band, Vai would sometimes ask audience members to bring musical scores and see if he could sight-read them on the spot. Zappa referred to Vai as his “little Italian virtuoso” and was listed in liner notes as “stunt guitar” or “impossible guitar parts”. He would later be a featured artist on the 1993 recording, Zappa’s Universe. In 2006 he returned to playing Zappa music as a special guest on Dweezil Zappa’s ‘Zappa Plays Zappa’ tour.
After leaving Zappa in 1982 he moved to California where he recorded his first album Flex-Able and performed in a couple of bands. In 1985 he replaced Yngwie Malmsteen as lead guitarist in Graham Bonnet’s Alcatrazz with whom he recorded the album Disturbing the Peace. Later in 1985 he joined former Van Halen front man David Lee Roth’s group to record the albums Eat ‘Em and Smile and Skyscraper. This significantly increased Vai’s visibility to general rock audiences, since Roth was in a highly public battle with the Van Halen members and Vai was favorably compared by many commentators to Eddie Van Halen.
In 1986 Vai also surprised everyone by playing with ex-Sex Pistols John Lydon’s Public Image Ltd on their album Album (also known as Compact Disc or Cassette). Then in 1989 Vai stepped into guitarist Adrian Vandenberg’s shoes to record with British rock-group Whitesnake after Vandenberg injured his wrist shortly before recording was due to begin for the album Slip of the Tongue. Vai also played on the Alice Cooper album Hey Stoopid along with Joe Satriani on the song Feed my Frankenstein.
1990s and 2000s
Vai continues to tour regularly, both with his own group and with his one-time teacher and fellow guitar instrumentalist friend Joe Satriani on the G3 series of tours. Former David Lee Roth and Mr. Big bassist Billy Sheehan also joined him for a world tour. In 1990 Vai released his critically acclaimed solo album Passion and Warfare. The song For the Love of God was voted #29 in a readers’ poll of the 100 greatest guitar solos of all time for the magazine Guitar World.
In 1994 Vai began writing and recording with Ozzy Osbourne. Only one track from these sessions—”My Little Man”—was released on the Ozzmosis album. Despite Vai penning the track he does not appear on the album. His guitar parts were replaced by Zakk Wylde. Vai’s band members throughout the 1990s included drummer Mike Mangini, guitarist Mike Keneally and bassist Philip Bynoe. In 1994 Vai received a Grammy Award for his performance on the Frank Zappa song Sofa from the album Zappa’s Universe.
Vai playing a twin-necked IbanezIn July 2002, Steve Vai performed with the Tokyo Metropolitan Symphony Orchestra at the Suntory Hall in Tokyo, Japan, in the world premiere of composer Ichiro Nodaira’s Fire Strings, a concerto for electric guitar and 100-piece orchestra. In 2004, a number of his compositions for orchestra, as well as orchestra arrangements of previously recorded pieces, were performed in The Netherlands by the Metropole Orchestra in a concert series entitled The Aching Hunger. In 2003, drummer Jeremy Colson joined Vai’s group replacing previous drummer Virgil Donati. Vai’s latest album, Sound Theories, was released in 2007.
Steve Vai released a DVD of his performance at The Astoria in London in December 2001, featuring the lineup of bassist Billy Sheehan, guitarist/pianist Tony MacAlpine, guitarist Dave Weiner and drummer Virgil Donati.
In 2004, Steve Vai was featured on Xbox’s Halo 2 Volume 1 soundtrack, performing a heavy rock-guitar rendition of the Halo theme, known as Halo Theme (Mjolnir Mix). He also performed on the track Never Surrender. He later featured in the second volume of the soundtrack, where he performed on the track Reclaimer.
In February 2005, Vai premiered a dual-guitar (electric and classical) piece that he wrote called The Blossom Suite with classical guitarist Sharon Isbin at the Châtelet Theatre in Paris. In 2006, Vai played as a “special guest” guitarist alongside additional guest Zappa band members, drummer Terry Bozzio and saxophonist-singer Napoleon Murphy Brock in the Zappa Plays Zappa tour led by Frank’s son Dweezil Zappa in Europe and the U.S. in the Spring as well as a short U.S. tour in October.
On September 21 2006, Vai made a special appearance at the Video Games Live concert at the Hollywood Bowl in Hollywood, California. He played two songs with the Hollywood Bowl Orchestra. One song being the Halo Theme, the second was for the world premier trailer for Halo 3.
Steve Vai made an appearance at the London Guitar Show 2007 on the 28th April 2007 at the ExCeL Center by doing a masterclass. In late April 2007, Vai confirmed the release of his next record, called Sound Theories, on June 26. The release will be a 2-CD set consisting mostly of previously released material that Vai rearranged and played in front of a full orchestra. Vai says that the project was a great joy because he considers himself to be a composer more than a guitarist, and he is happy to see music he has composed played by an orchestra that can play it well. A DVD will eventually accompany the record but will be released in August. He makes a guest appearance on the most recent Dream Theater album, Systematic Chaos, on the song “Repentance”. However, this appearance is vocal rather than instrumental, as Vai is one of many musical guests recorded apologizing to important people in their lives for wrongdoings committed in their pasts.
Vai is set to release a DVD of his show dated 19 September 2007 at the Minneapolis State Theater from his 2007 Tour.
Movies
Steve Vai’s music has been featured in a number of feature films, including Dudes and Ghosts of Mars. He appeared onscreen in the 1986 Ralph Macchio movie Crossroads, playing the demonically-inspired Jack Butler. At the film’s climax, Vai engages in a guitar duel with Macchio, whose guitar parts were dubbed by Vai and also Ry Cooder, who played the initial slide work in the duel and Macchio’s earlier performances in the film. The fast-paced neo-classical track entitled Eugene’s Trick Bag with which Macchio wins the competition was also composed by Vai. The body of the piece was heavily based on Paganini’s Caprice #5. He later borrowed the opening riff from the track Head Cuttin’ Duel for a song called Bad Horsie from his 1995 EP Alien Love Secrets. Later the Crossroads duel reappeared on the 2002 album The Elusive Light and Sound, volume 1.
In 1991′s Bill & Ted’s Bogus Journey the introductory riff to KISS’ God Gave Rock ‘N Roll To You II, as performed by the Wyld Stallyns in the Battle of the Bands was performed by Vai. He also composed and performed the soundtrack to PCU (1994), and made contributions in 2001 to the score for John Carpenter’s Ghosts of Mars, performing on the tracks Ghosts of Mars and Ghost Poppin. His track Drive the Hell Out Of Here can be heard during 1992′s Encino Man in the scene where Brendan Fraser is taking a driving lesson.
Musical style
This section may contain original research or unverified claims.
Please improve the article by adding references. See the talk page for details. (March 2008)
Vai performing in 2001Vai is widely recognized as a technically highly advanced rock guitarist and has been described as a virtuoso in the world of guitar music . He has mastered many performance techniques on the instrument including legato, pinch harmonics and volume swells, and is noted for his whammy bar effects and sporadic outbursts on the instrument often contrasting sweep-picking or finger tapping with slower sections to his compositions. His 1990 album Passion and Warfare and the ballad For the Love of God in particular received a significant amount of press and are often cited by critics and fans alike as amongst his best work to date .
Vai’s playing style has been characterized as quirky and angular, owing to his technical facility with the instrument and deep knowledge of music theory. Vai was the first to use the 7-string guitar in a rock context – having designed the 7-string electric guitar, and has used double and triple neck guitars on many occasions.
Equipment
Vai is an accomplished studio producer (he owns two: “The Mothership” and “The Harmony Hut” ) and his own recordings combine his signature guitar prowess with novel compositions and considerable use of studio and recording effects, such as the Eventide H3000 ultra harmonizer and Digidesign’s Pro Tools HD recording system and plug-in effects architecture.
Vai also helped design his signature Ibanez JEM series of guitars. They feature a hand grip (fondly referred to as a “monkey grip”) cut into the top of the body of the guitar, a humbucker-single coil-humbucker DiMarzio pickup configuration with several different types of pickup including Evolution, Breed and EVO 2. He also uses Floyd Rose locking tremolo system, as well as an elaborate and extensive “Vine of Life” inlay down the neck. Vai also equips many of his guitars with an Ibanez Backstop, a tremolo stabilizer that has been discontinued. Vai also has a 7-string model designed by him named Ibanez Universe. The Universe later influenced the 7-string guitars used by Korn and other bands to create nu metal sounds in the late 1990s. He also has a signature Ibanez acoustic, the Euphoria. Before he used Ibanez, he briefly endorsed Jackson guitars, but this relationship would only last for two years.
Steve Vai has also worked with Carvin Guitars and Pro Audio to develop the Carvin Legacy line of guitar amplifiers. Vai wanted to create an amp that was unique and equal in sound, versatility, and affordability to any guitar amp he had previously used. Over his long musical career, Steve Vai has used and designed an array of guitars. He even had his DNA put into the swirl paint job on one of his signature JEM guitars, the JEM2KDNA, in the form of his blood. Only 300 of these were ever made. Nowadays he mainly uses his white “Evo”, a JEM7V, and his “Flo”, which is a customized Floral Jem 777FP painted white. They are both inscribed with their names in two places, mainly in order to allow him to distinguish between the guitars he uses onstage. “Flo” is equipped with a Fernandes sustainer system.
He also has a guitar named “Mojo” in which the dot inlays are blue LED lights. Additionally, he has a custom-made triple-neck guitar that has the same basic features as his JEM7V guitars. The top neck is a 12-string guitar, the middle is a 6-string, and the bottom is a 6-string fretless guitar with a Fernandes Sustainer pickup. This guitar was featured on the G3 2003 tour on the piece I Know You’re Here. Vai’s effects pedals include a modified Boss DS-1, Ibanez Tube Screamer, Morley Bad Horsie, TC Electronics G-System, Morley Little Alligator Volume pedal, Digitech Whammy, and an MXR Phase 90. His flight cases are labeled “Mr. Vai”, or latterly, “Dr. Vai”. He used a number of rack effects units controlled via MIDI, but used a floor-based TC electronics G system instead for the Zappa Plays Zappa tour. Vai also has a signature pedal in the works with Ibanez called the “Jemini” pedal (see external links for a picture). This pedal is expected to be released at Winter NAMM 2008.
Philanthropy
In 2005, Vai signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and free lessons to children in public schools throughout the U.S.A. He sits on its board of directors as an honorary member.
Favored Nations
Vai owns Favored Nations, a recording and publishing company that specializes in internationally procuring and maintaining recording artists. Favored Nations is separated into three sections, ‘Favored Nations’, ‘Favored Nations Acoustic’ and ‘Favored Nations Cool (Jazz style)’
Artists who the Favored Nations label works or has worked with include Eric Johnson, Steve Lukather, Neal Schon, Yngwie Malmsteen, Mattias IA Eklundh, Tommy Emmanuel, Vernon Reid, The Yardbirds, Larry Coryell, Mimi Fox, Eric Sardinas, Dweezil Zappa, Dave Weiner and Johnny A.
Personal life
Vai is married to Pia Maiocco, former bass player of Vixen, who can be seen in Hardbodies. Vai and Maiocco have two children, Julian Angel and Fire. In his spare time Vai enjoys keeping bees, which regularly produce a crop of honey that Vai sells for his Make a Noise Foundation.
Band History – not including guest appearances
Frank Zappa (1980-1982)
Steve Vai (1982-1984)
Alcatrazz (1985)
David Lee Roth (1985-1986)
Public Image Ltd. (1985-1986)
Frank Zappa (1986)
David Lee Roth (1987-1988)
Whitesnake (1988-1990)
Solo (1989-present)
Ozzy Osbourne (1995)
Current band members
Steve Vai – vocals, lead guitar
Dave Weiner – rhythm guitar
Ann Marie Calhoun – Fiddle, keyboard
Brian Beller – bass guitar
Jeremy Colson – drums, percussion
Alex Depue- Violin
Discography
Solo albums
Flex-Able (1984)
Flex-Able Leftovers (1984)
Passion and Warfare (1990)
Sex & Religion (1993)
Alien Love Secrets (1995)
Fire Garden (1996)
The Ultra Zone (1999)
The 7th Song (2000)
Alive in an Ultra World (2001)
The Elusive Light and Sound, volume 1 (2002)
The Infinite Steve Vai: An Anthology (2003)
Real Illusions: Reflections (2005)
Sound Theories (2007)
Appearances on Zappa albums
Year Album Credit
1981 Tinseltown Rebellion Rhythm guitar, vocals
1981 Shut Up ‘n Play Yer Guitar Rhythm guitar
1981 You Are What You Is Strat abuse
1982 Ship Arriving Too Late to Save a Drowning Witch Guitar parts
1983 The Man from Utopia Guitar parts
1984 Them or Us Guitar
1984 Thing-Fish Guitar, vocals
1985 Frank Zappa Meets the Mothers of Prevention Guitar
1987 Jazz from Hell Guitar
1988 Guitar Stunt guitar
1988 You Can’t Do That on Stage Anymore Sampler Stunt guitar
1988 You Can’t Do That on Stage Anymore, Vol. 1 Stunt guitar
1989 You Can’t Do That on Stage Anymore, Vol. 3 Stunt guitar
1991 You Can’t Do That on Stage Anymore, Vol. 4 Stunt guitar, vocals
1991 Beat the Boots I: As An Am Stunt guitar
1992 You Can’t Do That on Stage Anymore, Vol. 5 Stunt guitar
1992 You Can’t Do That on Stage Anymore, Vol. 6 Stunt guitar
1995 Strictly Commercial Guitar
1997 Have I Offended Someone? Guitar
1998 Cheap Thrills Guitar
1999 Son of Cheep Thrills Guitar, vocals
With other artists
Year Artist Album
1983 Lisa Popeil Lisa Popeil
1985 Heresy At The Door
1985 Alcatrazz Disturbing the Peace
1985 Public Image Ltd. Album
1986 Bob Harris The Great Nostalgia
1986 Shankar & Caroline The Epidemics
1986 David Lee Roth Eat ‘Em and Smile / Sonrisa Salvaje
1986 Randy Coven Funk Me Tender
1986 Western Vacation Western Vacation
1988 David Lee Roth Skyscraper
1989 Whitesnake Slip of the Tongue
1990 Rebecca The Best of Dreams
1991 Alice Cooper Hey Stoopid
1994 Whitesnake Whitesnake’s Greatest Hits
1995 Ozzy Osbourne Ozzmosis (cowriter on one song)
1996 Wild Style Cryin’
1997 Munetaka Higuchi with Dream Castle Free World
1997 Joe Satriani / Eric Johnson / Steve Vai G3: Live in Concert
1997 David Lee Roth The Best
1998 Gregg Bissonette Gregg Bissonette
1998 Al Di Meola The Infinite Desire
1999 Joe Jackson Symphony No. 1
2000 Whitesnake The Back to Black Collection
2000 Gregg Bissonette Submarine
2000 Thana Harris Thanatopsis
2000 Andrew Dice Clay Face Down, Ass Up
2001 Robin DiMaggio Blue Planet
2001 Billy Sheehan Compression
2002 Tak Matsumoto Hana
2003 Surinder Sandhu Saurang Orchestra
2002 Girls Together Outrageously (G.T.O) Solo in their cover version of “I’ll Be Around”
2003 Eric Sardinas Black Pearls
2003 Steve Lukather & Friends SantaMental
2003 Hughes Turner Project HTP 2
2003 Shankar & Gingger One in a Million
2003 Yardbirds Birdland
2004 Joe Satriani, Steve Vai, Yngwie Malmsteen G3: Live – Rockin’ In The Free World
2004 Motörhead Inferno
2004 Bob Carpenter The Sun, The Moon, The Stars
2004 Mike Keneally Vai: Piano Reductions, Vol. 1
2005 John 5 Songs for Sanity
2005 Dave Weiner Live at Astoria DVD
2005 Joe Satriani, Steve Vai, John Petrucci G3: Live in Tokyo
2006 The Devin Townsend Band Synchestra
2006 Marty Friedman Loudspeaker
2006 Meat Loaf Bat out of Hell III: The Monster Is Loose
2007 Aki Rahimovski U vremenu izgubljenih
2007 Dream Theater (spoken voice only) Systematic Chaos
2007 Eros Ramazzotti e²
Soundtracks
Year Soundtrack Type
1986 Crossroads Original Motion Picture Soundtrack
1987 Dudes Original Motion Picture Soundtrack
1991 Bill & Ted’s Bogus Journey Original Motion Picture Soundtrack
1992 Encino Man Original Motion Picture Soundtrack
1994 PCU Original Motion Picture Soundtrack
1997 Formula 1 Original Video Game Soundtrack
2001 Ghosts of Mars Original Motion Picture Soundtrack
2004 Halo 2 Soundtrack Volume 1 Original Video Game Soundtrack
2006 Halo 2 Soundtrack Volume 2 Original Video Game Soundtrack
Compilations
Year Artists Compilation
1989 Various Guitar’s Practicing Musicians
1993 Various Zappa’s Universe
1995 Various In From The Storm
1996 Various Songs of West Side Story
1997 Various A Guitar Christmas
1997 Various Angelica
1999 Various Radio Disney Kid Jams
2001 Various Roland Guitar Masters
2002 Various Guitars For Freedom
2002 Various Warmth In The Wilderness Vol. II – A Tribute to Jason Becker
2004 Various Halo 2 Original Soundtrack
2006 Various Monsters of Rock
Awards and Nominations
Grammy Winner
1994 Best Rock Instrumental Performance “Sofa” from Zappa’s Universe
2001 Best Pop Instrumental No Substitutions [Steve Vai Producer/Engineer]
Grammy Nomination
1990 Best Rock Instrumental Album Passion & Warfare
1995 Best Rock Instrumental Performance “Tender Surrender” – from Alien Love Secrets
1997 Best Rock Instrumental Performance “For the Love of God” – from G3 Live in Concert
1999 Best Rock Instrumental Performance “Windows to the Soul” – from The Ultra Zone
2001 Best Rock Instrumental Performance “Whispering a Prayer” – from Alive in an Ultra World
2006 Best Rock Instrumental Performance “Lotus Feet” — lost to Les Paul & Friends’s “69 Freedom Special”
2008 Best Rock Instrumental Performance “The Attitude Song” — lost to Bruce Springsteen’s “Once Upon a Time in the West”
Guitar Player Magazine
1995 Gallery of Greats
1995 Best Rock Guitarist (Tie with Jimmy Page)
1995 Best Overall Guitarist 3rd Place
1995 Best Experimental Guitarist (Tie with Buckethead)
1995 Best Metal Recording 3rd Place
1995 Best Overall Guitar Recording 2nd Place
1995 Best Metal Guitarist 3rd Place
1990 Best Rock Guitarist
1990 Best Overall Guitarist
1990 Best Guitar Album
1990 Best Metal Guitarist
1989 Best Rock Guitarist
1988 Best Rock Guitarist
1987 Best Rock Guitarist
1987 Best Overall Guitarist
1986 Best Rock Guitarist
Guitar World
1990 Most Valued Player (tie with Stevie Ray Vaughan)
1990 Best Album
1990 Best Rock Guitarist
1990 Best Guitar Solo (For the Love of God)
1989 Best Rock Guitarist
International Music Awared Nomination
1990 Best Guitarist
Select Magazine (UK)
1990 Best Album (Passion and Warfare)
1990 Best Musician
1990 Sexiest Male
Guitar for the Practicing Musician
1993 Editor’s Choice Award
1990 Reader’s Choice – Guitar Album of the Year
1990 Best Instrumental Guitarist of the Year
1988 Rock Guitarist of the Year
1987 Hall of Fame
1986 Guitar in the 90’s Award
Kerrang (UK)
1993 Best Hard Rock Performance
1990 Guitarist of the Year
1989 Best Rock Guitarist
Young Guitar (Japan)
1997 Best Rock Guitarist
1991 Best Rock Guitarist
Rock Brigade
1996 Best Guitarist
1997 Best Guitarist
RAW
990 Best Selling Album (No. 10)
1990 Best Selling LP Sleeve (No. 1)
1990 Best Selling Promo Video (No. 5, I Would Love To)
1990 Best Selling Promo Video (No. 7, The Audience is Listening)
1990 Best Sex Object (No. 6)
1990 Best RAW Cover (No. 3)
Player
1995 Best Hard Rock Guitarist – 2nd Place
Making Music
1990 Best Album
1990 Best Guitarist
1990 Best Musician
Metal Hammer
1990 Best Guitarist (Reader’s Poll)
California Music Awards
2001 Outstanding Guitarist (nominee)
JACKSONVILLE, Fla. – Bo Diddley, a founding father of rock ’n’ roll whose distinctive “shave and a haircut, two bits” rhythm and innovative guitar effects inspired legions of other musicians, died Monday after months of ill health. He was 79.
Diddley died of heart failure at his home in Archer, Fla., spokeswoman Susan Clary said. He had suffered a heart attack in August, three months after suffering a stroke while touring in Iowa. Doctors said the stroke affected his ability to speak, and he had returned to Florida to continue rehabilitation.
The legendary singer and performer, known for his homemade square guitar, dark glasses and black hat, was an inductee into the Rock and Roll Hall of Fame, had a star on Hollywood’s Walk of Fame, and received a lifetime achievement award in 1999 at the Grammy Awards. In recent years he also played for the elder President Bush and President Clinton.
Diddley appreciated the honors he received, “but it didn’t put no figures in my checkbook.”
“If you ain’t got no money, ain’t nobody calls you honey,” he quipped.
Introducing Bo
The name Bo Diddley came from other youngsters when he was growing up in Chicago, he said in a 1999 interview.
“I don’t know where the kids got it, but the kids in grammar school gave me that name,” he said, adding that he liked it so it became his stage name. Other times, he gave somewhat differing stories on where he got the name. Some experts believe a possible source for the name is a one-string instrument used in traditional blues music called a diddley bow.
His first single, “Bo Diddley,” introduced record buyers in 1955 to his signature rhythm: bomp ba-bomp bomp, bomp bomp, often summarized as “shave and a haircut, two bits.” The B side, “I’m a Man,” with its slightly humorous take on macho pride, also became a rock standard.
The company that issued his early songs was Chess-Checkers records, the storied Chicago-based labels that also recorded Chuck Berry and other stars.
Howard Kramer, assistant curator of the Rock and Roll Hall of Fame in Cleveland, said in 2006 that Diddley’s Chess recordings “stand among the best singular recordings of the 20th century.”
Diddley’s other major songs included, “Say Man,” “You Can’t Judge a Book by Its Cover,” “Shave and a Haircut,” “Uncle John,” “Who Do You Love?” and “The Mule.”
Spreading influence
Diddley’s influence was felt on both sides of the Atlantic. Buddy Holly borrowed the bomp ba-bomp bomp, bomp bomp rhythm for his song “Not Fade Away.”
The Rolling Stones’ bluesy remake of that Holly song gave them their first chart single in the United States, in 1964. The following year, another British band, the Yardbirds, had a Top 20 hit in the U.S. with their version of “I’m a Man.”
Diddley was also one of the pioneers of the electric guitar, adding reverb and tremelo effects. He even rigged some of his guitars himself.
“He treats it like it was a drum, very rhythmic,” E. Michael Harrington, professor of music theory and composition at Belmont University in Nashville, Tenn., said in 2006.
Many other artists, including the Who, Bruce Springsteen and Elvis Costello copied aspects of Diddley’s style.
Growing up, Diddley said he had no musical idols, and he wasn’t entirely pleased that others drew on his innovations.
“I don’t like to copy anybody. Everybody tries to do what I do, update it,” he said. “I don’t have any idols I copied after.”
“They copied everything I did, upgraded it, messed it up. It seems to me that nobody can come up with their own thing, they have to put a little bit of Bo Diddley there,” he said.
‘I never got paid’
Despite his success, Diddley claimed he only received a small portion of the money he made during his career. Partly as a result, he continued to tour and record music until his stroke. Between tours, he made his home near Gainesville in north Florida.
“Seventy ain’t nothing but a damn number,” he told The Associated Press in 1999. “I’m writing and creating new stuff and putting together new different things. Trying to stay out there and roll with the punches. I ain’t quit yet.”
Diddley, like other artists of his generations, was paid a flat fee for his recordings and said he received no royalty payments on record sales. He also said he was never paid for many of his performances.
“I am owed. I’ve never got paid,” he said. “A dude with a pencil is worse than a cat with a machine gun.”
In the early 1950s, Diddley said, disc jockeys called his type of music, “Jungle Music.” It was Cleveland disc jockey Alan Freed who is credited with inventing the term “rock ’n’ roll.”
Diddley said Freed was talking about him, when he introduced him, saying, “Here is a man with an original sound, who is going to rock and roll you right out of your seat.”
Diddley won attention from a new generation in 1989 when he took part in the “Bo Knows” ad campaign for Nike, built around football and baseball star Bo Jackson. Commenting on Jackson’s guitar skills, Diddley turned to the camera and said, “He don’t know Diddley.”
“I never could figure out what it had to do with shoes, but it worked,” Diddley said. “I got into a lot of new front rooms on the tube.”
Tuesday, August 28, 2007; 5:15 PM
GAINESVILLE, Fla. — Bo Diddley was in stable condition at a Gainesville hospital after suffering a heart attack, his publicist said Tuesday.
The 78-year-old singer-guitarist complained of dizziness and nausea during a routine medical checkup with his physician on Friday, said publicist Susan Clary.
Bo Diddley, 78, listens as he is honored with the Lifetime Achievement Award at The Governor’s Awards for Excellence in the Arts at a ceremony on Feb. 16, 2007, in Jackson, Miss. The 78-year-old singer-guitarist was hospitalized in stable condition after suffering a heart attack, his publicist said Tuesday, Aug. 28, 2007.
She said Diddley was taken to North Florida Regional Medical Center in Gainesville where a stent was implanted to improve the blood flow to his heart. The hospital is near the musician’s north central Florida hometown of Archer.
Clary said Diddley was in stable condition in the cardiac care unit after spending the weekend in intensive care. A hospital spokesman referred all questions to Clary.
“He is conscious,” Clary said. “The situation is very serious.”
In May, Diddley was hospitalized in Nebraska after suffering a stroke after casino performances in Council Bluffs, Iowa. He was soon transferred to Florida.
Diddley, with his black glasses and low-slung guitar, has been an icon in the music industry since he topped the R&B charts with “Bo Diddley” in 1955. His other hits include “Who Do You Love,” “Before You Accuse Me,” “Mona” and “I’m a Man.”
He was inducted into the Rock and Roll Hall of Fame in 1987 and received a lifetime achievement Grammy Award in 1998.
BIOGRAPHY from Wikipedia.
“Bo Diddley” is a rhythm and blues song first recorded and sung by Bo Diddley at the Universal Recording Studio in Chicago and released on the Chess Records subsidiary, Checker Records in 1955. It became an immediate hit single that stayed on the R&B charts for a total of 18 weeks, seven more weeks than its flipside (the B-side, “I’m a Man”). It was the first recording to introduce African rhythms into rock and roll directly by using the patted juba beat. It was Bo Diddley’s first recording and his first hit single. It is #62 on Rolling Stone’s list of The 500 Greatest Songs of All Time. Song
The song is rhythmically similar to hambone, a technique of dancing and slapping various parts of the body to create a rhythm and song. It is lyrically similar to the traditional lullaby “Hush Little Baby”. When Bo Diddley started playing with it, his electric guitar amplified the patted juba with his backup musicians on maracas and drums unifying the rhythm. This combination of rock and roll, African rhythms and sactified guitar chord shouts was a true innovation.
He first titled his version “Uncle John” but before he recorded it, he changed the title to his own nick name Bo Diddly, with an “e” added to the song’s title and his professional name by one of the Chess brothers.
Legacy
This first single was called a “double-sided monster” by All-Music Guide reviewer Richie Unterberger. “Bo Diddley” was inflused with waves of tremolo guitar, set to a children’s chant. “I’m a Man” was a bump-and-grind shuffle, with a powerful blues riff woven throughout. The outcome was a new kind of guitar-based, blues and R&B drenched, rock and roll.
Cover versions
The song was covered by Buddy Holly and became a posthumous hit for him, reaching #4 on the UK Singles Chart in 1963. The song was also performed by Bob Seger and is on his 1976 live album, Live Bullet.
In Popular Culture
The song is used during a musical interlude in Fritz the Cat.
The song can be heard playing during a party in the film Hollywoodland
2008 – CHICAGO — As far as political fundraisers go, this one was a decidedly nontraditional affair. There was a go-go dancer gyrating behind a pane of glass, free games of “Frogger” and peanut-butter-and-jelly sushi rolls served on Pringles.
The music was loud, the cans of Pabst Blue Ribbon plentiful and the only guy to show up in a suit was rather befuddled-looking Illinois State Treasurer Alexi Giannoulias.
Yes, when Fall Out Boy’s Pete Wentz decides to throw an event — even one designed to raise money and awareness for Democratic candidate Barack Obama — he does it his way.
“I have never really gotten involved in politics before. Even in college, everyone just wanted to go out and get drunk and make bad decisions, sort of like we did when we elected George W. Bush eight years ago,” he told the crowd from the DJ booth at Chicago’s Lakeview Broadcasting Company, the dive bar/ clubhouse he co-owns. “So in the spirit of all that, I just want everyone to pretend this isn’t a real fundraiser and go out and have fun.”
2006 – Co-founder of Mercury Records Irving Green dies in Palm Springs, Calif. at the age of 90.
RIP – Irving Green
July 4, 2006
What do Sarah Vaughn, The Platters, Brook Benton, Patti Page,
The Diamonds, Del Vikings, James Brown, Dinah Washington,
Roger Miller, Jerry Lee Lewis, Frankie Laine, The Troggs,
Wayne Fontana, the Mindbenders, the Troggs, Leslie Gore, Blue
Cheer, Manfred Mann, Steam, Freddie and the Dreamers, Dusty
Springfield, Keith, Paul Mauriat, Jay and the Techniques,
David Bowie, The Blues Magoos, Spanky and Our Gang, Crispian
St. Peters, Jerry Butler, Bobby Hebb, Louie Armstrong. and
Rod Stewart all have in common?
They all recoraded for Irving Green, who owned Mercury Records,
a little indie who could… and did… become a major label!
He also owned Smash and distributed Phillips records and all
of their subsidiaries. He was one of the first champions of
Rock and Roll and Mercury was the first major company to
promote Black artists to crossover into the Pop mainstream.
It also was the first to have an African-American as Vice-
President of A+R, Quincy Jones.
Although he repeatedly asked me to call him Irv, I always
called him Mr. Green, out of respect for his daughter Kelli
Ross, who was my partner in Allouette Productions. Not many
people knew that Mr. Green was a silent partner in our
publishing and administration firm.
He was one of the few CEOS I’ve ever known who an artist
could talk to. Although he wasn’t a producer, I remember
when James Brown recorded briefly for Smash, he wouldn’t go
into the recording studio without Mr. Green being there.
From time to time he’d ask me to go “undercover” for him. In
the last days of Cameo-Parkway records, he asked me to
introduce him to my friends Neil Bogart, who was running the
label and Bob Reno, who was with the publishing company. He
wanted to get them to come over to Mercury, but Neil and Bob
wound up going to Buddah Records instead. A few years later,
Bob Reno did have a successful stint at Mercury, as head of
MRC publishing and later as head of A+R.
When the Lovin’Spoonful were about to re-sign with Kama-Sutra,
Mr.Green sent me to Wilkes-Barre to meet up with my old pals
and offer them a check for a million dollars to defect to
Mercury! When I mentioned to him that he hadn’t signed it, he
said, “When they sign a contract…I’ll sign the check!”
The last time I saw him it was 35 years ago hanging out at
Quincy’s house. He said he would leave the music buisness
when it stopped being fun. I guess it stopped being fun when
a big conglomorate bought him out. A few years later he went
into semi-retirement and moved to Palm Springs.
Although I’d heard he had become a top land developer, I will
always remember him as one of the greatest developers of pop
music and the human potential. Thank you for believing in me
and helping me to believe in myself.
2006 – An album of jazz standards Diana Ross recorded more than 30 years earlier finally sees the light of day. “Blue” was intended as a companion to the hit 1972 soundtrack to “Lady Sings the Blues,” in which Ross portrayed jazz legend Billie Holiday. However, Ross instead followed up the project with the pop album “Touch Me in the Morning,” which reached No. 1 on the Chart Toppers album chart. In its wake, “Blue” was shelved.
2005 – Graying rock legend Iggy Pop is fined by the Swiss city of Lucerne for performing his music too loud at the Blue Balls festival in July. Pop and The Stooges were clocked at 102.5 decibels.
2005 – Little Milton Campbell dies after suffering a stroke. The blues singer was 71. Campbell was a popular performer during the 1960s, scoring No. 1 hits like “We’re Gonna Make It.”
2005 – Blues musician Little Milton slips into a coma after suffering a stroke. The guitarist/singer wrote the tune “The Blues Is Alright.” But clearly he isn’t.
2005 – The White Stripes’ Jack White marries Karen Elson, a redhaired model who appeared in the duo’s “Blue Orchid,” video. The pair were wed in a canoe standing at the confluence of the Rio Negro, the Solimones and the Amazon rivers.
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