Rock History

On This Day in Rock History: February 8

Jun 18

1942 – Paul McCartney is born in Liverpool, Englan…

Posted in 1940s, Bands/Artists that Rock, Bassists, Billboard charts, Bio, Birthdays, Chart Toppers, Classic, Composers & Songwriters, General, Gold, Guitarists, Industry, Off the Hook, Rock n Roll Hall of Fame (honoured diety), Singers, TV, Movies, Radio, Internet, & itunes | 7 Comments »

1942 – Paul McCartney is born in Liverpool, England. The Beatles have 20 No. 1 songs, more than any other recording act, and McCartney by himself or in duets has another nine. His biggest post-Beatles hits are “Ebony and Ivory,” a duet with Stevie Wonder that stays at No. 1 for seven weeks, and “Say Say Say,” a duet with Michael Jackson that tops the pop chart for six weeks.
Sir James Paul McCartney, MBE (born 18 June 1942) is an English rock singer, bass guitarist, songwriter, composer, multi-instrumentalist, entrepreneur, record producer, film producer and animal-rights activist. He gained worldwide fame as a member of The Beatles, with John Lennon, George Harrison, and Ringo Starr. Stuart Sutcliffe and Pete Best had previously played with the group, before Starr was asked to join. McCartney and Lennon formed one of the most influential and successful songwriting partnerships and “wrote some of the most popular music in rock and roll history”. After leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his first wife, Linda Eastman McCartney, and singer-songwriter Denny Laine. He has worked on film scores, classical music, and ambient/electronic music; released a large catalogue of songs as a solo artist; and taken part in projects to help international charities.

McCartney is listed in Guinness World Records as the most successful musician and composer in popular music history, with 60 gold discs and sales of 100 million singles. His song “Yesterday” is listed as the most covered song in history and has been played more than 7,000,000 times on American television and radio. Wings’ 1977 single “Mull of Kintyre” became the first single to sell more than two million copies in the UK, and remains the UK’s top selling non-charity single. (Three charity singles have since surpassed it in sales; the first to do so—in 1984—was Band Aid’s “Do They Know It’s Christmas?”, whose participants included McCartney.)

His company MPL Communications owns the copyrights to more than 3,000 songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease. McCartney is also an advocate for animal rights, vegetarianism, and music education; he is active in campaigns against landmines, seal hunting, and Third World debt.
Early years: 1942–1957

Jim & Mary McCartney

Paul McCartney was born in Walton Hospital in Liverpool, England, where his mother, Mary, had worked as a nurse in the maternity ward. He has one brother, Michael, born January 7, 1944. McCartney was baptised Roman Catholic but was raised non-denominationally: his mother was Roman Catholic, and his father, James “Jim” McCartney, was a Protestant turned agnostic.

In 1947, he began attending Stockton Wood Road Primary school. He then attended the Joseph Williams Junior School, and passed the 11-plus exam in 1953 with three others out of the 90 examinees and thus gained admission to the Liverpool Institute. In 1954, while riding on the bus to the Institute, he met George Harrison, who lived nearby. Passing the exam meant that McCartney and Harrison did not have to go to a secondary modern school, which most pupils attended until they were eligible to work. It also meant that Grammar school pupils had to find new friends.

20 Forthlin Road now attracts large numbers of tourists

In 1955 the McCartney family moved to 20 Forthlin Road in Allerton. Mary McCartney rode a bicycle to houses where she was needed as a midwife, and an early McCartney memory is of her leaving when it was snowing heavily. On 31 October 1956, Mary McCartney (who was a heavy smoker) died of an embolism after a mastectomy operation to stop the spread of her breast cancer. The early loss of his mother later connected McCartney with John Lennon, whose mother, Julia, died when Lennon was 17.

McCartney’s father was a trumpet player and pianist who had led Jim Mac’s Jazz Band in the 1920s. He encouraged his two sons to be musical. Jim had an upright piano in the front room that he had bought from Harry Epstein’s store, and McCartney’s grandfather, Joe McCartney, played an E-flat tuba. Jim McCartney used to point out the different instruments in songs on the radio, and often took McCartney to local brass band concerts. After the death of his wife, Mary, Jim McCartney gave McCartney a nickel-plated trumpet, but when skiffle music became popular, McCartney swapped the trumpet for a £15 Framus Zenith (model 17) acoustic guitar.

McCartney, being left-handed, found the Zenith difficult to play. He then saw a poster advertising a Slim Whitman concert, and realised that Whitman played left-handed, with his guitar strung the opposite way to a right-handed player. McCartney wrote his first song (“I Lost My Little Girl”) on the Zenith, and also played his father’s Framus Spanish guitar when writing early songs with Lennon. He later started playing piano and wrote “When I’m Sixty-Four”. Per his father’s advice, he took music lessons, but since he preferred to learn ‘by ear’ he never paid attention in them.

1957–1960: The Quarrymen and the Silver Beetles

Main articles: The Quarrymen and Lennon/McCartney

Fifteen-year-old McCartney met Lennon and The Quarrymen at the Woolton (St. Peter’s church hall) fête on July 6, 1957. At the start of their friendship Lennon’s Aunt Mimi disapproved of McCartney because he was, she said, “working class”, and called him “John’s little friend”. McCartney’s father told his son that Lennon would get him “into trouble”, although he later allowed The Quarrymen to rehearse in the front room at 20 Forthlin Road.

McCartney formed a close working relationship with Lennon and they collaborated on many songs. He convinced Lennon to allow Harrison to join The Quarrymen (Lennon thought Harrison was too young) after Lennon heard Harrison play at a rehearsal in March 1958. Harrison joined the group as lead guitarist, followed by Lennon’s art school friend, Stuart Sutcliffe, on bass, although McCartney was later dismissive about Sutcliffe’s musical ability. By May 1960, they had tried several new names, including The Silver Beetles; playing a tour of Scotland under that name with Johnny Gentle. They finally changed the name of the group to The Beatles for their performances in Hamburg.

1960–1970: The Beatles

Main article: The Beatles

Starting in May 1960, The Beatles were managed by Allan Williams, who booked them into Bruno Koschmider’s Indra club in Hamburg. McCartney’s father was reluctant to let the teenage McCartney go to Hamburg until McCartney pointed out that he would earn ₤2/10s per day. As this was more than he earned himself, Jim finally agreed.
The Indra Club,Hamburg where the Beatles first played
The Indra Club,Hamburg where the Beatles first played

The Beatles first played at the Indra club, sleeping in small, “dirty” rooms in the Bambi Kino, and then moved (after the closure of the Indra) to the larger Kaiserkeller. In October 1960, they left Koschmider’s club and worked at the “Top Ten Club”, which was run by Peter Eckhorn. When McCartney and Pete Best went back to the Bambi Kino to get their belongings they found it in almost total darkness. As a snub to Koschmider, they found a condom, attached it to a nail on the concrete wall of their room, and set fire to it. There was no real damage, but Koschmider reported them for attempted arson. McCartney and Best spent three hours in a local jail and were deported, as was Harrison, for working under the legal age limit. Lennon’s work permit was revoked a few days later and he went home by train, but Sutcliffe had a cold and stayed in Hamburg, and then flew home.

The group reunited in December 1960, and on 21 March 1961, played their first of many concerts at Liverpool’s Cavern club. McCartney realised that other Liverpool bands were playing the same cover songs, which prompted him and Lennon to write more original material. The Beatles returned to Hamburg in April 1961, and recorded “My Bonnie” with Tony Sheridan. Sutcliffe left the band after the end of their contract, so McCartney reluctantly took over bass. After borrowing Sutcliffe’s Hõfner 500/5 model for a short time, he bought a left-handed 1962 500/1 model Höfner bass. On 1 October 1961, McCartney went with Lennon (who paid for the trip) to Paris for two weeks.

The Beatles were first seen by Brian Epstein at the Cavern club on 9 November 1961, and he later signed them to a management contract. The Beatles’ road manager, Neil Aspinall, drove them to London on 31 December 1961, where they auditioned the next day, but were rejected by Decca Records. In April 1962, they went back to Hamburg to play at the Star-Club, and learned of Stuart Sutcliffe’s death a few hours before they arrived. The Beatles were ready to sign a record contract on 9 May 1962, with Parlophone Records—after having been rejected by many record companies—but Epstein sacked Pete Best (at the behest of McCartney, Lennon and Harrison) before they signed the contract. “Love Me Do” was released on 5 October 1962, featuring McCartney singing solo on the chorus line. Over the course of the next two years, McCartney and his band mates would rise from relative obscurity to international stardom, an unprecedented feat at that time for a rock-music combo.

*
Yesterday (1965)
Play sound
Hey Jude (1968)
Play sound
* Problems playing the files? See media help.

All Lennon-McCartney songs on the first pressing of Please Please Me album (recorded in one day on 11 February 1963) as well as the “Please Please Me” single, “From Me to You”, and its B-side, “Thank You Girl”, are credited to “McCartney-Lennon”, but this was later changed to “Lennon-McCartney”. They usually needed an hour or two to finish a song, which were written in hotel rooms after a concert, at Wimpole Street, at Cavendish Avenue, or at Kenwood (Lennon’s house). McCartney also wrote songs for other artists, such as Billy J. Kramer, Cilla Black, Badfinger, and Mary Hopkin -and most notably he wrote two hit songs for the group Peter & Gordon-launching their career. One song, “World Without Love”, became a #1 hit in the U.K. & U.S. (Peter was the brother of Jane Asher, McCartney’s girlfriend at the time)
Epiphone Texan modeled after the one often used by McCartney.
Epiphone Texan modeled after the one often used by McCartney.

Lennon, Harrison, and Starr lived in large houses in the ‘stockbroker belt’ of southern England,] but McCartney continued to live in central London: in Jane Asher’s parents’ house, and then at 7 Cavendish Avenue, St John’s Wood, near the Abbey Road Studios.] It was at Cavendish Avenue that McCartney bought his first Old English Sheepdog, Martha, which inspired the song “Martha My Dear”.

McCartney often went to nightclubs alone, which offered ‘dining and dancing until 4:00 a.m.’ and featured cabaret acts. McCartney would get preferential treatment everywhere he went, which he readily accepted. He even once accepted an offer from a policeman to be allowed to park McCartney’s car. He later visited gambling clubs after 4:00am, such as ‘The Curzon House’, and often saw Brian Epstein there. The Ad Lib club (above the Prince Charles Theatre at 7 Leicester Place) was later opened for the emerging ‘Rock and Roll’ crowd of musicians, and tolerated their unusual lifestyle. After the Ad Lib fell out of favour, McCartney moved on to the Scotch of St James, at 13 Masons Yard. He also frequented The Bag O’Nails club at 8 Kingly Street in Soho, London, where he met Linda Eastman.

On 12 June 1965, The Beatles were appointed Members of the Order of the British Empire (MBE); they received their insignia from Queen Elizabeth II at an investiture at Buckingham Palace on 26 October 1965. They stopped touring after their last concert at Candlestick Park, San Francisco, on 29 August 1966. The other three Beatles had often talked about stopping touring, but after the Candlestick Park concert, and after having played so many concerts where they could not be heard, McCartney finally agreed that they should stop playing live concerts.
Beatles Houston sculpture
Beatles Houston sculpture

McCartney was the first to be involved in a project outside of the group, when he composed the score for the film The Family Way in 1966. The soundtrack was later released as an album (also called The Family Way), and won the Ivor Novello Award for Best Instrumental Theme, ahead of acclaimed jazz musician Mike Turner. McCartney wrote songs for and produced other artists, including Mary Hopkin, Badfinger, and the Bonzo Dog Band, and in 1966, he was asked by Kenneth Tynan to write the songs for the National Theatre’s production of As You Like It by William Shakespeare (starring Laurence Olivier) but declined. In 1968 he co-produced the song “I’m the Urban Spaceman” by the Bonzo Dog Doo-Dah Band and was credited as “Apollo C. Vermouth” because of contractual restrictions.

McCartney later attempted to persuade Lennon and Harrison to return to the stage, and when they had a meeting to sign a new contract with Capitol Records, McCartney suggested “going back to our roots,” to which Lennon replied, “I think you’re mad!” Although Lennon had quit the group in September 1969, and Harrison and Starr had temporarily left the group at various times, McCartney was the one who publicly announced The Beatles’ breakup on 10 April 1970—one week before releasing his first solo album, McCartney. The album included a press release inside with a self-written interview stating McCartney’s hopes about the future. The Beatles’ partnership was legally dissolved after McCartney filed a lawsuit on 31 December 1970.]

1970s: Paul McCartney (solo) and Wings

Wings (band)

Paul and Linda McCartney at the 1974 Academy Awards.
Paul and Linda McCartney at the 1974 Academy Awards.

McCartney released his debut solo album, McCartney, in April 1970. He insisted that his wife should be involved in his musical career so that they would not be apart when he was on tour. McCartney’s second solo album, Ram (1971) was credited to both Paul and Linda McCartney. In August of that year McCartney formed Wings with guitarist Denny Laine and drummer Denny Seiwell (although membership in Wings would change several times during its existence) and released their debut album, Wild Life. In 1972, Wings started an unplanned tour of British universities and small European venues. In February of that year, they released a single called “Give Ireland Back to the Irish”, which was banned by the BBC. Wings then embarked on the 26-date Wings Over Europe Tour.

The first of Wings’ two 1973 albums Red Rose Speedway spawned the band’s first #1 in the United States, “My Love”. On 16 April, McCartney starred in a TV variety show called James Paul McCartney. Wings then released the theme song for the James Bond film Live and Let Die. It reunited McCartney with George Martin, who both produced the song and arranged the orchestral break. Their second 1973 album Band on the Run, which won two Grammy Awards is Wings’ most lauded work. From it were released the singles “Jet”, and, in 1974, “Band on the Run” (the song) as well as the non-album single “Junior’s Farm”. A jam session — with Lennon and McCartney — was recorded in California, in 1974, and released on the bootleg A Toot and a Snore in ’74. The same year, he recorded an instrumental, “Walking in the Park with Eloise”, which had been written by his father. The song featured Wings, Floyd Cramer and Chet Atkins. Venus and Mars was released in 1975, which featured “Listen to What the Man Said” and “Rock Show.” Till 1976, Wings embarked on the Wings Over the World tour.

In 1977, McCartney released Thrillington under the name “Percy ‘Thrills’ Thrillington”. Wings also released “Mull of Kintyre”. It stayed at #1 in the UK for nine weeks, and was the highest-selling single in the UK until 1984, when Band Aid’s Do They Know It’s Christmas beat its record. Wings toured again in 1979, and McCartney organised the Concerts for the People of Kampuchea. McCartney’s “Rockestra” theme won a Grammy award. At Christmas 1979, McCartney released his (solo) “Wonderful Christmastime”.

Although McCartney’s relationship with Lennon was troubled, they reconciled during the 1970s. McCartney would often call Lennon, but was never sure of what sort of reception he would get, such as when McCartney once called Lennon and was told, “You’re all pizza and fairytales!” McCartney understood that he could not just phone Lennon and only talk about business, so they often talked about cats, baking bread, or babies.

1980s-1990s: Solo career

Paul McCartney (solo)

McCartney played every instrument on the 1980 release McCartney II (as he had on McCartney before it), this time with an emphasis on synthesisers instead of guitars. The single “Coming Up” reached #2 in Britain and #1 in the US. “Waterfalls” was another UK Top 10 hit. McCartney’s next album, 1982′s Tug of War, reunited him with Ringo Starr and Beatles producer George Martin, and the album hit No.1 on both sides of the Atlantic at the same time as it’s lead single, a duet with Stevie Wonder, “Ebony and Ivory”, did likewise. Two further hit duets followed, both with Michael Jackson: “The Girl Is Mine”, from Jackson’s Thriller album, and “Say Say Say”, a single from McCartney’s 1983 album, Pipes of Peace.

McCartney wrote and starred in the 1984 film Give My Regards to Broad Street. The film and soundtrack featured the US and UK Top 10 hit “No More Lonely Nights”, and the album reached #1 in the UK, but the film did not do well commercially or critically. Roger Ebert awarded the film a single star and wrote, “You can safely skip the movie and proceed directly to the sound track”. Later that year, McCartney released “We All Stand Together”, the title song from the animated film Rupert and the Frog Song, which was the supporting feature to “Broad Street” in cinemas and which, when released on video cassette would become the year’s top-seller. The following year, McCartney released Spies Like Us the title song to the Dan Ackroyd/Chevy Chase comedy which hit #7 on the Billboard chart (making it his last US Top 20 hit to date).

In the second half of the decade McCartney would find new collaborators. Eric Stewart had appeared on McCartney’s Pipes of Peace album, and he co-wrote most of McCartney’s 1986 album Press to Play. The album and its lead single, “Press”, became minor hits. McCartney returned the favour by co-writing two songs for Stewart’s band, 10cc: “Don’t Break the Promises” (…Meanwhile, 1992), and “Yvonne’s the One” (Mirror Mirror, 1995). In 1987, EMI released All the Best! which was the first compilation of McCartney’s own songs.

In 1988, he released, initially in the Soviet Union only, Снова в СССР a collection of McCartney cover-versions of his favourite vintage Rock and roll classics which later had a general release in 1991. Around this time, McCartney also began a songwriting partnership with Elvis Costello (Declan MacManus) from which songs would appear on singles and albums by both artists, notably “Veronica”on Costello’s album Spike and “My Brave Face” from McCartney’s Flowers in the Dirt, (which reached #1 in the UK on releas in 1989). Further McCartney/MacManus compositions for surfaced on Costello’s 1991 album Mighty Like a Rose and McCartney’s 1993 album Off the Ground. In late 1989, McCartney started his first concert tour since Lennon’s murder, also his first tour of the US in thirteen years.

In a 1980 interview, Lennon said that the last time he had seen McCartney was when they had watched the episode of Saturday Night Live (May 1976) in which Lorne Michaels had made his $3,000 cash offer to get Lennon, McCartney, Harrison, and Starr to reunite on the show. McCartney and Lennon had seriously considered going to the studio, but were too tired. This event was fictionalised in the 2000 television film Two of Us.

Reaction to John Lennon’s murder

On the morning of December 9, 1980, McCartney awoke to the news that Lennon had been murdered outside his home in the Dakota building in New York. Lennon’s death created a media frenzy around the surviving members of The Beatles. On the evening of 9 December, as McCartney was leaving an Oxford Street recording studio, he was surrounded by reporters and asked for his reaction to Lennon’s death. He replied, “I was very shocked, you know—this is terrible news,” and said that he had spent the day in the studio listening to some material because he “just didn’t want to sit at home.” When asked why, he replied, “I didn’t feel like it,” he was then asked when he first heard the news McCartney replied “This morning sometime” and one of the reporters asked “very early?” and said “yeah” and then asked the reporters if they all knew, they added “yeah” McCartney then added, “drag, isn’t it?” When published, his “drag” remark was criticised, and McCartney later regretted it. He furthermore stated that he had intended no disrespect but had just been at a loss for words, after the shock and sadness he felt over his friend’s murder. He was also to recall:
“ I talked to Yoko the day after he was killed and the first thing she said was, “John was really fond of you.” The last telephone conversation I had with him we were still the best of mates. He was always a very warm guy, John. His bluff was all on the surface. He used to take his glasses down, those granny glasses, and say, “It’s only me.” They were like a wall, you know? A shield. Those are the moments I treasure. ”

In 1983 Paul said:
“ I would not have been as typically human and standoffish as I was if I knew John was going to die. I would have made more of an effort to try and get behind his “mask” and have a better relationship with him.’ ”

In a Playboy interview in 1984, McCartney said that he went home that night and watched the news on television—while sitting with all his children—and cried all evening. His last telephone call to Lennon, which was just before Lennon and Yoko released Double Fantasy, was friendly. During the call, Lennon said (laughing) to McCartney, “This housewife wants a career!” which referred to Lennon’s “house-husband” years, while looking after Sean Lennon.

McCartney carried on recording after the death of Lennon but did not play any live concerts for some time. He explained that this was because he was nervous that he would be “the next” to be murdered. This led to a disagreement with Denny Laine, who wanted to continue touring and subsequently left Wings, which McCartney disbanded in 1981. Also in 1981, six months after Lennon’s death, McCartney sang backup on George Harrison’s tribute to Lennon, “All Those Years Ago,” which also featured Ringo Starr on drums. McCartney would go on to record “Here Today”, a tribute song to Lennon.

1990s: Classical music
McCartney at the Grammy Awards, February 1990.
McCartney at the Grammy Awards, February 1990.

The 1990s saw McCartney venture into classical music. In 1991 the Royal Liverpool Philharmonic Society commissioned a musical piece by McCartney to celebrate its sesquicentennial. McCartney collaborated with Carl Davis to release Liverpool Oratorio. The Oratorio was premiered in Liverpool’s Anglican Cathedral, and had its North American premiere in Carnegie Hall in New York on 18 November 1991, with Davis conducting. McCartney’s singers and musicians included the opera singers Dame Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral. EMI Classics recorded the premiere of the oratorio and released it on a 2-CD album which topped the classical charts. His next classical project to be released (in 1995) was A Leaf, a solo-piano piece played by Royal College of Music gold-medal winner Anya Alexeyev. The Prince of Wales later honoured McCartney as a Fellow of The Royal College of Music. Other forays into classical music included Standing Stone (1997), Working Classical (1999), and “Ecce Cor Meum” (2006).

In the early 1990s (after another world tour), McCartney reunited with Harrison and Starr to work on Apple’s The Beatles Anthology documentary series. It included three double albums of alternative takes, live recordings, and previously unreleased Beatles songs, as well as a ten-hour video boxed set. Anthology 1 was released in 1995, and featured “Free as a Bird”, which was the first Beatles reunion track, while Anthology 2, released in 1996, included “Real Love” (1996), the second and final in the reunion series. Both reunion tracks were co produced by Electric Light Orchestra frontman Jeff Lynne, who had worked with Harrison in The Traveling Wilburys. Both reunion tracks were completed by adding new music and vocal tracks to Lennon’s demos from the late 1970s.

In 1997, McCartney released Flaming Pie which was produced by Lynne and Martin. It debuted at #2 in the UK and the US, and was nominated in the Grammy Awards category Album of the Year. The same year, McCartney made his second venture into classical music with Standing Stone, which was commissioned by EMI Records to mark their 100th anniversary in autumn. On 11 March 1997, he was knighted as “Sir Paul McCartney” for his “services to music”. He dedicated his knighthood to fellow Beatles Lennon, Harrison, and Starr, and to the people of Liverpool. In 1999, McCartney released another album of rock ‘n’ roll songs, titled Run Devil Run. That same year he was inducted into the Rock and Roll Hall of Fame as a solo artist. (Bitter that he had not been inducted sooner, McCartney brought his daughter to the stage with him and smiled as he pointed to her shirt, which read: “About Fucking Time.”) In 1999, he released Working Classical.

2000s
McCartney on Live8.
McCartney on Live8.

In 2000, McCartney released A Garland for Linda; a choral tribute album with compositions from eight other contemporary composers. The music was performed by “The Joyful Company of Singers” to raise funds for The Garland Appeal, a fund to aid cancer patients. In May 2001, he released Wingspan: An Intimate Portrait, a retrospective documentary that features behind-the-scenes films and photographs that he and Linda McCartney (who had died in 1998) took of their family and bands. Interspersed throughout the 88 minute film is an interview by Mary McCartney with her father. Mary was the baby photographed inside McCartney’s jacket on the back cover of McCartney, and was one of the producers of the documentary.

Earlier in the year, McCartney worked on what would become his new album, Driving Rain, released on November 12. Driving Rain featured uplifting songs inspired by and written for his soon-to-be wife Heather. Clearly determined to follow the example of Run Devil Run’s brisk recording pace, most of the album was recorded in two weeks, starting in February 2001. McCartney also composed and recorded the title track for the film Vanilla Sky, released later that year. The track was nominated for—but did not win—an Oscar for Best Original Song.

McCartney took a lead role in organising The Concert for New York City in response to the events of September 11. The concert took place on 20 October 2001.

In late 2001, McCartney was informed that George Harrison was losing his battle with cancer. Upon Harrison’s death on 29 November, McCartney told Entertainment Tonight, Access Hollywood, Extra, Good Morning America, The Early Show, MTV, VH-1 and Today that Harrison was like his “baby brother”. Harrison spent his last days in a Hollywood Hills mansion that was once leased by McCartney. On 29 November 2002—on the first anniversary of George Harrison’s death—McCartney played Harrison’s “Something” on a ukulele at the Concert for George.

In 2002, McCartney began a two-year world tour. He contributed to an album titled Good Rockin’ Tonight: The Legacy Of Sun Records, which included a version of Elvis Presley’s song “That’s All Right (Mama)”. He performed during the pre-game ceremonies at the NFL’s Super Bowl XXXVI in 2002 and starred in the halftime show at Super Bowl XXXIX in 2005. In 2003, McCartney played a concert in Red Square, Russia. Vladimir Putin gave him a tour of the Square.

In what would be his first British music festival appearance, McCartney headlined the Glastonbury Festival in June 2004. McCartney and festival organiser Michael Eavis won the NME Award on behalf of the festival, which won ‘Best Live Event’ in the 2005 awards. McCartney performed at the main Live 8 concert on 2 July 2005, playing “Sgt. Pepper’s Lonely Hearts Club Band” with U2 to open the Hyde Park event, although Ringo Starr criticised McCartney for not asking him to play.

On November 13th, 2005, McCartney played a live concert at the Arrowhead Pond in Anaheim, CA. Towards the end of the concert, a satellite link-up was made to the International Space Station so McCartney and those at the concert could see NASA Astronaut Bill McArthur and Russian Cosmonaut Valery Tokarev as they were awakening for the 44th day of their six month mission in space. McCartney proceeded to play the traditional wakeup song played on each space mission, a tradition that began during the moon missions. McCartney also performed “Good Day Sunshine”, and “English Tea”. Afterwards he and the concert goers talked with McArthur and Tokarev via a projection screen. This was the first time a live concert had been linked to a U.S. spacecraft.
McCartney gives a speech at the US premier of Ecce Cor Meum at Carnegie Hall..
McCartney gives a speech at the US premier of Ecce Cor Meum at Carnegie Hall..

In March 2006, McCartney finished composing a ‘modern classical’ musical work named Ecce Cor Meum [Behold My Heart]. It was recorded with the Academy of St. Martin in the Fields, and the boys of King’s College Choir, Cambridge, Magdalen College School, Oxford, and was premiered at the Royal Albert Hall in London on 3 November 2006..[141] It was voted Classical Album of the Year in 2007 in the Classical Brit Awards.[142]

On 18 June 2006, McCartney celebrated his 64th birthday, as in “When I’m Sixty-Four.” Paul Vallely noted it in The Independent as “a cultural milestone for a generation. Such is the nature of celebrity, McCartney is one of those people who have represented the hopes and aspirations of those born in the baby-boom era, which had its awakening in the Sixties.”[143]

McCartney joined Jay-Z and Linkin Park onstage at the 2006 Grammy Awards in a performance of “Numb/Encore” & “Yesterday” to commemorate the recent passing of Coretta Scott King. McCartney later noted that it was the first time he had performed at the Grammys and quipped, “I finally passed the audition,” which was a reference to the Lennon comment at the end of the Let It Be film: “I’d like to say thank you on behalf of the group and ourselves and I hope we passed the audition.”[144] McCartney was nominated for another Grammy Award in 2007 for “Jenny Wren”—a song from his 2005 album Chaos and Creation in the Backyard, which itself had been nominated as Album of the Year in 2006.[145]

On 21 March 2007, McCartney left EMI to become the first artist signed to Starbucks’s new record label, Los Angeles-based Hear Music, to be distributed by Concord Music Group. He made an appearance via a video-feed from London at the company’s annual meeting.[146] “For me, the great thing is the commitment and the passion and the love of music, which as an artist is good to see. It’s a new world now and people are thinking of new ways to reach the people, and that’s always been my aim”.[147]

On 2 April 2007, a fan drove through the security fence on McCartney’s Peasmarsh county estate shouting that he had to “get at” the ex-Beatle. The incident echoed the murder of Lennon and the attempted murder of George Harrison. The assailant was arrested after a chase through Sussex country lanes.[148][149][150]

McCartney played “secret gigs” in London, New York, and Los Angeles to promote his album. Several live recordings from these shows have been released as B-sides to singles from Memory Almost Full. In New York, the crowd included only a few hundred contest winners and celebrities such as Whoopi Goldberg, Elijah Wood, Kate Moss, Aidan Quinn, and Steve Buscemi.[151]
McCartney’s BBC Electric Proms performance in Camden, London.
McCartney’s BBC Electric Proms performance in Camden, London.

McCartney played at the BBC Electric Proms on October 25, 2007, at The Roundhouse in Camden, which is run by a music festival run by the British Broadcasting Corporation. On 13 November 2007, The McCartney Years, a 3-DVD set was released. It contains a commentary, behind the scenes footage, over 40 music videos, Wings’ live performances, interviews with Melvyn Bragg and Michael Parkinson, LIVE AID, the Super Bowl XXXIX Halftime Show and the 2005 documentary Creating Chaos at Abbey Road.[152]

In February 2008, McCartney was awarded a BRIT award for outstanding contribution, the same as a Lifetime Achievement Award.[153] The minor planet 4148, discovered in 1983 was named ‘McCartney’ in his honour.[154] Yale University conferred an honorary Doctor of Music degree on Paul McCartney on 26 May 2008.[155] On 1 June 2008 McCartney celebrated Liverpool’s year as European capital of culture by playing a concert there. It featured special guest Dave Grohl of the Foo Fighters. Grohl played guitar and sang backing vocals on “Band on the Run” and played drums on Back in the U.S.S.R. and I Saw Her Standing There.

In April 2008 it has been revealed that McCartney was invited by Ukrainian tycoon Victor Pinchuk to play a free concert in the Ukrainian capital Kyiv on 14 June, 2008. He played in the city’s main square Maidan Nezalezhnosti at a show dubbed the Independence Concert.[156] Over 350,000 concert goers braved adverse weather conditions as Paul McCartney played the biggest concert in the Ukraine’s history. Furthermore, McCartney will open a personal exhibition of his artistic works at the PinchukArtCentre[157].

Creative outlets

During the ’60s, McCartney was often seen at major cultural events, such as the launch party for The International Times, and at The Roundhouse (28 January and 4 February 1967).[158] He also delved into the visual arts, becoming a close friend of leading art dealers and gallery owners, explored experimental film, and regularly attended movie, theatrical and classical music performances. His first contact with the London avant-garde scene was through John Dunbar, who introduced him to the art dealer Robert Fraser, who in turn introduced McCartney to an array of writers and artists. McCartney later became involved in the renovation and publicising of the Indica Gallery in Mason’s Yard, London—John Lennon first met Yoko Ono at the Indica.[159][160] The Indica Gallery brought McCartney into contact with Barry Miles, whose underground newspaper, The International Times, McCartney helped to start.[161] Miles would become de facto manager of the Apple’s short-lived Zapple Records label, and wrote McCartney’s official biography, Many Years From Now (1998).

While living at the Asher house, McCartney took piano lessons at the Guildhall School of Music and Drama, which The Beatles’ producer Martin had previously attended. McCartney studied composers like Karlheinz Stockhausen, and Luciano Berio.[162] McCartney later wrote and released several pieces of modern classical music and ambient electronica, besides writing poetry and painting. McCartney is lead patron of the Liverpool Institute for Performing Arts, an arts school in the building formerly occupied by the Liverpool Institute for Boys.[163] The 1837 building, which McCartney attended during his schooldays, had become derelict by the mid-1980s.[163] On 7 June 1996, Queen Elizabeth II officially opened the redeveloped building.[163]

Electronica

After the recording of “Yesterday” in 1965, McCartney contacted the BBC Radiophonic Workshop in Maida Vale, London, to see if they could record an electronic version of the song, but never followed it up. When visiting John Dunbar’s flat in London, McCartney would take along tapes he had compiled at Jane Asher’s house. The tapes were mixes of various songs, musical pieces and comments made by McCartney that he had Dick James make into a demo record for him.[166] He later made tape loops by recording voices, guitars and bongos on a Brenell tape machine, and splicing the various loops together. He reversed the tapes, sped them up, and slowed them down to create the effects he wanted (which were later used on Beatles’ recordings, such as “Tomorrow Never Knows”). McCartney referred to them as electronic symphonies and was heavily influenced by John Cage at the time.[167]

In the spring of 1966, while McCartney was part of a small group which included figureheads John Dunbar and (Barry) Miles, involved with giving birth to the Indica Gallery and the newspaper International Times, he rented a ground floor and basement flat from Ringo Starr at 34 Montagu Square, to be used as a small demo studio for spoken-word recordings by poets, writers (including William Burroughs) and avant-garde musicians.[168] The Beatles’ Apple Records then launched a sub-label, Zapple with (Barry) Miles as its manager, ostensibly to release recordings of a similar aesthetic, (although few releases would ultimately result as Apple and The Beatles slid into subsequent business and personal difficulties.)[168]

In 1995, McCartney recorded a radio series called “Oobu Joobu” for the American network Westwood One, which McCartney described as being “wide-screen radio”

During the 1990s, McCartney collaborated with Youth of Killing Joke under the name of the Fireman, and have released two ambient albums; Strawberries Oceans Ships Forest (in 1993) and Rushes, in 1998. In 2000, he released an album, Liverpool Sound Collage, with Super Furry Animals and Youth, utilising collage and musique concrete techniques which fascinated him in the mid-1960s. Most recently, in 2005, he worked on a project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career and released under the name Twin Freaks.

Film

McCartney was interested in animated films as a child, and later had the financial resources to ask Geoff Dunbar to direct a short animated film called the Rupert and the Frog Song in 1981. McCartney wrote the music and the script, was the producer, and added some of the characters voices.Dunbar worked again with McCartney on an animated film about the work of French artist Honore Daumier, in 1992, which won both of them a Bafta award. They also worked on Tropic Island Hum, in 1997.In 1995, McCartney directed a short documentary about The Grateful Dead.[

Painting

In 1966, McCartney met art gallery-owner Robert Fraser, whose flat was visited by many well-known artists.[181] McCartney met Andy Warhol, Claes Oldenburg, Peter Blake, and Richard Hamilton there, and learned about art appreciation.[181] McCartney later started buying paintings by Magritte, and used Magritte’s painting of an apple for the Apple Records logo.[182] He now owns Magritte’s easel and spectacles.[183]

McCartney’s love of painting surfaced after watching artist Willem de Kooning paint, in Kooning’s Long Island barn.[184] McCartney took up painting in 1983.[185] In 1999, he exhibited his paintings (featuring McCartney’s portraits of John Lennon, Andy Warhol, and David Bowie) for the first time in Siegen, Germany, and included photographs by Linda. He chose the gallery because Wolfgang Suttner (local events organiser) was genuinely interested in his art, and the positive reaction led to McCartney showing his work in UK galleries.[186] The first UK exhibition of McCartney’s work was opened in Bristol, England with more than 500 paintings on display. McCartney had previously believed that “only people that had been to art school were allowed to paint” – as Lennon had.[186]

In October 2000, Yoko Ono and McCartney presented art exhibitions in New York and London. McCartney said,
“ I’ve been offered an exhibition of my paintings at the Walker Art Gallery in Liverpool where John and I used to spend many a pleasant afternoon. So I’m really excited about it. I didn’t tell anybody I painted for 15 years but now I’m out of the closet.[187][188] ”

Writing and poetry
McCartney’s English teacher, Alan Durband, in 1946.
McCartney’s English teacher, Alan Durband, in 1946.

When McCartney was young, his mother read him poems and encouraged him to read books. McCartney’s father was interested in crosswords and invited the two young McCartneys (Paul and his brother Michael) to solve them with him, so as to increase their “word power”.[189] McCartney was later inspired – in his school years – by Alan Durband, who was McCartney’s English literature teacher at the Liverpool Institute.[190] Durband was a co-founder and fund-raiser at the Everyman Theatre in Liverpool, where Willy Russell also worked, and introduced McCartney to Geoffrey Chaucer’s works.[191] McCartney later took his A-level exams, but passed only one subject – Art.[192][193]

In 2001 McCartney published ‘Blackbird Singing’, a volume of poems, some of which were lyrics to his songs, and gave readings in Liverpool and New York.[194] Some of them were serious: “Here Today” (about Lennon) and some humorous (“Maxwell’s Silver Hammer”).[195] In the foreword of the book, McCartney explained that when he was a teenager, he had “an overwhelming desire” to have a poem of his published in the school magazine. He wrote something “deep and meaningful”, but it was rejected, and he feels that he has been trying to get some kind of revenge ever since. His first “real poem” was about the death of his childhood friend, Ivan Vaughan.[196]

In October 2005, McCartney released a children’s book called High In The Clouds: An Urban Furry Tail. In a press release publicizing the book, McCartney said, “I have loved reading for as long as I can remember,” singling out Treasure Island as a childhood favourite.[197] McCartney collaborated with author Philip Ardagh and animator Geoff Dunbar to write the book.[198]

Relationships and marriages

McCartney had a three-year relationship with Dot Rhone in Liverpool, and they were due to get married until Rhone lost the baby she was expecting. In London McCartney had a five-year relationship with actress Jane Asher. They were engaged to be married until they broke up in 1968. McCartney married American photographer Linda Eastman in 1969 (McCartney was the last Beatle to get married). They had four children (Linda’s daughter Heather who was adopted by Paul, followed by three more children) and remained married until Linda’s death from breast cancer in 1998. In 2002, McCartney married former model Heather Mills and they had a child in 2003. They separated in May 2006 and they were divorced in May 2008.[199]

Widespread animosity towards McCartney’s wives was reported in 2004. “They [the British public] didn’t like me giving up on Jane Asher,” McCartney said. “I married a New York divorcee with a child, and at the time they didn’t like that.”[200]

Relationship with Dot Rhone
McCartney and Dot Rhone on 17 March 1962, in Liverpool.
McCartney and Dot Rhone on 17 March 1962, in Liverpool.

One of McCartney’s first girlfriends was called Layla, whom McCartney remembered as having an unusual name in Liverpool at the time. Layla was slightly older than McCartney and used to ask him to baby-sit with her, which was a code word for sex. Julie Arthur, another girlfriend, was Ted Ray’s niece.[201]

McCartney’s first serious girlfriend in Liverpool was Dot Rhone, whom he met at the Casbah club in 1959.[202] McCartney picked out the clothes he wanted Rhone to wear and told her which make-up to use. He also paid for Rhone to have her blonde hair done in the style of Brigitte Bardot, whom Lennon and McCartney idolised.[203][204] When McCartney went to Hamburg with The Beatles he wrote regular letters to Rhone, and she accompanied Cynthia Lennon to Hamburg when The Beatles played there again in 1962.[205] According to Rhone, McCartney bought her a gold ring, took her sightseeing around Hamburg and was very attentive and caring.[206] Rhone later rented a room in the same house as Cynthia Lennon was living as McCartney helped with the rent.[207] McCartney admitted that he had other girlfriends in Hamburg during his time with Rhone, and that they were usually “strippers”, who knew a lot more about sex than Liverpool girls.[208]

Shortly after McCartney returned from Hamburg in May 1962, Rhone told him that she was pregnant. They told Jim McCartney—whom they expected to be shocked at the news—but found him delighted at the prospect of becoming a grandfather. McCartney took out a marriage licence and set the wedding date for November; shortly before the baby was due.[209] Rhone had a miscarriage in July 1962, and after a few weeks, McCartney’s feelings towards Rhone “cooled off” and he finished their relationship.[210]

Rhone later emigrated to Toronto, Canada, and McCartney met her again when The Beatles played there, and then again with Wings. Rhone said that “Love of the Loved” and “P.S. I Love You” were written about her. Years later, Cynthia Lennon gave back Rhone the gold ring that McCartney had bought in Hamburg, as Cynthia had once tried it on when Rhone was washing dishes, and had forgotten to take it off. Rhone is now a grandmother and lives in Mississauga, Ontario.[211]

Relationship with Jane Asher

Jane Asher

The Beatles were performing at the Royal Albert Hall, in London, when McCartney first met British actress Jane Asher on 18 April 1963, and a photographer asked them to pose with Asher.[212] The Beatles were interviewed by Asher for the BBC, and Asher was then photographed screaming at them like a fan. McCartney later persuaded her to become his girlfriend.[213]

McCartney soon met Jane’s family: Margaret, Jane’s mother, who combined her life as the mother of three children with a full-time career as a music teacher, and Jane’s father, Richard, who was a physician. Jane’s brother, Peter, was a member of Peter and Gordon, and Jane’s younger sister, Clare, was also an actress.[214] McCartney later gave “A World Without Love” to Peter and Gordon-as well as the song “Nobody I Know”. Both songs became hits for the group.[215] McCartney took up residence at the Ashers’ house at 57 Wimpole Street, London, and lived there for nearly three years.[216] During his time there McCartney met writers such as Bertrand Russell, Harold Pinter and Len Deighton.[217] He wrote several songs at the Ashers’, including “Yesterday”, and worked on songs with Lennon in the basement music room. Jane inspired many songs, such as “And I Love Her”, “You Won’t See Me”, and “I’m Looking Through You”.[218] On 13 April 1965, McCartney bought a £40,000 three-storey Regency house, at 7 Cavendish Avenue, London, and spent a further £20,000 renovating it. McCartney created a music room on the top floor of his house, where he worked with Lennon. He thanked the Ashers by paying for the decoration of the front of their house.[219]

On 15 May 1967, McCartney met American photographer Linda Eastman at a Georgie Fame concert at The Bag O’Nails club in London.[220] Eastman was in the UK on an assignment to take photographs of “Swinging sixties” musicians in London. McCartney and Linda later went to The Speakeasy club on Margaret Street.[221] They met again four days later at the launch party for the Sgt. Pepper album at Brian Epstein’s house in Belgravia, but when her assignment was completed, Linda flew back to New York City.[222]

On 25 December 1967, McCartney and Asher announced their engagement, and she accompanied McCartney to India in February and March of 1968. Asher broke off the engagement in early 1968, after coming back from Bristol to find McCartney in bed with another woman.[223] They attempted to mend the relationship, but finally broke it off in July 1968. Jane Asher has consistently refused to publicly discuss that part of her life.[224]

Marriage to Linda Eastman

Main articles: Linda McCartney, Heather McCartney, Mary McCartney, Stella McCartney, and James McCartney

In May 1968, McCartney met Eastman again in New York, when Lennon and McCartney were there to announce the formation of Apple Corps.[225] In September, McCartney phoned Eastman and asked her to fly over to London. Six months later, McCartney and Eastman were married at a small civil ceremony (when Linda was four months pregnant with McCartney’s child) at Marylebone Registry Office on 12 March 1969. He later said that Eastman was the woman who “gave me the strength and courage to work again” (after the break-up of The Beatles).[226] McCartney adopted Linda’s daughter from her first marriage, Heather Louise (now a potter), and the couple had three more children together: photographer Mary Anna, fashion designer Stella Nina,[227] and musician James Louis. McCartney has claimed that he and Linda spent less than a week apart during their entire marriage, interrupted only by Paul’s incarceration in Tokyo on drug charges in January 1980.

Linda McCartney died of breast cancer in Tucson, Arizona, on 17 April 1998.[228] McCartney denied rumours that her death was an assisted suicide.[228][229]

McCartney now has five grandchildren: Mary’s two sons Arthur Alistair Donald (born 3 April 1999) and Elliot Donald (born 1 August 2002) and Stella’s children, Miller Alasdhair James Willis (born 25 February 2005),[230] daughter Bailey Linda Olwyn Willis (born 8 December 2006).[231], and Beckett Robert Lee (born 8 January 2008).

Marriage to Heather Mills

Main article: Heather Mills

After having sparked the interest of the tabloids about his appearances with Heather Mills at events, McCartney appeared publicly beside Mills at a party in January 2000, to celebrate her 32nd birthday.[232][233] On 11 June 2002, McCartney married Mills, a former model and anti-landmines campaigner, in an elaborate ceremony at Castle Leslie in Glaslough, County Monaghan, Ireland, where more than 300 guests were invited and the reception included a vegetarian banquet.[234] In October 2003, Mills gave birth to a daughter, Beatrice Milly McCartney.[235] The baby was reportedly named after Heather’s late mother Beatrice and Paul’s Aunt Milly.[236]

On 29 July 2006, British newspapers announced that McCartney had petitioned for divorce, which sparked a press furor.[237][238][239] A settlement was announced on 21 January 2007, but Mills’ lawyers denied this.[240] On March 17, 2008, the financial terms of the divorce were finalised[241] with a settlement awarding Heather Mills £24.3 million ($48.6 million).[242] The settlement will also see the former Beatle pay their four-year-old daughter Beatrice’s nanny and school fees and will pay Beatrice £35,000 ($70,000) a year until she is 18, or ends secondary education.[242][243][244][245] After the divorce ruling, Justice Bennett said that throughout the case Mills was “inconsistent, inaccurate and less than candid” while McCartney was “honest.”[246][247] On May 12, 2008, Justice Hugh Bennett issued only a preliminary divorce decree to be finalized in 6 months: “On the petition for divorce presented by Miss Heather Mills, I pronounce the decree nisi of divorce on the grounds of two years’ separation.”[248][249]

Lifestyle

McCartney’s lifestyle was greatly altered by his success and the income he earned. In the 1960s, the new availability of the first oral contraceptive and illegal drugs changed many people’s opinions—including McCartney’s—about life, marriage, and sexual relationships.[250]

Recreational drug use

McCartney’s introduction to drugs started in Hamburg, Germany.[251] The Beatles had to play for hours, and they were often given “Prellies” (Preludin) by German customers or by Astrid Kirchherr (whose mother bought them). McCartney would usually take one, but Lennon would often take four or five.[252]

After having been introduced to cannabis, by Bob Dylan in New York, in 1964, McCartney remembered getting “very high” and giggling.[253] McCartney’s use of cannabis became regular, and he was quoted in the Barry Miles book as saying that any future Beatles’ lyrics containing the words “high”, or “grass” were written specifically as a reference to cannabis—as was “Got to Get You into My Life”.[254] John Dunbar’s flat at 29 Lennox Gardens, in London, became a regular hang-out for McCartney, where he talked to musicians, writers and artists, and smoked cannabis.[166] In 1965, Miles introduced McCartney to hash brownies by using a recipe for hash fudge he found in the Alice B. Toklas Cookbook.[255] During the filming of Help!, he and the other Beatles occasionally smoked a spliff in the car on the way to the studio during filming, which often made them forget their lines.[256] Help! director Dick Lester said that he overheard “two beautiful women” trying to cajole McCartney into taking heroin, but he refused.[256]
McCartney called for the legalization of Cannabis in 1967.
McCartney called for the legalization of Cannabis in 1967.

McCartney’s attitude about cannabis was made public in the 1960s, when he added his name to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana’s medical uses. The advertisement was sponsored by a group called Soma and was signed by 65 people, including The Beatles, Brian Epstein, Graham Greene, R.D. Laing, 15 doctors, and two MPs.[257]

McCartney was introduced to cocaine by Robert Fraser, and it was available during the recording of Sgt. Pepper’s Lonely Hearts Club Band.[258][259] McCartney admitted sniffing heroin with Fraser, but did not feel any effect, and never took it again.[260]

In 1967, on a sailing trip to Greece—with the idea of buying an island for the whole group—McCartney said everybody sat around and took LSD, although McCartney first took it with Tara Browne, in 1966.[261][262][263] He took his second “acid trip” with Lennon on 21 March 1967 after a studio session.[264] McCartney was the first British pop star openly to admit to using LSD, in an interview in the now-defunct “Queen” magazine.[265] His admission was followed by a TV interview in the UK on Independent Television News on 19 June 1967, when McCartney was asked about his admission of LSD use, he said:
“ I was asked a question by a newspaper, and the decision was whether to tell a lie or tell him the truth. I decided to tell him the truth … but I really didn’t want to say anything, you know, because if I had my way I wouldn’t have told anyone. I’m not trying to spread the word about this. But the man from the newspaper is the man from the mass medium. I’ll keep it a personal thing if he does too, you know … if he keeps it quiet. But he wanted to spread it so it’s his responsibility, you know, for spreading it, not mine. ”

In another quote (cited and endorsed by The Byrds’ David Crosby at the Monterey Pop Festival), McCartney said,
“ [LSD] opened my eyes. We only use one-tenth of our brain. Just think of what we could accomplish if we could only tap that hidden part! It would mean a whole new world if the politicians would take LSD. There wouldn’t be any more war or poverty or famine. ”

In spite of his statements then, and his admission (in 2004) that he had used cocaine, McCartney was not arrested by Norman Pilcher’s Drug Squad, as had been Lennon, Harrison, Donovan, and several members of the Rolling Stones.[266] In 1972, however, police found cannabis plants growing on his Scottish farm.[267]

On 16 January 1980, Wings went to Tokyo for 11 concerts in Japan. As McCartney was going through customs, officials found 7.7 ounces (218.3 g) of cannabis in his luggage. He was arrested and taken to a Tokyo prison while the Japanese government decided what to do. McCartney had been previously denied a visa to Japan (in 1975) because he had been convicted twice in Europe for possession of cannabis.[266] Public figures called for McCartney to be tried by a jury for drug-smuggling. Had he been tried and convicted, he would have faced up to seven years in prison. The members of Wings cancelled the tour and left Japan. After ten days in jail, McCartney was released and deported. He was told that he would not be welcome in Japan again, although a decade later he played a concert in Tokyo. In 1984, Paul and Linda McCartney were both arrested for possession of cannabis.[268][269]

Meditation

On 24 August 1967, McCartney met the Maharishi Mahesh Yogi at the London Hilton, and later went to Bangor, in North Wales, to attend a weekend ‘initiation’ conference.[270] McCartney said that although he does not meditate daily, he still uses the mantra that the Maharishi Mahesh Yogi gave him in Bangor.[271] The time McCartney later spent in India at the Maharishi’s ashram was highly productive, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by McCartney, Lennon, or both together.[272] Although McCartney was told that he was never to repeat the mantra to anyone else, he did tell Linda McCartney,[273] and said he meditated a lot while he was in jail in Japan.[271]

Activism
McCartney’s campaign against landmines
McCartney’s campaign against landmines

The McCartneys became outspoken vegetarians and animal-rights activists. They said that their vegetarianism was realised when they happened to see lambs in a field as they ate a meal of lamb.[274] McCartney has also credited the 1942 Disney film Bambi – in which the young deer’s mother is shot by a hunter – as the original inspiration for him to take an interest in animal rights.[275] In his first interview after Linda’s death, he promised to continue working for animal rights.[276][277]

In 1999, McCartney spent £3,000,000 to make sure Linda McCartney’s food range remains free of GM ingredients.[278] In 2002, McCartney gave his support to a campaign against a proposed ban on the sale of certain vitamins, herbs and mineral products in the European Union.[279] Following his marriage to Heather Mills, McCartney joined with her to campaign against landmines;[280][281] both McCartney and Mills are patrons of Adopt-A-Minefield.[282] In 2003, he played a personal concert for the wife of a wealthy banker and donated his one million dollars to the charity.[283] He also wore an anti-landmines t-shirt on the Back in the World tour.[282]

In 2006, the McCartneys travelled to Prince Edward Island to bring international attention to the seal hunt (their final public appearance together). Their arrival sparked attention in Newfoundland and Labrador where the hunt is of economic significance.[284] The couple also debated with Newfoundland’s Premier Danny Williams on the CNN show Larry King Live. They further stated that the fishermen should quit hunting seals and begin a seal watching business.[285] McCartney has also criticised China’s fur trade,[286][287] and supports the Make Poverty History campaign.[288]

McCartney has been involved with a number of charity recordings and performances. In 2004, he donated a song to an album to aid the “US Campaign for Burma”, in support of Burmese Nobel Prize winner Aung San Suu Kyi,[289] and he had previously been involved in the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, and the recording of “Ferry Cross the Mersey” (released 8 May 1989) following the Hillsborough disaster.[290][291]

Football

The Beatles made few comments about the football clubs they supported, in case they alienated fans of the group,[292] although McCartney is a supporter of Everton Football Club[293] (his father and relatives used to take him to matches) but his allegiance later encompassed Liverpool F.C. (both clubs being from the same city; Liverpool).[294] Linda McCartney said: “We spent last night listening to Liverpool football team on the radio, wanting them to win so badly. Paul supports Liverpool. He was Everton for a while because of his family – but it’s all Liverpool now”.[295][296]

Both Lennon and McCartney watched the 1966 FA Cup Final between Everton and Sheffield Wednesday, and McCartney attended the 1968 FA Cup Final (18 May 1968) which was played between West Bromwich Albion and Everton.[297] After the final whistle, McCartney shared cigarettes and whisky with other fans.[296] Liverpool player, Albert Stubbins, was the only footballer shown on the Sgt. Pepper’s Lonely Hearts Club Band cover.[292] On 28 July 1968, The Beatles were photographed in a photographer’s studio at 192-212 Gray’s Inn Road, with McCartney wearing a Liverpool F.C. Rosette on two photos.[298]

McCartney tried to listen to the Liverpool v Manchester United 1977 FA Cup Final on a radio, while sailing in the Caribbean.[292] The video for McCartney’s Pipes of Peace (1983) recreated the football game played between German and British troops during WWI.[299][300] McCartney was seen at the 1986 FA Cup Final between Liverpool and Everton,[296] and in 1989, McCartney contributed to the “Ferry Cross the Mersey” charity single that was recorded to aid victims of the Hillsborough Disaster, which happened during a match between Liverpool and Nottingham Forest.[301]

Business

Main articles: Apple Corps, Northern Songs, and MPL Communications

McCartney is today one of Britain’s wealthiest men, with an estimated fortune of £824 million,[302] although Justice Bennett, in his judgment on McCartney’s divorce case found no evidence that McCartney was worth more than £400 million.[303] In addition to his interest in Apple Corps, McCartney’s MPL Communications owns a significant music publishing catalogue, with access to over 25,000 copyrights.[304][305] McCartney earned £40 million in 2003, making him Britain’s highest media earner.[306] This rose to £48.5 million by 2005.[307] In the same year he joined the top American talent agency Grabow Associates, who arrange private performances for their richest clients.[308] Northern Songs was established in 1963, by Dick James, to publish the songs of Lennon/McCartney.[309] The Beatles’ partnership was replaced in 1968 by a jointly-held company, Apple Corps, which continues to control Apple’s commercial interests. Northern Songs was purchased by Associated TeleVision (ATV) in 1969, and was sold in 1985 to Michael Jackson. For many years McCartney was unhappy about Jackson’s purchase and handling of Northern Songs.[310]

MPL Communications is an umbrella company for McCartney’s business interests, which owns a wide range of copyrights,[311] as well as the publishing rights to musicals,[312] and controls 25 subsidiary companies.[313] In 2006, the Trademarks Registry reported that MPL had started a process to secure the protections associated with registering the name “Paul McCartney” as a trademark.[314] The 2005 films, Brokeback Mountain[315] and Good Night and Good Luck, feature MPL copyrights.[316]

Critique and achievements

McCartney is listed in The Guinness Book Of Records as the most successful musician and composer in popular music history,[317][318] with sales of 100 million singles and 60 gold discs.[319][320] McCartney has achieved twenty-nine number-one singles in the U.S., twenty of them with The Beatles, the rest with Wings and as a solo artist.[317] McCartney has been involved in more number-one singles in the United Kingdom than any other artist under a variety of credits, although Elvis Presley has achieved more as a solo artist. McCartney has achieved 24 number-ones in the U.K.: solo (1), Wings (1), with Stevie Wonder (1), Ferry Aid (1), Band Aid (1), Band Aid 20 (1) and The Beatles (17).[321] McCartney is the only artist to reach the U.K. number one as a soloist (“Pipes of Peace”), duo (“Ebony and Ivory” with Stevie Wonder), trio (“Mull of Kintyre”, Wings), quartet (“She Loves You”, The Beatles), quintet (“Get Back”, The Beatles with Billy Preston) and sextet (“Let It Be” with Ferry Aid). McCartney’s song “Yesterday” is the most covered song in history with more than 3,500 recorded versions[322] and has been played more than 7,000,000 times on American TV and radio, for which McCartney was given an award.[323] After its 1977 release the Wings single “Mull of Kintyre” became the highest-selling record in British chart history, and remained so until 1984.

On 2 July 2005, he was involved with the fastest-released single in history. His performance of “Sgt. Pepper’s Lonely Hearts Club Band” with U2 at Live 8 was released only 45 minutes after it was performed, before the end of the concert.[324] The single reached number six on the Billboard charts, just hours after the single’s release, and hit number one on numerous online download charts across the world.[325] McCartney played for the largest stadium audience in history when 184,000 people paid to see him perform at Maracanã Stadium in Rio de Janeiro on 21 April, 1990,[326] and he played his 3,000th concert in front of 60,000 fans in St Petersburg, Russia, on 20 June 2004.[327] Over his career, McCartney has played 2,523 gigs with The Beatles, 140 with Wings, and 325 as a solo artist.[328]

In the concert programme for his 1989 world tour, McCartney wrote that Lennon received all the credit for being the avant-garde Beatle,[161] and McCartney was known as ‘baby-faced’, which he disagreed with.[329] People also assumed that Lennon was the ‘hard-edged one’, and McCartney was the ‘soft-edged’ Beatle, although McCartney admitted to ‘bossing Lennon around.’[330] Linda McCartney said that McCartney had a ‘hard-edge’—and not just on the surface—which she knew about after all the years she had spent living with him.[331] McCartney seemed to confirm this edge when he commented that he sometimes meditates, which he said is better than “sleeping, eating, or shouting at someone”.[273] In June 1983, McCartney released “We All Stand Together” from the animated film Rupert And The Frog Song, which was commercially successful, but was widely ridiculed as being “one of the worst songs in recent years”.[332]

Paul is dead rumours

Main article: Paul is dead

“Paul is Dead” is an urban legend alleging that McCartney died in 1966 and was replaced by a look-alike and sound-alike. The rumour is the subject of several books, including American journalist Andru J. Reeve’s 1994 book Turn Me On, Dead Man (ISBN 1-4184-8294-3) and English author Benjamin Fitzpatrick’s 1997 book, ‘Rumours from John, George, Ringo and Me’.”Paul is dead” analyst Joel Glazier hypothesized in a 1978 treatise that Lennon’s love of wordplay and studio editing may have been responsible for clues in later Beatles albums.[333]

1955 – Elvis Costello (Declan McManus) is born in …

Posted in 1950s, Agents & Lawyers, Albums/Singles that Rock, Anniversaries, tributes, & celebrations, Bands/Artists that Rock, Billboard charts, Bio, Birthdays, Blues, Chart Toppers, Classic, Composers & Songwriters, General, Gold, Platinum, Rock n Roll Hall of Fame (honoured diety), Singers, TV, Movies, Radio, Internet, & itunes | No Comments »

1955 – Elvis Costello (Declan McManus) is born in London. His biggest hit is the top 20 song “Veronica” in 1989, which he writes with Paul McCartney.

Elvis Costello (born Declan Patrick MacManus 25 August 1954) is an English musician and singer-songwriter, with Irish ancestry. Costello came to prominence as an early participant in London’s pub rock scene in the mid-1970s, and later became associated with the punk rock and New Wave musical genres, before establishing his own unique voice in the 1980s. Steeped in wordplay, the vocabulary of Costello’s lyrics is broader than that of most popular songs, and his music has drawn on dozens of genres. Critic Stephen Thomas Erlewine wrote, “Costello, the pop encyclopedia, can reinvent the past in his own image”.

Costello and Canadian jazz singer and pianist Diana Krall were married on December 6, 2003 at Elton John’s estate outside London. Their first children together, twin sons Dexter Henry Lorcan and Frank Harlan James, were born December 6, 2006 in New York City.
Biography

Early life

Costello was born Declan Patrick MacManus[3] in St Mary’s Hospital, Paddington in London, the son of Mary (née Costello) and Ross MacManus, a musician and bandleader.[4] Costello lived in Twickenham, attending what is now St Mark’s Catholic Secondary School in neighbouring Hounslow.[5] With a musically inclined father (his father sang with The Joe Loss Orchestra), Costello’s first broadcast recording was alongside his dad in a television commercial for R. White’s Lemonade (“I’m a Secret Lemonade Drinker”). His father wrote and sang the song; Costello provided backing vocals. The ad won a silver award at the 1974 International Advertising Festival.

Costello moved with his Liverpool-born mother to Birkenhead in 1971. It was there that he formed his first band, a folk duo called Rusty. After completing secondary school at St. Francis Xavier’s College Liverpool, he moved back to London where he next formed a band called Flip City,[6] which had a style very much in the pub rock vein. They were active from 1974 through early 1976. Around this time, Costello adopted the stage name D.P. Costello.

To support himself, he worked a number of office jobs, most famously at the Elizabeth Arden cosmetics firm — immortalised in the lyrics of “I’m Not Angry” as the “vanity factory” — where he worked as a data entry clerk. He worked for a short period as a computer operator at the Midland Bank computer centre in Bootle, Liverpool. He continued to write songs, and began actively looking for a solo recording contract. On the basis of a demo tape, he was signed to noted independent label Stiff Records. His manager at Stiff, Jake Riviera, suggested a name change, using Elvis Presley’s first name despite Costello having a small antipathy towards Presley, and Costello comes from his great grandmother’s name[7] to form Elvis Costello.

1970s

The first Costello single for Stiff was “Less Than Zero” b/w “Radio Sweetheart (single mix),” released on March 25, 1977. Two months later, Costello’s first album, My Aim Is True (1977), was a moderate commercial success (No. 14 in the UK and Top 40 in the US) with Costello appearing on the cover in his trademark oversize glasses, bearing a striking resemblance to a menacing Buddy Holly. A highlight of the album was the country-influenced ballad “Alison” with a typically biting Costello lyric. Costello’s backing on this first album was provided by American West Coast band Clover, a roots/country outfit living in England (contrary to rumor, Clover did not exactly become Huey Lewis and the News – Huey Lewis did play with Clover shortly before the recording of My Aim Is True, but he and Sean Hopper, who appears on Costello’s record, struck out on their own later). Costello was originally marketed as a punk artist. Later on, as the term New Wave was applied to the first post-punk bands, Costello was classified as new wave for a time.

The same year, Costello recruited via auditions his own permanent band, The Attractions, consisting of Steve Nieve (born Steve Nason; piano), Bruce Thomas (bass guitar), and Pete Thomas (drums; unrelated to Bruce Thomas). He released his first major hit single, “Watching the Detectives,” which was recorded with Nieve and the pair of Steve Goulding (drums) and Andrew Bodnar (bass), both members of Graham Parker & The Rumour (whom he had used to audition for The Attractions).

Stiff’s records were initially distributed only in the UK, which meant that Costello’s first album and singles were initially available in the US as imports only. In an attempt to change this, Costello was arrested for busking outside of a London convention of CBS (Columbia Records) executives, “protesting” that no US record company had yet seen fit to release Elvis Costello records in the United States. Costello signed to CBS in the US a few months later.
Elvis Costello, Cardiff, 1979
Elvis Costello, Cardiff, 1979

In December 1977, Costello and The Attractions appeared on Saturday Night Live as a last minute fill-in for the Sex Pistols, but Costello ended up causing some controversy himself, and was banned from the program for over a decade. Following a whirlwind tour with other Stiff artists (captured on the Live Stiffs album, notable for Costello’s recording of the Burt Bacharach/Hal David standard “I Just Don’t Know What to Do With Myself”) the band recorded the frenetic, raucous This Year’s Model (1978). Some of the more popular tracks include the British hit “(I Don’t Want To Go To) Chelsea” and the subversively anthemic “Pump It Up”. His U.S. record company saw Costello as such a priority that his last name replaced the word “Columbia” on the label of the disc’s original pressing. A tour of the US and Canada also saw the release of the much bootlegged promo-only “Live at the El Mocambo,” which finally saw an official release as part of the “2½ Years” box set in 1993. It was during the ensuing United States tour that Elvis met and developed a relationship with former Playboy model, Bebe Buell (mother of Liv Tyler). Their on-again-off-again courtship would last until 1984 and would allegedly become a deep well of inspiration for some of Costello’s most lovelorn songs. 1979 would arguably see the peak of Costello’s commercial success with the release of Armed Forces (originally to have been titled Emotional Fascism, a phrase that appeared on the LP’s inner sleeve). Both the album and the single Oliver’s Army went to #2 in the UK. Costello also found time in 1979 to produce the debut album for 2 Tone ska revival band, The Specials.

1980s
Live at Metropol-Theatre, Berlin, May 1980

The soul-infused Get Happy!! would be the first, and—along with King of America—possibly most successful, of Costello’s many experiments with genres beyond those he is normally associated with. The single, “I Can’t Stand Up For Falling Down” was an old Sam and Dave song (though Costello increased the tempo considerably). The brevity of the songs (20 tracks in under 50 minutes) suited the band’s new style (the Thomas’ typically melodic rhythm section and Nieve’s reasonable impersonation of Booker T. Jones) as well as the frantic and stressful conditions under which it was written and recorded, live at a rock concert and fuelled by excessive drinking. Lyrically, the songs are full of Costello’s signature wordplay, to the point that he later felt he’d become something of a self-parody and toned it down on later releases. He has mockingly described himself in interviews as “rock and roll’s Scrabble champion.” The only 1980 appearance in North America was at the Heatwave festival in August near Toronto.

1981′s Trust, despite its eclecticism (“Different Finger” had a distinct country feel) had a more pop sound than Get Happy!! Still, overall the album was clearly affected by the growing tensions within the band, particularly between Bruce and Pete Thomas. In the US, the single “Watch Your Step” was released and played live on Tom Snyder’s “Tomorrow” show, and received airplay on FM rock radio. In the UK, the single “Clubland” scraped the lower reaches of the charts; follow-up single “From A Whisper To A Scream” (a duet with Glenn Tilbrook of Squeeze) became the first Costello single in over 4 years to completely miss the charts.

Following Trust, Costello released Almost Blue, an album of country music cover songs written by the likes of Hank Williams (“Why Don’t You Love Me (Like You Used To Do?)”), Merle Haggard (“Tonight The Bottle Let Me Down”) and Gram Parsons (“How Much I Lied”). The album was a tribute to the country music he had grown up listening to, especially, George Jones. Some avid fans dismissed the album because it was inconsistent with earlier recordings. It was not a country-rock album (a la The Byrds or Eagles), which might have been more palatable to his established audience and to reviewers, but rather an undiluted country album. It received mixed reviews, some of which accused Costello of growing soft. Perhaps in anticipation of the inevitable accusations of apostasy, the first pressings of the record in the UK bore a sticker with the message: “WARNING: This album contains country & western music and may cause offence to narrow minded listeners”. Almost Blue did spawn a surprise UK hit single in a version of George Jones’s “Good Year For The Roses” (written by Jerry Chesnut), which reached #6.

Imperial Bedroom (1982) marked a much darker, almost baroque sound for Costello, due in part to the production of Geoff Emerick, famed for engineering several Beatles records. Imperial Bedroom remains one of his most critically acclaimed records, but again failed to produce any hit singles. Costello has said he disliked the marketing pitch for the album, weak ads consisting only of the phrase “Masterpiece?”. Imperial Bedroom also featured Costello’s song “Almost Blue”; jazz singer and trumpeter Chet Baker would later perform and record a version of this song.

1983 saw another sidetrack with the pop-soul of Punch the Clock, featuring female backing vocals (Afrodiziak) and a four piece horn section (The TKO Horns), alongside The Attractions. Clive Langer (who co-produced with Alan Winstanley), provided Costello with a melody which eventually became “Shipbuilding”, an oblique look at the political contradictions of the Falklands War: the controversial military build-up provided jobs for Britain’s struggling shipyards. The song featured a trumpet solo by Chet Baker. Prior to the release of Costello’s own version, a version of the song was a minor UK hit for former Soft Machine drummer and political activist Robert Wyatt.

Equally political was “Pills And Soap”—a UK hit for Costello himself under the pseudonym of “The Imposter”—an attack on the changes in British society brought on by Thatcherism, released to coincide with the run-up to the 1983 UK general election. (The electorate was seemingly unswayed.) Punch the Clock also generated an international hit in the single “Everyday I Write the Book”, aided by a prophetic music video featuring lookalikes of the Prince and Princess of Wales undergoing domestic strife in a suburban home. The song became Costello’s first top forty hit single in the US. Also in the same year, Elvis provided vocals on a version of the Madness song “Tomorrow’s Just Another Day” released as a B-side on the single of the same name. Tensions within the band were beginning to tell, and Costello announced his retirement and the disbandment of the group shortly before they were to record Goodbye Cruel World (1984). Costello would later say of this record that they had “got it as wrong as you can in terms of the execution”. The record was poorly received upon its initial release, and even many ardent Costello fans see Goodbye as his weakest album (the liner notes to the 1995 Rykodisc re-release, penned by Costello, begin with the words “Congratulations!, you’ve just purchased our worst album”). Costello’s retirement, although short-lived, was accompanied by two compilations, Elvis Costello: The Man in the UK, Europe and Australia, and The Very Best of Elvis Costello & the Attractions in the U.S.

In 1985, he appeared in the “Live Aid” benefit concert in England, singing The Beatles’ “All You Need is Love” as a solo artist. (The event was overrunning and Costello was asked to “ditch the band”). Costello introduced the song as an old northern folk song, and the audience was invited to sing the chorus, which they did.

In the same year Costello teamed up with good friend T-Bone Burnett for a single called “The People’s Limousine” under the moniker of The Coward Brothers. That year, Costello also produced Rum, Sodomy, and the Lash for the punk/folk band The Pogues. It was then that he met his second wife, Pogues bassist Cait O’Riordan.

By 1986, Costello was preparing to make a comeback. Working in the US with Burnett, a band containing a number of Elvis Presley’s sidemen (including James Burton and Jerry Scheff), and minor input from the Attractions, he produced King of America an acoustic-guitar-driven album with a country sound. Around this time he legally changed his name back to Declan MacManus, adding Aloysius as an extra middle name. The Attractions felt understandably insecure about the ease with which they could be dropped considering their boss had cut a new album largely without them, and was planning to undertake a major tour showcasing the King of America material with his new musical partners. To allay their fears, Costello retooled his upcoming tour to allow for multiple nights in each city; playing one night with The Confederates (James Burton et al.), one night with The Attractions, and one night solo acoustic.

In May 1986, Costello performed at Self Aid, a benefit concert held in Dublin that focused on the problem of chronic unemployment which was widespread in Ireland at that time. Later that year, he returned to the studio with the Attractions and recorded Blood and Chocolate, which was lauded for a post-punk fervour not heard since 1978′s This Year’s Model. It also marked the return of producer Nick Lowe, who had produced Costello’s first five albums. While Blood and Chocolate failed to chart a hit single of any significance, it did produce what has since become one of Costello’s signature concert songs — “I Want You”. It is on this album that Costello adopted the alias “Napoleon Dynamite”, the name he later attributed to the character of the obnoxious emcee that he played during the vaudeville-style tour to support Blood and Chocolate. (The pseudonym had previously been used in 1982, when the B-side single “Imperial Bedroom” was credited to Napoleon Dynamite & The Royal Guard, and was later appropriated by the 2004 film Napoleon Dynamite, which does not have anything to do with Costello.) In 1989, Costello, with a new contract with Warner Bros., released Spike, which spawned his biggest single in America, the Top Twenty hit “Veronica”, one of several songs Costello co-wrote with Paul McCartney in that timeframe (see “Collaborations” section below).

1990s

In 1991, infamously having grown a long beard, Costello released Mighty Like a Rose, which featured the single “The Other Side of Summer”. He also found time to co-compose and co-produce, with Richard Harvey, the title and incidental music for the acclaimed mini-series G.B.H. by Alan Bleasdale. This entirely instrumental, and largely orchestral soundtrack garnered a BAFTA, for “Best Music for a TV Series” for the pair.

In 1993, Costello tested the classical music waters with a critically acclaimed collaboration with the Brodsky Quartet on The Juliet Letters. Costello returned to rock and roll the following year with a project that reunited him with The Attractions, Brutal Youth. In 1995, Costello released Kojak Variety, an album of cover songs recorded 5 years earlier, and followed in 1996 with an album of songs originally written for other artists, All This Useless Beauty. This was the final album of original material that he issued under his Warner Bros. contract. In the spring of 1996, Costello played a series of intimate club dates, backed only by Nieve on the piano, in support of All This Useless Beauty. An ensuing summer and fall tour with the Attractions proved to be the death knell for the band. With relations between Elvis and bassist Bruce Thomas at a breaking point, Costello announced that the current tour would be the Attractions’ last. The quartet performed their final U.S. show in Seattle, Washington on September 1, 1996, before wrapping up their tour in Japan. To fulfill his contractual obligations to Warner Bros., Costello released a greatest hits album titled Extreme Honey (1997). It contained an original track titled “The Bridge I Burned”, featuring Elvis’ son, Matt, on bass. In the intervening period, Costello also served as artistic chair for the 1995 Meltdown Festival, which gave him the opportunity to leverage his increasingly eclectic musical interests. His involvement in the festival yielded a one-off live EP with jazz guitarist Bill Frisell, which featured both cover material and a few of his own songs. In 1998, Costello signed a unique multi-label contract with Polygram Records, sold by its parent company the same year to become part of the Universal Music Group. Costello released his new work on what he deemed the suitable imprimatur within the family of labels. His first new release as part of this contract involved a collaboration with famed sixties pop songwriter Burt Bacharach. Their work had commenced earlier, in 1996, on a song called “God Give Me Strength” for the movie Grace of My Heart. This led the pair to write and record Painted From Memory, released under his new contract in 1998, on the Mercury Records label. They also recorded an updated version of Bacharach’s song “I’ll Never Fall in Love Again” for the soundtrack to Austin Powers: The Spy Who Shagged Me, with both appearing in the film to perform the song. He also wrote “I Throw My Toys Around” for The Rugrats Movie and performed it with No Doubt.

In 1999, Costello contributed a version of the classic “She”, most famously released in 1974 by Charles Aznavour and Herbert Kretzmer, for the soundtrack of the film Notting Hill, with Trevor Jones producing. For the 25th anniversary of Saturday Night Live, Costello was invited to the program, where he re-enacted his abrupt song-switch: This time, however, he interrupted the Beastie Boys’ “Sabotage”, and they acted as his backing group for “Radio Radio.”

2000 to present
Costello performing with The Imposters in 2005.
Costello performing with The Imposters in 2005.

In 2000 Costello appeared at the Town Hall Theatre NYC, in Steve Nieve’s opera Welcome to the Voice, alongside Ron Sexsmith and John Flansburgh of “They Might Be Giants”.

In 2001, Costello was announced as the featured “artist in residence” at UCLA (although he ended up making fewer appearances than expected) and wrote the music for a new ballet. He produced and appeared on an album of pop songs for opera singer Anne Sofie von Otter.

In 2002 he released a new album, When I Was Cruel, this time on Island Records, and toured with a new band, the Imposters (essentially the Attractions but with a different bass player, Davey Faragher, formerly of Cracker). On February 23rd, 2003, Costello, along with Bruce Springsteen, Steve Van Zandt, and Dave Grohl performed a version of The Clash’s “London Calling” at the 45th Grammy Awards ceremony, in honor of legendary Clash frontman Joe Strummer, who had died in December of the previous year. In March 2003, Elvis Costello & The Attractions were inducted into the Rock and Roll Hall of Fame. In May, his engagement to Canadian jazz singer and pianist Diana Krall was announced. September saw the release of North, an album of piano-based ballads concerning the breakdown of his former marriage, and his falling in love with singer Diana Krall.

In 2004, the song “Scarlet Tide” (co-written by Costello and T-Bone Burnett and used in the film Cold Mountain) was nominated for an Academy Award; he performed it at the awards ceremony with Alison Krauss, who also sang the song on the official soundtrack. Costello co-wrote many songs on wife Diana Krall’s 2004 CD, The Girl in the Other Room, the first of hers to feature several original compositions. In July 2004 Costello’s first full-scale orchestral work, Il Sogno, was performed in New York. The work, a ballet after Shakespeare’s A Midsummer Night’s Dream, was commissioned by Italian dance troupe Aterballeto, and received critical acclaim from the classical music critics, while being scorned by the popular music press.
Costello’s hand prints on the European Walk of Fame, Rotterdam
Costello’s hand prints on the European Walk of Fame, Rotterdam

While composing it, Costello deliberately avoided listening to the previous interpretations by Mendelssohn and Britten in order to ensure his own originality. A range of musical moods and styles are used to represent the different elements of the cast—satirical pomp for the courtiers, jazz for the faeries, and for Bottom a deliberately intrusive “brass band” motif. Performed by the London Symphony Orchestra, conducted by Michael Tilson Thomas, the recording was released on CD in September by Deutsche Grammophon. Costello released another album that same month: The Delivery Man, recorded in Oxford, Mississippi, and released on Lost Highway Records. Mainly blues, country, and folk, The Delivery Man received early acclaim as one of Costello’s best albums, and continues Costello’s personal quest to release an album on each of Universal’s record labels.

In July 2005, a CD recording of a collaboration with Marian McPartland on her show Piano Jazz was released. It featured Costello singing six jazz standards and two of his own songs, accompanied by Marian McPartland on piano. In November 2005 Costello started recording a new album with Allen Toussaint and producer Joe Henry. The River in Reverse was released in the UK on the Verve label on 29 May 2006.

In 2006 the studio recording of Nieve’s opera “Welcome to the Voice”, for Deutsche Grammophon, Costello interpreted the character of Chief of Police, with Barbara Bonney, Robert Wyatt, Sting and Amanda Roocroft.

Also released in 2006 was a live recording of a concert with the Metropole Orkest at the North Sea Jazz Festival, entitled My Flame Burns Blue.

In 2007 Nieve’s opera “Welcome to the Voice was released on CD by Deutsche Grammophon, reaching #2 in the Billboard classical charts.

Costello has been commissioned to write a chamber opera by the Danish Royal Opera, Copenhagen, on the subject of Hans Christian Andersen’s infatuation with Swedish soprano Jenny Lind, called The Secret Songs. Some of the songs were previewed on the Opera’s main stage in October 2005. However, since Costello has repeatedly missed deadlines, plans have been changed: extracts from the projected opera will be interspersed with songs from The Juliet Letters for performance in the Opera’s studio theatre (Takelloftet) in March 2007. It will be directed by Kasper Bech Holten and will feature Danish soprano Sine Bundgaard as Lind.

On May 6th, 2008, Fender Musical Instruments releases the Elvis Costello Jazzmaster, an exact representation of his late-1960′s heavily modified Fender Jazzmaster guitar he had used to record his first 1977 album, “My Aim Is True”, honoring one of the most recognized Jazzmaster players in music history. Uniquely Costello-inspired features include a post-’68 neck design, a walnut stain finish and a tremolo with easier and greater travel, essential for that “Watching the Detectives” tone, or what Costello calls that “spy movie” sound. This signature release comes during the 50th anniversary of Fender’s introduction of the Jazzmaster guitar, which first appeared in 1958.

On April 22nd, a new Elvis Costello and the Imposters album, “Momofuku”, will be released on Lost Highway Records, the same imprint that released his last major studio album, “The Delivery Man”. The new album will, at least initially, be released exclusively on vinyl (with a code to download a digital copy of the album). This summer, in support of the album, Costello will tour with The Police on the final leg of their 2007/2008 Reunion Tour.

On 5th February 2008 it was announced Elvis would play a homecoming gig at the Liverpool Philharmonic Hall on June 25th.[8]

On 28th June 2008, Costello gave his first performance in Poland, appearing with the Imposters for the closing gig of the Malta theatre festival in Poznań.

In July 2008, Costello (as Declan McManus) was awarded an honorary degree of Doctor of Music from the University of Liverpool.

In November 2008, Costello will interpret the role of Chief of Police in “Welcome to the Voice” on the stage of the Théâtre du Châtelet in Paris, with Sting, Joe Sumner of Fiction Plane, and Sylvia Schwartz.

Controversies

Costello’s success in the U.S. was bruised for a time in the late 1970s when, during a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio, Holiday Inn hotel bar, Costello allegedly referred to James Brown as a “jive-ass nigger,” then upped the ante by pronouncing Ray Charles a “blind, ignorant nigger.”[9]

A contrite Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious in order to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press. According to Costello, “it became necessary for me to outrage these people with about the most obnoxious and offensive remarks that I could muster.” In his liner notes for the expanded version of Get Happy!!, Costello writes that some time after the incident he had declined an offer to meet Charles out of guilt and embarrassment, though Charles himself had forgiven Costello (“Drunken talk isn’t meant to be printed in the paper”). In a Rolling Stone interview with Greil Marcus, he recounts an incident when Bruce Thomas was introduced to Michael Jackson as Costello’s bass player and Jackson said, “I don’t dig that guy…”.[9]

Costello worked extensively in Britain’s Rock Against Racism campaign both before and after this and also produced the debut album of the Specials whose multi-racial line-up was a very public statement about integration. This incident inspired his Get Happy!! song “Riot Act”.[10]

Personal life

Costello has been married three times. In 1974, MacManus married Mary Burgoyne. The couple had a son, Matthew, and divorced in 1984. In 1986, Costello married Cait O’Riordan, then bassist for the band The Pogues. The couple split at the end of 2002. Costello became engaged to singer Diana Krall in May 2003. In December, Costello and Krall married at the London estate of Sir Elton John. Their twin sons Dexter Henry Lorcan and Frank Harlan James were born December 6, 2006 in New York City.
Wikinews has related news:
Canadian jazz star Diana Krall gives birth to twin boys

Collaborations

In addition to his major recorded collaborations with Bacharach, the Brodsky Quartet, and von Otter, Costello has frequently been involved in other collaborations.

In 1987, Costello began a long-running songwriting collaboration with Paul McCartney. They wrote a number of songs together, including:

* “Back On My Feet”, the B-side of McCartney’s 1987 single “Once Upon A Long Ago”, later added as a bonus track on the 1993 re-issue of McCartney’s Flowers in the Dirt
* Costello’s “Veronica” and “Pads, Paws and Claws” from Spike (1989)
* “So Like Candy” and “Playboy to a Man” from Mighty Like a Rose (1991)
* McCartney’s “My Brave Face”, “Don’t Be Careless Love”, “That Day Is Done” and “You Want Her Too” from Flowers in the Dirt (1989)
* “The Lovers That Never Were” and “Mistress and Maid” from Off the Ground (1993).
* “Shallow grave” from “All This Useless Beauty” (1996).
* “I don’t want to confess”, “Tommy’s coming home”, “Twenty-five fingers” and “Indigo moon” (Officially unreleased).

Costello talked about their collaboration:

When we sat down together he wouldn’t have any sloppy bits in there (meaning the songs). That was interesting. The ironic part is, if it sounds like he wrote it, I probably did and vice versa. He wanted to do all the ones with lots of words and all on one note, and I’m the one trying to work in the “Please Please Me” harmony all over the place.[citation needed]

* In 1987, he appeared on the HBO special Roy Orbison and Friends, A Black and White Night, which featured his long-time idol Roy Orbison, and was invited back to Saturday Night Live for the first time since 1977.

Artistic significance

Costello has worked with Tony Bennett, Lucinda Williams, Lee Konitz, Brian Eno, and Rubén Blades, just a few of the artists not mentioned above. Costello has inadvertently made himself capable of challenging Kevin Bacon’s role in a musical version of the Six Degrees of Kevin Bacon game, as his associations span the gamut in the music industry.

Costello is also a big music fan, and often champions the works of others in print. He has written several pieces for the magazine Vanity Fair, including the summary of what a perfect weekend of music would be. His collaboration with Bacharach honoured Bacharach’s place in pop music history. Costello also appeared in documentaries about singers Dusty Springfield and Wanda Jackson. He has also interviewed one of his own influences, Joni Mitchell.

In 2004, Rolling Stone Magazine ranked him #80 on their list of the 100 Greatest Artists of All Time.[11]

Discography

Main article: Elvis Costello discography

Rykodisc/Demon reissues

From 1993 to 1995, Rykodisc Records (U.S.) and Demon Records (UK) reissued Costello’s pre-Warner Bros. catalogue with bonus tracks for each album as well as a greatest hits compilation and the live album Live at the El Mocambo. In addition, Rykodisc were the U.S. distributor for The Juliet Letters. This licensing deal ended in 2000.

Rhino reissues

Starting in 2001, Rhino Records began an eighteen double-disc reissue program for Costello’s back catalogue prior to his Polygram/Universal contract. Except for the compilation, each of the reissues presented the remastered original album on one disc, and a separate bonus disc of B-sides, outtakes, live tracks, alternate versions and/or demos of songs.

The project featured the direct participation and guidance of Elvis Costello himself, who wrote new liner notes for each album consisting of his thoughts on the music as well as anecdotes and reminiscences from the time. They were released in batches of three, with the exception of King of America, The Juliet Letters, and The Very Best of Elvis Costello, the last being an unaltered re-release of the Polygram compilation of 1999, which arrived in the stores singularly. The reissue dates are as follows:

1. April 17, 2001: The Very Best of Elvis Costello
2. August 11, 2001: My Aim Is True, Spike, All This Useless Beauty
3. February 19, 2002: This Year’s Model, Blood and Chocolate, Brutal Youth
4. November 19, 2002: Armed Forces, Imperial Bedroom, Mighty Like a Rose
5. September 9, 2003: Get Happy!!, Trust, Punch the Clock
6. August 3, 2004: Almost Blue, Goodbye Cruel World, Kojak Variety
7. April 26, 2005: King of America
8. March 21, 2006: The Juliet Letters

The Almost Blue and Kojak Variety bonus discs were particularly notable as each contained, essentially, an entire new album’s worth of material also performed but either not issued, or released as B-sides on singles originally. The Kojak bonus disc also included ten songs of the ‘George Jones’ tape, cover songs Costello intended to induce the famed country singer to perform on a subsequent album. The Get Happy bonus disc was also of note, with 30 additional tracks, bringing the total for the two disc set to 50 songs.

Costello’s early single on Stiff can be found on the Ultimate Stiff Records Discography site: http://www.buythehour.se/stiff/

Universal reissues

In August 2006, three months after the conclusion of Rhino’s reissue series (My Aim Is True through The Juliet Letters), Universal Music Enterprises announced their purchase of the early Elvis Costello catalogue. This licensing acquisition covers from My Aim Is True through King of America, excluding the Warner Bros. albums (Spike through All This Useless Beauty). These albums had all been re-released on Rhino, a Warner Music Group subsidiary. The press release says, “[l]eading the industry in online marketing with a dedicated department that manages its digital and mobile business, UMe also expects to mine Costello’s catalog for ringtones, digital box sets, and more.”[12] UMe announced that they would be reissuing the albums on their Hip-O Select label. Costello is quoted in the press release as saying, “[I]t’s great to be able to do this through a company that has not only enjoyed major success with reissues but has done them with a genuine emphasis on quality.”[13] This reissue series will mark the fourth release of his Stiff/Radar/Demon catalogue (released by Columbia Records in the US) on compact disc.

Tribute albums

1. 1998: Bespoke Songs, Lost Dogs, Detours & Rendezvous – (various artists)
2. 2002: Almost You: The Songs of Elvis Costello – (various artists)
3. 2003: The Elvis Costello Songbook – Bonnie Brett
4. 2004: A Tribute to Elvis Costello – Patrik Tanner
5. 2004: Davis Does Elvis – Stuart Davis

Filmography

* 1979 film debut as “Earl Manchester” in Americathon
* 1984 as “Henry Scully” in UK TV series Scully
* 1984 as “Stone Deaf A&R Man” in UK TV series “The Comic Strip Presents”, episode “The Bullshitters” (directed by Stephen Frears)
* 1985 as inept magician “Rosco de Ville” in the Alan Bleasdale film No Surrender
* 1987 as “Hives the Butler” in the Alex Cox film Straight to Hell, starring Joe Strummer and Courtney Love
* 1994, 1996 as himself in The Larry Sanders Show
* 1997 as himself in Spiceworld
* 1999 as himself in Austin Powers: The Spy Who Shagged Me, performing the song “I’ll Never Fall In Love Again” with Burt Bacharach
* 1999 as himself in 200 Cigarettes
* 2000 as himself in Sans plomb
* 2001 as a public defender and a teacher in Prison Song,
* 2001 as himself in the final episode of 3rd Rock from the Sun,
* 2002 as himself (voice) in “How I Spent My Strummer Vacation”, an episode of The Simpsons
* 2003 Academy Award nomination for best original song “The Scarlet Tide” in Cold Mountain.
* 2003 as “Ben” in the Frasier episode “Farewell, Nervosa”
* 2003 as guest host on Late Show with David Letterman
* 2003 as himself in I Love Your Work
* 2004 performing the Cole Porter song “Let’s Misbehave” in De-Lovely
* 2004 as himself on Two and a Half Men
* 2005 as himself in the American situation comedy Two and a Half Men
* 2006 as himself in Putting the River in Reverse
* 2006 as himself in Talladega Nights: The Ballad of Ricky Bobby
* 2006 as himself in Delirious

Tags: acotic, ad, Ads, AIDS, album, Alex, alternative, America, American, Anne, appearance, april, Arm, army, arrest, arrested, Artist, artists, attacked, Audience, Austin, Awards, b bboard, ballad, Ban, Band, bandleader, banned, bass, Bassist, Bear, beatle, Beatles, benefit, Berlin, Best, Birth, bite, black, blind, Blood, Blues, book, books, born, Break, bridge, britain, British, broadcast, Broadcasters, Brown, Buddy, burn, burns, Byrds, campaign, campaigning, can catalog, Canada, Canadian, cbs, ceremony, chart, Charts, Chelsea, children, Christian, Clash, Classic, closes, Club, Columbia, comedy, comic, Commercial, composer, concert, concerts, contract, Copenhagen, country, Courtney, Critic, critics, date, Dave, davis, day, deal, death, debut, degree, dies, digitally, dision, divorce, domestic, download, downloads, Dream, drummer, Dublin, Eagles, Eclectic, elton, Elvis, England, english, Europe, European, falling, fame, family, Fan, fans, Father, Fender, film, first, front game, gaming, George, gig, girls, glasses, God, Good, graham, Grammies, Grammy, grea ground, gs, guitar, guitarist, hall, heart, history, hit, hits, Holiday, Hollies, Home, Honor, Honored, Honors, hospital, Host, Hosts, hotel, huey, Idol, ignore, ill, image, Inducted, induction, inducts, Industry, influence, Instrumental, international, interview, Ireland, irish, issued, Italian, Jacksons, Japan, Jazz, John, King, label, Last, Ld McCartney, led, Legal, lewis, life, Liv, live, Liverpool, London, lost, love, LP, lyrics, Madness, man, Manager, Manchester, mark, marry, Mary, May, McCartney, Mississippi, Mothers, Movie, Music, Musician, nights, Ohio, on, Online, Opera, Orchestra, orders, Original, Oxford, Paris, Paul, perform, Piano, Plane, play, police, Politics, pop, Presley, press, Preview, pri producer, Prince, Producers, producing, public, radio, Record, recording, Records, release, released, remaster, replacement, Replacements, retire, return, Reunion, Richards, riots, Rock, Rumours, s, same, seas, Sex, Showcase, sign, sing, Singer, Singers, single, singles, Sir, Sixties, sold, solo, son, Song, songs, Songwriter, soundtrack, Spring, springsteen, stage, star, Stills, Sting, stones, Store, Studio, Success, suit, summer, Sun, Swedish, T-bone, test, Time, title, Tommy, Top, Tops, Toronto, tour, tracks, Trademark, tribut, Tribute, trumpet, twins, Universal, US, Vinyl, Vocal, Vocals, wales, walk, war, Warner, Washington, watch, waters, White, Who, wife, world, worst, Year, York

Oct 03

1948 – Fleetwood Mac songwriter Lindsey Buckingham is born in Palo Alto, Calif.

Posted in 1940s, Bands/Artists that Rock, Billboard charts, Bio, Birthdays, Chart Toppers, Classic, Composers & Songwriters, General, Gold, Guitarists, Platinum, Rock n Roll Hall of Fame (honoured diety), Singers | No Comments »

1948 – Fleetwood Mac songwriter Lindsey Buckingham is born in Palo Alto, Calif.

Lindsey Adams Buckingham (born October 3, 1949) is an American guitarist and singer, most notable for being a member of the musical group Fleetwood Mac. Aside from his tenure with Fleetwood Mac, Buckingham has also released five solo albums and a live album. He is married to photographer Kristen Messner and has three children. As a member of Fleetwood Mac, he was inducted into The Rock and Roll Hall of Fame in 1998.

Early years

Born in Palo Alto, California, Buckingham was the third and youngest son of Rutheda (née Elliott) and Morris Buckingham. He had two older brothers, Jeff and Greg. Growing up in the Bay Area community of Atherton, California, Buckingham and his brothers were encouraged to swim competitively. Though Buckingham dropped out of athletics to pursue music, his brother Greg went on to win a silver medal at the 1968 Olympics in Mexico City.

Buckingham’s first forays into guitar playing took place on a toy Mickey Mouse guitar, playing along to his brother Jeff’s extensive collection of 45s. Noticing his talent, Buckingham’s parents bought their son a $35 Harmony guitar.

Buckingham never took guitar lessons and does not read music, on principle. By age 13, he became interested in folk music and, influenced by banjo methods, practiced the fingerpicking styles of The Kingston Trio. At 15 he joined a small folk group, providing vocals and guitar work.

Fritz

Buckingham met Stevie Nicks while they both attended Menlo Atherton High School, and later formed The Fritz Rabyne Memorial Band with her and three other friends. Buckingham’s fingerpicking style gave him difficulty playing rock guitar, and thus he moved to bass. After gaining popularity at Menlo-Atherton High School, “Fritz” became a popular local act and even opened for such acts as Santana, Jimi Hendrix and Janis Joplin.

After cutting some demos with Fritz for producer Keith Olsen, Buckingham and Nicks struck out on their own, and Fritz disbanded in 1971. Buckingham and Nicks became involved romantically, dropping out of San Jose State to pursue a career making music together. Buckingham was stricken with a case of “mono” (Infectious mononucleosis) and his illness forced Nicks to begin waiting tables and cleaning houses to support the couple, while allowing him the free time to master his guitar techniques.

Buckingham Nicks

Buckingham and Nicks recorded seven demos in 1972 on an analog 4-track. They drove to Los Angeles to pursue a record deal. In 1973, Polydor Records signed the pair. Their album, Buckingham Nicks, was released in September 1973; soon after its release, Polydor dropped the duo due to poor sales.

Despite the record company misstep, Buckingham Nicks has been championed by rock critics since its release. It features gorgeous two-part harmonies backed by notable LA session musicians, including superstar drummer Jim Keltner. Other session musicians include: Ron Tutt, Drums (Elvis Presley TCB Band); Peggy Sandvig, Keyboards; Waddy Wachtel, Guitar; Jorge Calderon, Percussion; Jerry Scheff (Elvis Presley TCB Band), Bass; Monty Stark, Synthesizer; Gary Hodges, Drums; and Mark Tulin, Bass. (from the album jacket)

Although money was tight, the hardworking duo caught the attention of many budding musicians, including Warren Zevon, who is rumored to have been a roommate of Nicks and Buckingham in a Fairfax district apartment.

A short tour promoting the Buckingham Nicks album commenced shortly after the joining of Buckingham and Nicks with Fleetwood Mac. Bootlegs of two concerts in Mobile and Tuscaloosa exist and are widely distributed on peer-to-peer networks and fansites. The touring band included drummers Bob Aguirre (from Fritz) and Gary Hodges playing simultaneously, bassist Tom Moncrieff (who later was featured playing bass on Stevie Nicks’ album Belladonna), and, of course, Buckingham and Nicks.

To help make ends meet, Buckingham toured with Don Everly’s back-up band, singing Phil Everly’s parts. Buckingham and Nicks were eventually forced to move in with record producer Keith Olsen, who helped the pair work on several demos for the next Buckingham/Nicks album, including “I’m So Afraid”, “Monday Morning”, and “Rhiannon”.

Buckingham Nicks has never been released on CD (although a bootleg version exists). Both Buckingham and Nicks have hinted at a possible remix and re-release on CD in the near future. Buckingham has also suggested a tour in support of the collection could be something the two may be interested in. Moncrieff and Hodges, from the original Buckingham Nicks touring band have also expressed interest.

Fleetwood Mac

While checking out the Sound City recording studio in California, Mick Fleetwood heard the song “Frozen Love” from the Buckingham Nicks album. He asked who the guitarist was, and immediately stated that he wanted him to fill a recent vacancy. Buckingham insisted to Fleetwood that he and Nicks were a package deal–if Fleetwood didn’t want Nicks, he wouldn’t get Buckingham. The duo was quickly asked to join Fleetwood Mac on New Year’s Eve, 1974.

Fleetwood Mac released their eponymously titled album in 1975, which became a hit. However it was the second album of this new line-up, Rumours, that propelled the band to superstar status when it became one of the best-selling albums of all time. After the resounding commercial success of Rumours (during the making of which Buckingham and Nicks famously split), Buckingham was determined to avoid falling into repeating the same musical pattern. The result was Tusk (1979), a double album that Buckingham primarily directed. It was during this time that Buckingham moved in with record company secretary and aspiring model, Carol Ann Harris, with whom he lived until 1984. Though by most standards a hit, Tusk failed to come anywhere close to what Rumours had done.

After a large world tour that ended in 1980, the band took a year long hiatus before reconvening to record their next album Mirage, a more pop-friendly work that returned the band to the top of the US album chart. However, by this time various members of the band were enjoying success as solo artists (particularly Nicks) and it would be five years before the release of the next Fleetwood Mac album. By the time Tango in the Night was released in 1987, Buckingham had already made two solo albums and had given up much of the material for what would have been his third solo album for the project, including “Big Love”, “Tango in the Night”, “Family Man”, “You and I”, and “Caroline”. On several of these tracks Buckingham played every instrument. “Big Love”, released as the first single from the album, became a top ten hit in the US and the UK. Many believed (including talk show host David Letterman) the “love grunts” on the track were sung by Stevie Nicks. However, the vocals on the song were all, in fact, sung by Buckingham, who used studio technology to alter the pitch of his voice.

Propelled by a string of hit singles, Tango in the Night became the band’s biggest album since Rumours ten years earlier. However, just prior to embarking on a world tour for the album, Buckingham left Fleetwood Mac as he had been exhausted by producing the album and simply didn’t have the appetite for a world tour. Fleetwood Mac continued without him, and Buckingham was replaced by guitarists Rick Vito and Billy Burnette.

Solo projects
The cover of Law and Order (1981), Buckingham’s first solo album
The cover of Law and Order (1981), Buckingham’s first solo album

During the time he worked on Tusk, Buckingham also produced albums for Walter Egan and John Stewart in the late 1970s as well as beginning work on his own solo album.

In 1981, Buckingham released his first solo album Law and Order, playing nearly every instrument and featuring guest appearances by bandmates Mick Fleetwood and Christine McVie. The album pursued the quirky, eclectic, often lo-fi and new-wave-influences of Tusk, and spawned the hit single “Trouble”, a slice of Southern California Beach Boys-inspired pop that reached #9 on the US Charts and #1 in Australia (for three weeks). Two years later, he wrote and performed the songs “Holiday Road” and “Dancin’ Across the U.S.A.” for the film National Lampoon’s Vacation. “Holiday Road” was released as a single, but reached only #82 on the Billboard’s Hot 100. He did other soundtrack work, including the song “Time Bomb Town” from Back to the Future (1985).

In 1984, after ending his 7-year relationship with Carol Ann Harris, he released his second solo album, Go Insane. The title track was a modest hit, reaching #23 on the Hot 100. The last track of the album, D.W. Suite, was a tribute to the late Beach Boys drummer Dennis Wilson. The next year, Buckingham performed on USA for Africa’s fundraising single, “We Are the World”.

Following his split with Fleetwood Mac in 1987, Buckingham spent much of the next five years in the studio, working on his third solo album, Out of the Cradle, which was released in 1992. Many of the songs seem to deal with the death of his father and the sudden death of his brother Greg in 1990. “Wrong” was a gentle rebuke of former bandmate Mick Fleetwood’s tell-all biography. Out of the Cradle received some favorable reviews but did not achieve the sales levels associated with Fleetwood Mac. However, Buckingham toured throughout 1992-93 for the first time as a solo artist; his band included an army of seven other guitarists (Buckingham himself calls them “the crazy band” on his Soundstage DVD), each of whom he individually taught the entire two-and-a-half hours of music from the concert (Lindsey Buckingham: Behind the Music documentary for VH-1, 2001).

A subsequent solo album, entitled Gift of Screws, was recorded between 1995-2001 and presented to Warner Bros./Reprise for release. Executives at the label managed to persuade Buckingham to hold the CD back and instead take several tracks from Gift of Screws and re-record them with Fleetwood Mac. Thus, seven songs from Gift of Screws (“Murrow Turning Over In His Grave”, “Miranda”, “Red Rover”, “Come”, “Steal Your Heart Away”, “Bleed to Love Her”, and “Say Goodbye”) appear on the Fleetwood Mac album Say You Will and in substantially the same form as Buckingham had recorded them for his solo release. Excellent bootleg copies of Gift of Screws — taken from an original CD-R presented to Warner Bros/Reprise — are known to exist and have been widely distributed among fans through the use of torrent sites and other peer to peer networks. Other songs from Gift of Screws appear on Buckingham’s 2005 Soundstage DVD, and on his 2006 solo album, Under The Skin.

Buckingham contributed the song “Shut Us Down” (co-written with Cory Sipper) to the soundtrack of the Cameron Crowe movie, Elizabethtown. In November of 2005, he released his Soundstage performance (taped in 2003) on DVD, and on his 57th birthday, (October 3, 2006) an acoustic album entitled Under the Skin was released. Under The Skin features Buckingham on almost all instruments, with the exception of two tracks that feature Fleetwood Mac rhythm section John McVie and Mick Fleetwood. The album includes a cover of The Rolling Stones classic “I Am Waiting”. Three days after the album’s release, Buckingham started a tour promoting the album that lasted until the end of June 2007.

Buckingham followed-up Under The Skin with a live release titled Live at the Bass Performance Hall, a CD/DVD combo of his Fort Worth concert in January 2007 that was released on March 25, 2008.

A further US tour has been scheduled for September and October 2008 , as promotion for Buckingham’s new album Gift Of Screws which was released on September 16, 2008.

Rejoining Fleetwood Mac

In 1992, newly-elected president Bill Clinton asked Fleetwood Mac to come together to perform the song he had chosen for his campaign, “Don’t Stop”, at his inaugural ceremony. Buckingham agreed to be part of the performance, but the experience was something of a one-off for the band, who were still very much at odds with one another and had no plans to reunite officially.

While assembling material for a planned fourth solo album in the mid 1990s, Buckingham contacted Mick Fleetwood for assistance on a song. Their collaboration lasted much longer than anticipated, and the two eventually decided to call upon John and Christine McVie. The band’s old chemistry was clearly still there, and plans for a reunion tour were soon in the works. In 1997, Buckingham and all four of his bandmates from the original Rumours line-up of Fleetwood Mac went on the road for the first time together since 1982 in a reunion tour titled The Dance. The tour was hugely successful and did much to heal the damage that had been done between Buckingham and his bandmates. In 2003, the reformed band released the first studio album involving Buckingham and Nicks in 15 years, Say You Will. However, Christine McVie had opted to leave the band in 1998, essentially now making the band a foursome. Buckingham’s song “Peacekeeper” was the first single from the album, and the band went on a world concert tour that would last almost a year and a half.

The band plans to tour and then record a new studio album in 2009, rehearsals begin in Jan ’09 and the tour is expected to start in Apr ’09. Christine McVie will not be involved in this eventual project. Buckingham has stated that he planned to record a song entitled “If You Insist” for his upcoming album Gift Of Screws, but reconsidered once he pondered “the dynamics of Stevie singing backup with me. I can’t hear this song without her so I’m waiting until (Fleetwood Mac) regroup. This is a Fleetwood Mac song if ever I wrote one”

Musical style

Unlike many rock guitarists, Buckingham does not use a plectrum, or a pick. Instead, he uses his fingers and fingernails. By his own admission, Buckingham does use a fingerpick in the studio. Before and initially after joining Fleetwood Mac, Buckingham used a Gibson Les Paul. In 1979, he worked with Rick Turner, owner of Renaissance Guitars to create the Model One. He has used it extensively since, both with Fleetwood Mac and for his solo efforts. He has also used an Ovation Celebrity for acoustic performances and a Fender Telecaster.

His influences include The Beach Boys and The Kingston Trio.

Family

On July 8, 1998, Buckingham’s girlfriend, Kristen Messner, gave birth to their son, William Gregory Buckingham. Buckingham and Messner subsequently married in 2000, and she gave birth to a daughter, Leelee, the same year. Their third child, Stella, was born on April 20, 2004.

Discography

As Buckingham Nicks
Year Album US UK Additional information
1973 Buckingham Nicks – – Debut album featuring duo of Buckingham and partner Stevie Nicks. Both would later join Fleetwood Mac, after this album failed commercially and label Polydor dropped them as they were recording tracks for follow-up LP

With Fleetwood Mac

Main article: Fleetwood Mac discography

Solo albums
Year     Album     US     UK     Additional information
1981     Law and Order     32     –     Featured Buckingham’s biggest charting single outside of Fleetwood Mac – “Trouble”
1984     Go Insane     45     –     -
1992     Out of the Cradle     128     51     -
2006     Under the Skin     80     154     -
2008     Live at the Bass Performance Hall     186     –     -
2008     Gift of Screws     48     59     Release Date: September 15th, 2008

Soundtrack appearances
Year     Song     Soundtrack     Additional information
1983     “Holiday Road, “Dancing Across The USA”     National Lampoon’s Vacation     -
1985     “Time Bomb Town”     Back to the Future     -
1994     “On The Wrong Side”     With Honors     -
1996     “Twisted”     Twister     Duet with Stevie Nicks
2005     “Shut Us Down”     Elizabethtown     Un-Cut Version
2006     “Big Love”     Elizabethtown Vol 2     Live Soundstage Performance

Singles
Year     Song     US Hot 100     US Mainstream Rock     UK Singles     AAA Charts     Album
1981     “Trouble”     #9     #12     #31     –     Law and Order
1983     “Holiday Road”     #82     –     –     –     National Lampoon’s Vacation soundtrack
1984     “Go Insane”     #23     #4     –     –     Go Insane
1984     “Slow Dancing”     #23     –     –     –     Go Insane
1992     “Wrong”     –     #23     –     –     Out of the Cradle
1992     “Countdown”     –     #38     –     –     Out of the Cradle
2006     “Show You How”     –     –     –     –     Under the Skin
2008     “Did You Miss Me”     –     –     –     #45     Gift of Screws

Tags: acotic, album, American, Anne, appearance, april, army, Artist, artists, b bboard, Band, bass, Bassist, Beach, billy, Birth, birth bob, Bomb, born, California, campaign, campaigning, celebrate, ceremony, chart, Charts, child, children, Classic, Commercial, community, competiti concert, concerts, Crazy, Critic, critics, cses, date, daughter, day, deal, death, debut, dision, drummer, DVD, Eclectic, Elvis, Everly, Exhaustion, falling, fame, family, Fan, fans, Father, Fender, Fetwood, film, Fingerpicking, first, Fleetwood, free, Gary, gib girlfriend, guitar, guitarist, hall, Hearing, heart, Help, hendrix, hit, hits, Holiday, Honor, Honored, Honors, Host, Hosts, ill, Inducted, induction, inducts, influence, Instrumental, jan, Jim, jimi, John, label, Last, law, le, leave, live, Lo, love, Mac, man, Manager, mark, marry, May, Mick, money, Morning, Movie, Music, Musician, nights, Olympics, on, orders, Original, Paul, Percussion, perform, play, pop, president, Presley, Producer, Producers, producing, promoter, promoting, Record, recording, Records, reform, Reformed, release, released, remix, replacement, Replacements, Reprise, return, Reunion, Rock, Rumours, sales, same, Santana, session, Sgwriter, sign, sing, Singer, Singers, single, singles, solo, son, Song, songs, Songwriter, soundtrack, steal, Stills, stones, Studio, Success, suit, talent, Time, title, Top, Tops, tour, tracks, tribut, Tribute, trio, turner, twisted, US, Vocal, Vocals, Warner, Who, world, Year

Aug 20

1942 – Isaac Hayes is born in Covington, Texas. …

Posted in 1940s, Bands/Artists that Rock, Billboard charts, Bio, Chart Toppers, Classic, Composers & Songwriters, General, Gold, Platinum, Rock n Roll Hall of Fame (honoured diety), Singers | No Comments »

1942 – Isaac Hayes is born in Covington, Texas.

Isaac Lee Hayes, Jr. (August 20, 1942 – August 10, 2008[1]) was an American soul and funk singer-songwriter, musician, record producer, arranger, composer, and actor. Hayes was one of the main creative forces behind southern soul music label Stax Records, where he served as both an in-house songwriter and producer with partner David Porter during the mid-1960s. In the late 1960s, Hayes became a recording artist, and recorded successful soul albums such as Hot Buttered Soul (1969) and Black Moses (1971) as the Stax label’s premier artist.

Alongside his work in popular music, Hayes was a film score composer for motion pictures. His best known work, for the 1971 blaxploitation film Shaft, earned Hayes an Academy Award for Best Original Song (the first Academy Award received by an African-American in a non-acting category) and two Grammy Awards. He received a third Grammy for the album Black Moses.

In 1992, in recognition of his humanitarian work, he was crowned an honorary king of Ghana’s Ada district. Hayes also acted in motion pictures and television; from 1997 to 2006, he provided the voice for the character “Chef” on the Comedy Central animated TV series South Park.

Biography

Early years

Hayes was born in Covington, Tennessee, the second-born child of Isaac Sr. and Eula Hayes, but after their deaths was raised by his grandparents, Mr. and Mrs. Willie Wade, Sr. The child of a poor family, he grew up picking cotton in Covington. He dropped out of high school, only to be encouraged later by his former high school teachers at Manassas High to get his diploma, which he earned at the age of 21. He began singing at the age of five at his local church, and, soon after, he taught himself to play the piano, electronic organ, flute and saxophone.

Stax Records and Shaft
Isaac Hayes’ 1969 album Hot Buttered Soul was both a commercial success and a milestone in the development of soul music.
Isaac Hayes’ 1969 album Hot Buttered Soul was both a commercial success and a milestone in the development of soul music.

Hayes began his recording career in the early 1960s, as a session player for various acts of the Memphis-based Stax Records. He later wrote a string of hit songs with songwriting partner David Porter, including “You Don’t Know Like I Know”, “Soul Man”, “When Something Is Wrong with My Baby”, and “Hold On I’m Comin” for Sam and Dave. Hayes, Porter and Stax studio band Booker T. & the MGs served as the main production team for much of the label’s output during the early and mid-1960s. In 1968, Hayes released his debut album, Presenting Isaac Hayes, a jazzy, largely improvised effort that was commercially unsuccessful.

His next album was Hot Buttered Soul, which was released in 1969 after Stax had gone through a major upheaval. The label had lost its largest star, Otis Redding, in a plane crash in December of 1967. Stax lost all of its back catalog to Atlantic Records in May of 1968. As a result, Stax executive vice president Al Bell called for 27 new albums to be completed in mid-1969; Hot Buttered Soul, was the most successful of these releases. This album is noted for Hayes’ image (shaved head, gold jewelry, sun glasses, etc) and his distinct sound (extended orchestral songs, heavy on organs, horns, and guitars, deep bass vocals, etc). Also on the album, Hayes re-interprets “Walk On By” (which had been made famous by Dionne Warwick) into a twelve-minute exploration. “By the Time I Get to Phoenix” starts with an eight-minute long monologue before breaking into song, and the lone original number, the funky “Hyperbolicsyllabicsesquedalymistic” runs nearly ten minutes, a significant break from the standard three minute soul/pop songs.

“Walk On By” would be the first of many times Hayes would take a Burt Bacharach standard, generally made famous as three minute pop songs by Dionne Warwick or Dusty Springfield, and transform it into an soulful, lengthy and almost gospel number.

In 1970, Hayes released two albums, The Isaac Hayes Movement and To Be Continued. The former stuck to the four song template of his previous album. Jerry Butler’s “I Stand Accused” begins with a trademark spoken word monologue, and Bacharach’s “I Just Don’t Know What to Do with Myself” is re-worked. The latter spawned the classic, “The Look Of Love,” another Bacharach song transformed into an eleven-minute epic of lush orchestral rhythm (mid-way it breaks into a rhythm guitar jam for a couple of minutes before suddenly resuming the slow love song). An edited three-minute version was issued as a single. The album also featured the instrumental “Ike’s Mood,” which segued into his own version of “You’ve Lost That Loving Feeling.” Hayes released a Christmas single, “The Mistletoe and Me” (with “Winter Snow” as a B-side).
The soundtrack for the 1971 blaxploitation film Shaft remains Hayes’ best-known work.
The soundtrack for the 1971 blaxploitation film Shaft remains Hayes’ best-known work.

In early 1971, Hayes composed music for the soundtrack of the blaxploitation film Shaft. (in the movie, he also appeared in a cameo role as the bartender of No Name Bar). The title theme, with its wah-wah guitar and multi-layered symphonic arrangement, would become a worldwide hit single, and spent two weeks at number one in the Billboard Hot 100 in November. The remainder of the album was mostly instrumentals covering big beat jazz, bluesy funk, and hard Stax-styled soul. The other two vocal songs, the social commentary “Soulville” and the nineteen-minute jam “Do Your Thing,” would be edited down to hit singles. Hayes won an Academy Award for Best Original Song for the “Theme from Shaft,” and was nominated for Best Original Dramatic Score for the film’s score.

Later in the year, Hayes released a double album, Black Moses, that expanded on his earlier sounds and featured The Jackson 5′s song “Never Can Say Goodbye”. Another single, “I Can’t Help It”, was not featured on the album.

In 1972, Hayes would record the theme tune for the TV series The Men and enjoy a hit single (with “Type Thang” as a B-side).

Hayes was back in 1973 with an acclaimed live double album, Live At Sahara Tahoe, and followed it up with the album Joy, with eerie beat of the fifteen-minute title track. He moved away from cover songs in this album. An edited “Joy” would be a hit single.

In 1974, Hayes was featured in the blaxploitation films Three Tough Guys and Truck Turner, and he recorded soundtracks for both. Tough Guys was being almost devoid of vocals and Truck Turner yielded a single with the title theme. The soundtrack score was eventually used by filmmaker Quentin Tarantino in the Kill Bill film series and has been used for over 30 years as the opening score of Brazilian radio show Jornal de Esportes at Jovem Pan station.

HBS (Hot Buttered Soul Records) and bankruptcy
This section does not cite any references or sources.
Please help improve this section by adding citations to reliable sources. Unverifiable material may be challenged and removed. (August 2008)

By 1974, Stax Records was having serious financial problems, stemming from problems with overextension and limited record sales and distribution. Hayes himself was deep in debt to Union Planters Bank, which administered loans for the Stax label and many of its other key employees. In September of that year, Hayes sued Stax for $5.3 million. As Stax was in deep debt and could not pay, the label made an arrangement with Hayes and Union Planters: Stax released Hayes from his recording and production contracts, and Union Planters would collect all of Hayes’ income and apply it towards his debts. Hayes formed his own label, Hot Buttered Soul, which released its product through ABC Records. His new album, 1975′s Chocolate Chip saw Hayes embrace the disco sound with the title track and lead single. “I Can’t Turn Around” would prove a popular song as time went on. This would be Hayes’ last album to chart top 40 for many years. Later in the year, the all instrumental Disco Connection album fully embraced disco.

In 1976, the album cover of Juicy Fruit featured Hayes in a pool with naked women, and spawned the title track single and the classic “Storm Is Over”. Later the same year the Groove-A-Thon album featured the singles “Rock Me Easy Baby” and the title track. However, while all these albums were regarded as solid efforts, Hayes was no longer selling large numbers. He and his wife were forced into bankruptcy in 1976, as they owed over $6 million. By the end of the bankruptcy proceedings in 1977, Hayes had lost his home, much of his personal property, and the rights to all future royalties earned from the music he’d written, performed, and produced.

Polydor and hiatus, film work, and the Duke of New York

In 1977, Hayes was back with a new deal with Polydor Records, a live album of duets with Dionne Warwick did moderately well, and his comeback studio album New Horizon sold better and enjoyed a hit single “Out The Ghetto”, and also featured the popular “It’s Heaven To Me”.

1978′s For The Sake Of Love saw Hayes record a sequel to “Theme from Shaft” (“Shaft II”), but was most famous for the single “Zeke The Freak”, a song that would have a shelf life of decades and be a major part of the House movement in the UK. The same year, Fantasy Records, which had bought out Stax Records, released an album of Hayes’ non-album singles and archived recordings as a “new” album, Hotbed, in 1978.

In 1979, Hayes returned to the Top 40 with Don’t Let Go and its disco-styled title track that became a hit single (U.S. #18), and also featured the classic “A Few More Kisses To Go”. Later in the year he added vocals and worked on Millie Jackson’s album Royal Rappin’s.

Neither 1980s And Once Again or 1981′s Lifetime Thing produced notable songs or big sales, and Hayes chose to take a break from music to pursue acting.

In the 1970s, Hayes featured in the films Shaft (1971) and Truck Turner (1974); he also had a recurring role in the TV series The Rockford Files as ex-con strongman Gandolph Fitch, including one episode alongside duet-partner Dionne Warwick. In the 1980s and 90s, he appeared in numerous films, notably Escape from New York (1981), I’m Gonna Git You Sucka (1988), Prime Target (1991), Robin Hood: Men in Tights (1993), and Johnny Mnemonic (1995), as well as in episodes of The A-Team and Miami Vice. He also attempted a musical comeback, embracing the style of drum machines and synth for 1986s U-Turn and 1988s Love Attack, though neither proved successful.

Return to form

Hayes launched a high-selling and successful comeback on the Virgin label in 1995. Branded was considered a return to form, and received positive reviews throughout the music press. A companion album Raw and Refined was released around the same time and featured a collection of previously unheard instrumentals, both old and new.

Hayes would become even more in the public consciousness with his long-running role as overweight loverman “Chef” in the controversial hit TV series South Park and in the feature length film South Park: Bigger, Longer & Uncut. (See below)

Hayes was inducted into the Rock ‘n Roll Hall of Fame in 2002. The same year, a documentary highlighting Isaac’s career and his impact on many of the Memphis artists in the 1960s onwards was produced, “Only The Strong Survive”.

In 2004, Hayes appeared in a recurring minor role as the Jaffa Tolok on the television series Stargate SG-1. The following year, he appeared in the critically acclaimed independent film Hustle & Flow.

Basketball team ownership

On July 17, 1974, Hayes, along with Mike Storen, Avron Fogelman and Kemmons Wilson took over ownership of the American Basketball Association team the Memphis Tams.

Scientology activism

Hayes joined Scientology around 1995. He contributed endorsement blurbs for many Scientology books. The frontispiece page for Scientology: The Fundamentals of Thought (1997 paperback edition) quotes Hayes as saying “If you really want to know about the mind, the spirit and life itself, read Scientology: The Fundamentals of Thought. It will put you on the right path!”

Hayes also appears in the Scientology film Orientation.

In 1998 Hayes and fellow Scientologist entertainers Anne Archer, Chick Corea and Haywood Nelson attended the 30th anniversary of Freedom Magazine, the Church of Scientology’s investigative news journal, at the National Press Club in Washington DC, to honor eleven human rights activists.

Hayes and Doug E. Fresh, another Scientologist musician, recorded an album in 2001 called The Joy Of Creating – The Golden Era Musicians And Friends Play L. Ron Hubbard. The album incorporates Scientology themes in the lyrics, such as “Let me tell you something. Wax enthusiastic and you’ll feel so. A being causes his own feelings. It’s the Joy Of Creating. Uh!”.

Stroke and death
Wikinews has related news:
Soul singer Isaac Hayes dies at age 65

On March 20, 2006, Roger Friedman of Fox News reported that Hayes had suffered a stroke in January.

Hayes was found unconscious in his home located just east of Memphis, Tennessee on August 10, 2008 as reported by the Shelby County Sheriff’s Department. A Shelby County Sheriff’s deputy responded to Hayes’s home after his wife found him on the floor near a still-running treadmill. Hayes was taken to Baptist Memorial Hospital in Memphis, where he was pronounced dead at 2:08pm

South Park’s “Chef”
Isaac Hayes’ character Chef from South Park.
Isaac Hayes’ character Chef from South Park.

During the late-1990s, Hayes became popular as the voice of Chef on the Comedy Central series South Park. Chef was a soul-singing cafeteria worker at the South Park kids’ school. A song from the series performed by Chef, “Chocolate Salty Balls (P.S. I Love You)”, received some international radio airplay in 1999. It reached number-one on the UK singles chart and also on the Irish singles chart. The track also appeared on the album Chef Aid: The South Park Album in 1998.

Scientology episode

In the South Park episode “Trapped in the Closet”, a satire and exposé of Scientology which aired on November 16, 2005, Hayes did not appear in his role as Chef. While appearing on the Opie and Anthony radio show about a month after the episode aired, Hayes was asked, “What did you think about when Matt and Trey did that episode on Scientology?” He replied (in a noticeably calm, casual manner), “One thing about Matt and Trey, they lampoon everybody, and if you take that serious, I’ll sell you the Brooklyn bridge for two dollars. That’s what they do.”

In an interview for The A.V. Club on January 4, 2006, Hayes was again asked about the episode. Hayes said that he told the creators, Matt Stone and Trey Parker, “Guys, you have it all wrong. We’re not like that. I know that’s your thing, but get your information correct, because somebody might believe that shit, you know?” He then told them to take a couple of Scientology courses to understand what they do. In the interview, Hayes defended South Park’s style of controversial humor, noting that he was not pleased with the show’s treatment of Scientology, but conceding that he “understands what Matt and Trey are doing.”

Departure from South Park
Wikinews has related news:
Isaac Hayes quits South Park over Scientology episode

On March 13, 2006, a statement was issued in Hayes’ name, indicating that he was asking to be released from his contract with Comedy Central, citing recent episodes which satirized religious beliefs as being intolerant. “There is a place in this world for satire, but there is a time when satire ends and intolerance and bigotry towards religious beliefs of others begins,” he was quoted in a press statement. The statement, however, did not directly mention Scientology. A response from Stone said that Hayes’ complaints stemmed from the show’s criticism of Scientology and that he “has no problem – and he’s cashed plenty of checks – with our show making fun of Christians, Muslims, Mormons or Jews.” never heard a peep out of Isaac in any way until we did Scientology. He wants a different standard for religions other than his own, and to me, that is where intolerance and bigotry begin.” Stone and Parker agreed to release Hayes from his contract per his request.

On March 20, 2006, Roger Friedman of Fox News reported having been told that the March 13th statement was made in Hayes’ name, but not by Hayes himself. He wrote: “Isaac Hayes did not quit South Park. My sources say that someone quit it for him. … Friends in Memphis tell me that Hayes did not issue any statements on his own about South Park. They are mystified.”

The South Park season 10 premiere (aired March 22, 2006) featured “The Return of Chef,” a thinly veiled telling of the affair from Parker and Stone’s point of view. Using sound clips from past episodes, it depicts Chef as having been brainwashed and urges viewers (via Kyle talking to the town) to “remember Chef as the jolly old guy who always broke into song” and not to blame Chef for his defection, but rather, as Kyle stated, “be mad at that fruity little club for scrambling his brains.”

After South Park

Hayes’ income was sharply reduced as a result of leaving South Park.

In April 2008, while a guest on The Adam Carolla Show, Hayes stumbled in his responses to questions – possibly as a result of health or related issues. A caller questioned whether Hayes was under the influence of a substance, and Carolla and co-host Teresa Strasser asked Hayes if he had ever used marijuana. After some confusion on what was being asked, Hayes replied that he had only ever tried it once. During the interview the radio hosts made light of Hayes’ awkward answers, and replayed Hayes comments as sound drops – often simulating conversation with his co-hosts. Hayes stated during this interview that he was no longer on good terms with Trey Parker and Matt Stone.

During the spring of 2008, Hayes shot scenes for a comedy about soul musicians inspired by the history of Stax Records entitled Soul Men, in which he will appear as himself in a supporting role. Soul Men also stars Bernie Mac, who coincidentally would die the day before Hayes in August 2008. The film is scheduled for release in November 2008.

Charitable work

The Isaac Hayes Foundation was founded in 1999 by Isaac Hayes.

In February 2006, Hayes appeared in a Youth for Human Rights International music video called “United”. YHRI is a human rights group founded by a Scientologist.

Hayes was also involved in other human rights related groups such as the One Campaign.

Family

Hayes fathered 12 children, and has 14 grandchildren and three great-grandchildren. One son is his namesake, Isaac Hayes III.

Tags: ABC, ad, Ads, AIDS, album, American, animati anne, appearance, april, Artist, artists, Atlantic, attacked, award, Awards, b bboard, Baby, babys, Band, bankruptcy, bass, Best, Bigger, Birth, black, book, books, born, brain, Break, bridge, Brooklyn, campaign, campaigning, catalog, chart, Charts, child, children, Christian, Church, Classic, Club, comedy, Commercial, composer, Crash, creative, Critic, critics, ctract, Dave, day, dead, deal, death, debt, debut, dies, Distribution, earn, fame, family, Father, files, film, first, foundation, Fox, freedom, funky, glasses, Gold, Good, gospel, Grammies, Grammy, guitar, hall, Help, history, hit, hits, Home, Honor, Honored, Honors, hospital, Host, Hosts, htle, huitarian, ill, image, Inducted, induction, inducts, influence, Instrumental, international, interview, irish, is jacks, Jazz, Kentucky, kid, killed, King, KISS, label, Last, launch, leave, life, lights, live, loan, lost, love, lyrics, Mac, Madness, man, marijuana, May, Memphis, milli, million, millions, Movie, Music, Musician, Muslim, on, Original, park, pay, perform, Phoenix, Piano, Plane, play, pool, pop, Premier, premiere, president, press, Producer, Producers, producing, public, radio, Record, recording, Records, release, released, religio rename, reporter, return, rights, Rock, sales, same, Saxophone, Seasons, sell, session, Sheriff, sing, Singer, Singers, single, singles, sold, son, Song, songs, Songwriter, soul, soundtrack, Spring, star, stones, stroke, Strokes, Studio, Success, Sued, Sun, Texas, thing, ticket, tickets, Time, title, Top, Tops, tour, tracks, Trademark, turner, US, Virgin, Vocal, Vocals, walk, Washington, wax, Who, wife, world, Year, York

Stu Sweatman: We host this ourselves... our own equipment. Very expsensive...
Plantagenet: This date is completely wrong. Ann Lantree was born 28th Au...
Bruce La Rochelle: Many thanks for the detailed history of Lulu. As you demons...
Stu Sweatman: Sorry about that... I have it in my notes... but was dealing...
Mahogany Rush Steve: This information is wrong, I have e-mailed this day in rock ...

On This Day in Rock History: February 8

1942 – Paul McCartney is born in Liverpool, Englan…

1955 – Elvis Costello (Declan McManus) is born in …

1948 – Fleetwood Mac songwriter Lindsey Buckingham is born in Palo Alto, Calif.

1942 – Isaac Hayes is born in Covington, Texas. …

HOME

RSS Feed. Get It!

Music Related

Recent Posts

Recent Comments

About